¯ ‹M”V (Takayuki Hoshi)

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T. Hoshi ’´‰¹”g‚̘b‚ð‚µ‚æ‚¤

§101-0041 “Œ‹ž“sç‘ã“c‹æ_“c{“c’¬ 2-25 ŽRú±{“c’¬ƒrƒ‹ 4F
ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒYŠ”Ž®‰ïŽÐ
E-mail: star(at)hoshistar81.jp / star(at)pixiedusttech.com / star(at)star.rcast.u-tokyo.ac.jp
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”ŽŽm (î•ñ—HŠw)
  • “Œ‹ž‘åŠw ‘åŠw‰@î•ñ—HŠwŒnŒ¤‹†‰È ƒVƒXƒeƒ€î•ñŠwêU ƒVƒXƒeƒ€î•ñ‘æ 3 Œ¤‹†Žº @(2003 ”N 4 ŒŽ ` 2009 ”N 3 ŒŽ)
  • ŒF–{‘åŠw ‘åŠw‰@Ž©‘R‰ÈŠwŒ¤‹†‰È ŽY‹Æ‘n‘¢HŠwêU‹@ŠB’m”\ƒVƒXƒeƒ€uÀ Œv‘ªHŠwŒ¤‹†Žº @(2009 ”N 4 ŒŽ ` 2011 ”N 3 ŒŽ)
  • –¼ŒÃ‰®H‹Æ‘åŠw ŽáŽèŒ¤‹†ƒCƒmƒx[ƒ^—{¬ƒZƒ“ƒ^[ î•ñ’ʐM•ª–ì lŠÔ’†SHŠwŠÖ˜AŒ¤‹†—Ìˆæ @(2011 ”N 4 ŒŽ ` 2016 ”N 3 ŒŽ)
    @ ²–쌤‹†Žº‚ÆŒ¤‹†˜AŒg
  • “Œ‹ž‘åŠw ‘åŠw‰@î•ñ—HŠwŒnŒ¤‹†‰È ƒVƒXƒeƒ€î•ñŠwêU @(2016 ”N 4 ŒŽ ` 2016 ”N 5 ŒŽ)
  • “Œ‹ž‘åŠw æ’[‰ÈŠw‹ZpŒ¤‹†ƒZƒ“ƒ^[ g‘̏î•ñŠw•ª–ì @(2016 ”N 6 ŒŽ ` 2017 ”N 9 ŒŽ)
  • ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒYŠ”Ž®‰ïŽÐ @(2017 ”N 10 ŒŽ ` )


  • Š‘®Šw‰ï: Œv‘ªŽ©“®§ŒäŠw‰ï, “ú–{ƒƒ{ƒbƒgŠw‰ï, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï, “ú–{‹@ŠBŠw‰ï, î•ñˆ—Šw‰ï, “ú–{‰¹‹¿Šw‰ï

    E Œv‘ªŽ©“®§ŒäŠw‰ï ‹ãBŽx•” ŒF–{’n‹æˆÏˆõ’· (2010)
    E Œv‘ªŽ©“®§ŒäŠw‰ï ƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–å GŠo•”‰ï ˆÏˆõ L•ñ’S“– (2011-)
    E “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï ƒjƒ…[ƒYƒŒƒ^[•ÒWˆÏˆõ‰ï ˆÏˆõ (2012-2015)
    E “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï Šw‰ïŽˆÏˆõ‰ï ˆÏˆõ (2014-)
    E ƒeƒjƒ…ƒAƒgƒ‰ƒbƒN‹³ˆõ‚É‚æ‚é‘n”­Œ^Œð—¬‰ï WEB ’S“– (2014-)
    E “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï IVRC ŽÀsˆÏˆõ‰ï L•ñ’S“– (2015-)
    E “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï ƒeƒŒƒCƒOƒWƒXƒ^ƒ“ƒXŒ¤‹†‰ï ˆÏˆõ (2016-)
    E “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï —͐GŠo‚Ì’ñŽ¦‚ÆŒvŽZŒ¤‹†‰ï ˆÏˆõ (2017-)
    E î•ñˆ—Šw‰ï ƒGƒ“ƒ^ƒeƒCƒ“ƒƒ“ƒgƒRƒ“ƒsƒ…[ƒeƒBƒ“ƒOŒ¤‹†‰ï ˆÏˆõ (2017-)
    E ƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ï ƒfƒoƒCƒXƒƒfƒBƒAŽwŒüƒ†[ƒUƒCƒ“ƒ^ƒtƒF[ƒXê–匤‹†ˆÏˆõ‰ï (SIGDeMO) ˆÏˆõ (2017-)

    E ‘æ 19 ‰ñ“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï ŽÀsˆÏˆõ‰ï o”ŁEWEB (2014)
    E ICAT-EGVE 2014 Demos Co-chair (2014)
    E Asia Haptics 2016 Local arrangement chair (2016)
    E ‘æ 9 ‰ñƒeƒŒƒCƒOƒWƒXƒ^ƒ“ƒXŒ¤‹†‰ï Š²Ž– (2016)
    E î•ñˆ—Šw‰ï ƒGƒ“ƒ^ƒeƒCƒ“ƒƒ“ƒgƒRƒ“ƒsƒ…[ƒeƒBƒ“ƒO 2017 ƒvƒƒOƒ‰ƒ€ˆÏˆõ (2017)
    E “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï ˜_•¶Ž“ÁW†u—͐GŠo‚Ì—‰ðEŒv‘ªE’ñŽ¦vƒQƒXƒgƒGƒfƒBƒ^ (2017)

    EPixie Dust Technologies, Inc. ‹¤“¯‘n‹Æ (2015)
    EPixie Dust Technologies, Inc. ‹ZpƒAƒhƒoƒCƒU (2016-2017)
    E“Œ‹ž‘åŠw æ’[‰ÈŠw‹ZpŒ¤‹†ƒZƒ“ƒ^[ g‘̏î•ñŠw•ª–ì ‹qˆõŒ¤‹†ˆõ (2017-)



    ƒhƒLƒ…ƒƒ“ƒg

    [HTML] Borland C++ Compiler Install F BCC ŠÖ˜A‚̃Cƒ“ƒXƒg[ƒ‹‚ÆŽg‚¢•û [2005/02/14]
    [HTML] Borland C++ Compiler Environment F BCC ‚Å GLUTAGLUIAOpenCV ‚ðŽg‚¤ [2010/12/01]

    [PDF] Tiny ƒ}ƒCƒRƒ“‚ðŽg‚Á‚Ă݂悤I F R8C/Tiny ‘fl•Ò [2006/01/31]
    [HTML] R8C/Tiny ŠJ”­ŠÂ‹« F R8C/Tiny “ü–å•Ò `HEW4 ‚ÌŽg‚¢•û` [2006/02/28]
    [HTML] R8C/Tiny ‚Æ‚ÌŒê‚ç‚¢ F R8C/Tiny ‰‹‰•Ò `PC ‚ƒʐM‚³‚¹‚é` [2007/01/20]
    [HTML] R8C/Tiny ‚Ì’§í F R8C/Tiny ’†‹‰•Ò `Å‚‘¬‚ð‹‚ß‚Ä` [2007/07/22]

    [PDF] GLUT ‚ðŽg‚Á‚Ă݂悤I F ‚©‚ñ‚½‚ñ 2D/3D ƒOƒ‰ƒtƒBƒbƒN (»ÝÌßÙ) [2006/06/27]
    [PDF] Å‹}~‰º–@‚ðŽg‚Á‚Ă݂悤I F ”’l‰ð–@‚Ì‚«‚Ù‚ñ‚́u‚«v (»ÝÌßÙ) [2006/11/28]
    [PDF] •z‚Ì•ÏŒ`‚ð‹Lq‚µ‚Ă݂悤I F ”÷•ªŠô‰½Šw‚̏‰•à‚Æ‚»‚̉ž—p [2007/04/24]
    [PDF] MEMS ƒZƒ“ƒT‚ð”`‚¢‚Ă݂悤I F ‰Á‘¬“xEŠp‘¬“xƒZƒ“ƒT‚ÌŒ´—‚ƍ\‘¢ [2007/06/19]
    [PDF] ŽlŒ³”‚ðŽg‚Á‚Ă݂悤I F ŽOŽŸŒ³‰ñ“]‚Ì‹Lq–@ [2008/06/03]
    [PDF] GLUI ‚ðŽg‚Á‚Ă݂悤I F GLUT ‚ª GUI ƒvƒƒOƒ‰ƒ€‚ɕϐg (»ÝÌßÙ) [2008/10/28]
    [PDF] gnuplot ‚ðŽg‚Á‚Ă݂悤I F ”Ž®‚âƒf[ƒ^‚ðŠÈ’P‚ɃOƒ‰ƒt‰» (»ÝÌßÙ) [2010/09/20]
    [PDF] DepthSense325 ‚ðŽg‚Á‚Ă݂悤I F ‹——£‰æ‘œ‚ªŽB‚ê‚éƒJƒƒ‰ (»ÝÌßÙ) [2012/11/28]

    [PDF] ‰ðÍM†‚̎戵à–¾‘ F U“®E”g“®‚Ì•¡‘f”•\Ž¦‚Ì’ˆÓ“_ [2009/11/02]
    [PDF] ’ïR‚ƃRƒ“ƒfƒ“ƒT F ’´“ü–åI“dŽq‰ñ˜H `Žó“®‘fŽq` [2009/11/11]
    [PDF] ‰‰ŽZ‘•Ší F ’´“ü–åI“dŽq‰ñ˜H `”\“®‘fŽq` [2009/11/12]
    [PDF] ’ïR‚ƃRƒ“ƒfƒ“ƒT{ƒ¿ F ’´“ü–åI“dŽq‰ñ˜H `ƒ{[ƒfü}` [2010/06/28]
    [PDF] ƒt[ƒŠƒG•ÏŠ·‚̐¢ŠEŠÏ F ƒt[ƒŠƒG•ÏŠ·‚ðƒCƒ[ƒW‚łƂ炦‚é [2010/07/26]
    [PDF] A/D •ÏŠ· F •W–{‰»E—ÊŽq‰»E•„†‰» [2010/08/02]
    [PDF] ‹‰”“WŠJ‚̐¢ŠEŠÏ F ŒöŽ®‚̈Ӗ¡‚·‚é‚Æ‚±‚ë‚ð’T‚é [2010/11/11]
    [PDF] ƒŒƒ“ƒY‚ƃt[ƒŠƒG•ÏŠ· F •¨—Œ»Û‚Æ‚µ‚Ẵt[ƒŠƒG•ÏŠ· [2011/11/11]
    [PDF] ’´ŽwŒü«ƒXƒs[ƒJ‚Ì—˜_ F ‰¹‚̃Xƒ|ƒbƒgƒ‰ƒCƒg‚Ì 3 ‚‚̌´— [2012/03/24]
    [PDF] ƒtƒBƒ‹ƒ^‚̐¢ŠEŠÏ F ƒAƒiƒƒO‚ƃfƒBƒWƒ^ƒ‹‚ÆŽü”g”‹óŠÔ (PPTX) [2013/01/01]
    [PDF] D/A •ÏŠ· F “à‘}ŠÖ”E—뎟ƒz[ƒ‹ƒh [2013/01/11]
    [PDF] D/A •ÏŠ·{ƒ¿ F Žü”g”•ª•z‚©‚çŠÖ”‚ðÄŒ»‚µ‚Ä‚Ý‚é [2013/01/13]

    [PDF] ”­•\Ž‘—¿ì‚è‚̏¬‹ZW F Power Point, Word, Tex ‚̃eƒNƒjƒbƒN [2005/11/15]
    [HTML] Ã“d—e—ÊŒ^ŒÜ•S‰~‹ÊƒZƒ“ƒT F Ã“d—e—ÊŒ^ƒZƒ“ƒT‚ÌŠî‘b‚Æ‘ª‚è•û [2006/07/07]
    [HTML] ‚±‚Ì–{‚ð“Ç‚ß‚ÁI F Œ¤‹†¶Šˆ‚Ì–ð‚É—§‚‚ł ‚낤–{‚̃ŠƒXƒg [2007/03/09]

    [Movie] W‘©’´‰¹”g‚ðŽg‚Á‚ĐG‚ꂸ‚ɉŸ‚· F ‰¹‹¿•úŽËˆ³‚Ì—˜—p [2012/11/11]
    [Movie] W‘©’´‰¹”g‚ðƒ`ƒ‡ƒRƒŒ[ƒg‚É“–‚Ä‚Ä‚Ý‚½ F ƒoƒŒƒ“ƒ^ƒCƒ“Šé‰æ [2013/02/14]
    [Movie] ƒ~ƒN‚ª’a¶“ú‚ɂ낤‚»‚­Á‚µ‚É’§í‚·‚é‚悤‚Å‚· F ‰‰¹ƒ~ƒN’a¶Õ 2013 (XVI Inc. ‚É‹Zp’ñ‹Ÿ) [2013/08/31]
    [Movie] ’´‰¹”gW‘©‘•’u‚Å only my railgun ‚ð‰‰‘t‚µ‚Ä‚Ý‚½ F HDD ‚â FDD ‚ɃCƒ“ƒXƒpƒCƒA‚³‚ê‚Ü‚µ‚Ä [2013/12/10]
    [PDF] W‘©’´‰¹”g”N•\ F …’†”Å‚©‚ç 10 ”NŠÔ‚Ì‹OÕ‚ÆŠÖ˜AŒ¤‹† [2014/02/14]
    [Movie] DIY ‰¹‹¿•‚—g‘•’u‚ðì‚Á‚Ä‚Ý‚½ F Žs”Ì‚Ì“dŽqHìƒLƒbƒg‚Å•‚—gŽÀŒ± (Œ^Ž†) [2014/03/24]
    [Movie] DIY ‰¹‹¿•‚—g‘•’u‚ðì‚Á‚Ä‚Ý‚½ (‘æ 2 •ñ) F Žs”Ì‚Ì“dŽqHìƒLƒbƒg‚Å•‚—gŽÀŒ± (STL) [2015/08/15]
    [PDF] Arduino Due ‚Å’´‰¹”gƒtƒF[ƒYƒhƒAƒŒƒC F ƒ}ƒCƒRƒ“‚̍ō‚‘¬‚Å 5ch §Œä‚É’§‚Þ [2016/04/01]

    YouTube@ ƒjƒRƒjƒR“®‰æ@ SlideShare@ Togetter@ Ustream@ GoogleScholar@ LinkedIn@ researchmap@ ResearchGate@ DMM.make@

    Laser Works@ ƒƒfƒBƒAŒ|pÕ@ HuMANDATA@ ƒJƒgƒEŒõŒ¤@ “ú–{‚ÌŒ¤‹†.com@


    —ª—ð

    2003 ”N 3 ŒŽ@ “Œ‹ž‘åŠw HŠw•” Œv”HŠw‰È ‘²‹Æ
    2005 ”N 3 ŒŽ@ “Œ‹ž‘åŠw ‘åŠw‰@î•ñ—HŠwŒnŒ¤‹†‰È ƒVƒXƒeƒ€î•ñŠwêU CŽm‰Û’öC—¹
    2007 ”N 4 ŒŽ@ “ú–{ŠwpU‹»‰ï “Á•ÊŒ¤‹†ˆõ DC2 (` 2009 ”N 3 ŒŽ)
    2008 ”N 3 ŒŽ@ “Œ‹ž‘åŠw ‘åŠw‰@î•ñ—HŠwŒnŒ¤‹†‰È ƒVƒXƒeƒ€î•ñŠwêU ”ŽŽm‰Û’öC—¹
    2009 ”N 4 ŒŽ@ ŒF–{‘åŠw ‘åŠw‰@Ž©‘R‰ÈŠwŒ¤‹†‰È ŽY‹Æ‘n‘¢HŠwêU‹@ŠB’m”\ƒVƒXƒeƒ€uÀ •‹³
    @ Œ“@ ŒF–{‘åŠw HŠw•” ‹@ŠBƒVƒXƒeƒ€HŠw‰È •‹³
    2011 ”N 4 ŒŽ@ –¼ŒÃ‰®H‹Æ‘åŠw ŽáŽèŒ¤‹†ƒCƒmƒx[ƒ^—{¬ƒZƒ“ƒ^[ “Á”C‹³ˆõ (ƒeƒjƒ…ƒAEƒgƒ‰ƒbƒN•‹³)
    2016 ”N 4 ŒŽ@ “Œ‹ž‘åŠw ‘åŠw‰@î•ñ—HŠwŒnŒ¤‹†‰È ƒVƒXƒeƒ€î•ñŠwêU •‹³
    2016 ”N 6 ŒŽ@ “Œ‹ž‘åŠw æ’[‰ÈŠw‹ZpŒ¤‹†ƒZƒ“ƒ^[ •‹³
    2017 ”N 10 ŒŽ@ ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒYŠ”Ž®‰ïŽÐ Žæ’÷–ð Å‚‹ZpÓ”CŽÒ


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    Œ´’˜˜_•¶

    1. ™‰Y—T‘¾, ŒË“cŒõ‹I, ‹e’n‚Žj, ¯‹M”V, _ŽR—mˆê, ŒÜ\—’Œ’•v, ˆîŒ©¹•F: Grassffiti: ŽÅ¶‚ðƒpƒuƒŠƒbƒNƒfƒBƒXƒvƒŒƒC‚É‚·‚éŽè–@, ‰f‘œî•ñƒƒfƒBƒAŠw‰ï˜_•¶Ž, Ì˜^Œˆ’è, 2017.
    2. ¯‹M”V: ‹ó’†’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC‚É‚¨‚¯‚éŽhŒƒ“_ˆÚ“®Žž‚Ì‘›‰¹—}§–@, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒeƒBŠw‰ï˜_•¶Ž, vol. 22, no. 3, pp. 293-300, 2017. [J-STAGE]
    3. Trung Quang Pham, Takayuki Hoshi, Yoshihiro Tanaka, and Akihito Sano: An FE Simulation Study on Population Response of RA-I Mechanoreceptor to Different Widths of Square Indenter,
      SICE Journal of Control, Measurement, and System Integration, vol. 10, no, 5, pp. 426-432, 2017. [J-STAGE]
    4. ¯‹M”V: “dŽqHìƒLƒbƒg‚ÅŽ©ì‚·‚éƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒu‰¹‹¿•‚—g‘•’u, î•ñˆ—Šw‰ï˜_•¶Ž, vol. 57, no. 12, pp. 2589-2598, 2016. [IPSJ]
      [“Á‘I˜_•¶ (vol. 57, no. 12 ‚ÉŒfÚ‚³‚ꂽ 38 Œ‚©‚ç 3 Œ‘I’è) / 2016 ”N 12 ŒŽ 15 “ú] WEB
    5. Trung Quang Pham, Takayuki Hoshi, Yoshihiro Tanaka, Akihito Sano, Takumi Kawaue, and Takaki Miyata: Two-Photon Imaging of DiO-Labelled Meissner Corpuscle in Living Mouse's Fingertip,
      IEEE Transactions on Haptics, vol. 9, no, 4, pp. 483-491, 2016. [IEEE Computer Society Digital Library]
    6. ¯‹M”V, ‘“cŽ : ‰æ‘œŒv‘ª‚¸“x‰»‚Ì‚½‚ß‚Ì’´‰¹”g’èÝ”g‚É‚æ‚é‹ó‹C—h‚炬‚Ì—}§, Œv‘ªŽ©“®§ŒäŠw‰ï˜_•¶W, vol. 52, no. 10, pp. 518-523, 2016. [J-STAGE]
      [2016 ”N“xŒv‘ª•”–å˜_•¶Ü / •\²Ž® 2017 ”N 9 ŒŽ 1 “ú]
    7. Yoichi Ochiai*, Kota Kumagai*, Takayuki Hoshi, Jun Rekimoto, Satoshi Hasegawa, and Yoshio Hayasaki: Fairy Lights in Femtoseconds: Aerial and Volumetric Graphics Rendered by Focused Femtosecond Laser Combined with Computational Holographic Fields,
      ACM Transactions on Graphics, vol. 35, article no. 17, 2016. (*Joint first authors) [PrePrint in arXiv.org] [ACM Digital Library]
    8. ™‰Y—T‘¾, ŒË“cŒõ‹I, ¯‹M”V, _ŽR—mˆê, ŒÜ\—’Œ’•v, ˆîŒ©¹•F: Graffiti Fur: ”í–Ñ‚ð—L‚·‚é•z‚ðƒfƒBƒXƒvƒŒƒC‰»‚·‚éŽè–@, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒeƒBŠw‰ï˜_•¶Ž, vol. 20, no. 2, pp. 151-161, 2015. [CiNii]
      [‘æ 18 ‰ñ˜_•¶Ü (ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŒ¤‹†‚Ì”­“W‚ɍvŒ£‚·‚é—D‚ꂽ˜_•¶ 5 •Ñ) / •\²Ž® 2016 ”N 9 ŒŽ 15 “ú]
    9. Hiroshi Shimizu, Takayuki Hoshi, Kenji Nakamura, and Jai-Eok Park: Development of a Non-contact Ultrasonic Pollination Device,
      Environmental Control in Biology, vol. 53, no. 2, pp. 85-88, 2015. [J-STAGE]
    10. Kazuya Kikunaga, Takayuki Hoshi, Hiroshi Yamashita, Masahiro Egashira, and Kazuhiro Nonaka: Development of a Technique for Measuring Static Electricity Distribution Using Focused Ultrasound Waves and an Induced Electric Field,
      Journal of Electrostatics, vol. 73, pp. 6-11, 2015. [ScienceDirect]
    11. ‰Í–ì’ʏA, ¯‹M”V, ⨍N–¾: lapillus bug : ‰¹‹¿•‚—g‘€ì‚ÉŠî‚¢‚½—±Žq‚̐¶•¨“I•\Œ»‚ƃCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒeƒBŠw‰ï˜_•¶Ž, vol. 19, no. 4, pp. 615-624, 2014. [CiNii]
    12. Yoichi Ochiai, Takayuki Hoshi, and Jun Rekimoto: Pixie Dust: Graphics Generated by Levitated and Animated Objects in Computational Acoustic-Potential Field,
      ACM Transactions on Graphics, vol. 33, article no. 85, 2014. [ACM Digital Library]
    13. Yoichi Ochiai, Alexis Oyama, Takayuki Hoshi, and Jun Rekimoto: The Colloidal Metamorphosis: Time Division Multiplexing of the Reflectance State,
      IEEE Computer Graphics and Applications, vol. 34, no. 4, pp. 42-51, 2014. [CS Digital Library]
    14. ¯‹M”V: ”ñÚGì—p—͂𔭐¶‚·‚鏬Œ^’´‰¹”gW‘©‘•’u‚ÌŠJ”­, Œv‘ªŽ©“®§ŒäŠw‰ï˜_•¶W, vol. 50, no. 7, pp. 543-552, 2014. [J-STAGE]
    15. Takayuki Hoshi, Yoichi Ochiai, and Jun Rekimoto: Three-Dimensional Noncontact Manipulation by Opposite Ultrasonic Phased Arrays,
      Japanese Journal of Applied Physics, vol. 53, 07KE07, 2014. [IOP]
    16. Yoichi Ochiai, Takayuki Hoshi, and Jun Rekimoto: Three-Dimensional Mid-Air Acoustic Manipulation by Ultrasonic Phased Arrays,
      PLoS ONE, vol. 9, no. 5, e97590, 2014. [PrePrint in arXiv.org] [PLoS ONE]
    17. ‹e‰i˜a–ç, ¯‹M”V, ŽR‰º”ŽŽj, ]“ª³_, –ì’†ˆê—m: W‘©’´‰¹”g‚Æ—U‹N“dŠE‚ð—p‚¢‚½”ñ‹ßÚŒ^Ã“d‹CŒv‘ª‹Zp‚ÌŠJ”­, Ã“d‹CŠw‰ïŽ, vol. 38, no. 2, pp. 101-107, 2014. [IESJ]
    18. —Ž‡—zˆê, ‘åŽR„Žj, ¯‹M”V, —ï–{ƒˆê: ƒRƒƒCƒhƒfƒBƒXƒvƒŒƒC: “§–¾‚È”––Œ‚ð—p‚¢‚½”½ŽË§ŒäƒfƒBƒXƒvƒŒƒC, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒeƒBŠw‰ï˜_•¶Ž, vol. 18, no. 3, pp. 277-286, 2013. [CiNii]
    19. Kazuya Kikunaga, Takayuki Hoshi, Hiroshi Yamashita, Yoshitaka Fujii, and Kazuhiro Nonaka: Measuring Technique for Static Electricity Using Focused Sound,
      Journal of Electrostatics, vol. 71, no. 3, pp. 554-557, 2012. [ScienceDirect]
    20. Takayuki Hoshi, Masafumi Takahashi, Takayuki Iwamoto, and Hiroyuki Shinoda: Noncontact Tactile Display Based on Radiation Pressure of Airborne Ultrasound,
      IEEE Transactions on Haptics, vol. 3, no. 3, pp. 155-165, 2010. [IEEE Computer Society Digital Library]
    21. ¯‹M”V, ŽÂ“c—T”V: ƒŠƒAƒ‹ƒ^ƒCƒ€‚ÉŒ`óŒv‘ª‰Â”\‚È•zóƒfƒoƒCƒX, Œv‘ªŽ©“®§ŒäŠw‰ï˜_•¶W, vol. 44, no. 12, pp. 1015-1016, 2008. [J-STAGE]
    22. ¯‹M”V, ŽÂ“c—T”V: ÚG—͂ƐڐG–ʐςðŒv‘ª‚·‚é”ñüŒ`GŠo‘fŽq, Œv‘ªŽ©“®§ŒäŠw‰ï˜_•¶W, vol. 42, no. 7, pp. 727-735, 2006. [J-STAGE]

    ‘Ð

    1. ¯‹M”V: ŽÔÚ•ª–ì‚É‚¨‚¯‚é‹ó’†’´‰¹”gGŠoƒCƒ“ƒ^ƒtƒF[ƒX, ŽÔÚ—pƒfƒBƒXƒvƒŒƒCE‘€ìƒCƒ“ƒ^[ƒtƒF[ƒX `Ž©“®‰^“]E‚“xî•ñ‰»Žž‘ã‚ÌHMI‚Æ‚»‚Ì—v‘f‹Zp`, ƒTƒCƒGƒ“ƒX•ƒeƒNƒmƒƒW[, 9 ŒŽ 28 “úŠ§s, 2017. [–¢•ÒWŒ´e]
    2. ¯‹M”V: GŠo‚𔺂¤‹ó’†“ü—̓VƒXƒeƒ€, ŒÜŠ´ƒCƒ“ƒ^ƒtƒF[ƒX‹Zp‚Ɛ»•iŠJ”­ Ž–—áW `ƒqƒg‚Ì’mŠoƒƒJƒjƒYƒ€‚ÆŠ´ŠoŠÔ‚Ì‘ŠŒÝì—p`, ‹Zpî•ñ‹¦‰ï, 12 ŒŽ 26 “úŠ§s, 2016. [–¢•ÒWŒ´e]
    3. Takayuki Hoshi and Hiroyuki Shinoda: Airborne Ultrasound Tactile Display, Hiroyuki Kajimoto, Satoshi Saga, and Masahi Konyo (Eds.), Pervasive Haptics -Science, Design, and Application-, Springer Japan, pp. 121-138, 2016.

    ‘ÛŠw‰ï

    1. Yosuke Ueno, Takayuki Hoshi, Atsushi Hiyama, and Masahiko Inami: Virtual Experiments of Augmentation of Transparent Cockpit,
      Proc. 24th International Display Workshops, to appear, Sendai (Japan), 6-8 Dec. 2017.
    2. Yoichi Ochiai, Tatsuya Minagawa, Takayuki Hoshi, Daitetsu Sato, Kazuki Takazawa, Amy Koike, Satoshi Hashizume, Ippei Suzuki, Atsushi Shinoda, and Kazuyoshi Kubokawa: LeviFab: Stabilization and Manipulation of Digitally Fabricated Objects for Superconductive Levitation,
      Proc. ACM SIGGRAPH 2017, Studio, article no. 5, Los Angeles, California (USA), 30 Jury - 3 Aug. 2017. [Demo] [ACM Digital Library]
    3. Yoichi Ochiai, Tatsuya Minagawa, Takayuki Hoshi, Daitetsu Sato, Satoshi Hashizume, Kazuki Takazawa, Amy Koike, Ippei Suzuki, Atsushi Shinoda, and Kazuyoshi Kubokawa: LeviFab: Stabilization and Manipulation of Digitally Fabricated Objects for Superconductive Levitation,
      Proc. ACM SIGGRAPH 2017, Posters, article no. 7, Los Angeles, California (USA), 30 Jury - 3 Aug. 2017. [Poster] [ACM Digital Library]
    4. Satoshi Hashizume, Amy Koike, Takayuki Hoshi, and Yoichi Ochiai: Sonovortex: Rendering Multi-resolution Aerial Haptics by Aerodynamic Vortex and Focused Ultrasound,
      Proc. ACM SIGGRAPH 2017, Posters, article no. 57, Los Angeles, California (USA), 30 Jury - 3 Aug. 2017. [Poster] [ACM Digital Library]
    5. Yoichi Ochiai*, Takayuki Hoshi*, and Ippei Suzuki: Holographic Whisper: Rendering Audible Sound Spots in Three-Dimensional Space by Focusing Ultrasonic Waves,
      Proc. ACM CHI 2017, pp. 4314-4325, Denver, Colorado (USA), 6-11 May 2017. (*Joint first authors) [ACM Digital Library]
    6. Shigo Ko, Yuta Itoh, Yuta Sugiura, Takayuki Hoshi, and Maki Sugimoto: Spatial Calibration of Airborne Ultrasound Tactile Display and Projector-Camera System Using Fur Material,
      Proc. ACM TEI 2017, Work in Progress, pp. 583-588, Yokohama (Japan), 20-23 Mar. 2017. [Poster] [ACM Digital Library]
    7. Yuta Sugiura, Koki Toda, Takashi Kikuchi, Takayuki Hoshi, Youichi Kamiyama, Takeo Igarashi, and Masahiko Inami: Grassffiti: Drawing Method to Produce Large-scale Pictures on Conventional Grass Fields,
      Proc. ACM TEI 2017, Work in Progress, pp. 413-417, Yokohama (Japan), 20-23 Mar. 2017. [Poster] [ACM Digital Library]
    8. Ryota Kondo, Maki Sugimoto, Kouta Minamizawa, Takayuki Hoshi, Masahiko Inami, and Michiteru Kitazaki: The Illusory Body Ownership: Remapping of the Right Finger to the Left Arm by Vision-action Contingency of Different Body Parts,
      IEEE Symposium on 3D User Interfaces, Los Angeles, Califolnia (USA), 18-19 Mar. 2017. [Poster]
    9. Yuki Kubo, Hirobumi Tomita, Shuta Nakame, Takayuki Hoshi, and Yoichi Ochiai: Bubble Cloud: Projection of an Image onto a Bubble Cluster,
      Proc. 13th International Conference on Advances in Computer Entertainment Technology (ACE 2016), article no. 41, Osaka (Japan), 9-12 Nov. 2016. [ACM Digital Library]
    10. Pham Quang Trung, Takayuki Hoshi, Yoshihiro Tanaka, and Akihito Sano: A Finite Element Model of 3D Microstructure of Dermal Papillae: Concentration of Strain Energy Density at Mechanoreceptor Locations,
      Proc. SICE Annual Conference 2016, pp. 1320-1322, Tsukuba (Japan), 20-23 Sept. 2016.
    11. Yuki Kubo, Hirobumi Tomita, Shuta Nakame, Takayuki Hoshi, and Yoichi Ochiai: Bubble Clouds: 3D Form Display Composed of Soap Bubble Cluster,
      Proc. 16th International Conference on Entertainment Computing (ICEC '17), pp. 14-23, Tsukuba (Japan), 18-21 Sept. 2017. [Springer Link]
    12. Yoichi Ochiai*, Kota Kumagai*, Takayuki Hoshi, Satoshi Hasegawa, and Yoshio Hayasaki: Cross-Field Aerial Haptics: Rendering Haptic Feedback in Air with Light and Acoustic Fields,
      Proc. ACM CHI 2016, pp. 3238-3247, San Jose, Califolnia (USA), 7-12 May 2016. (*Joint first authors) [ACM Digital Library]
    13. Takayuki Hoshi: Gradual Phase Shift to Suppress Noise from Airborne Ultrasound Tactile Display,
      ACM CHI 2016 Workshop on Mid-Air Haptics and Displays: Systems for Un-instrumented Mid-Air Interactions, Session 2: Provide Visual and Haptic Feedback, San Jose, Califolnia (USA), 7-12 May 2016.
    14. Takayuki Hoshi: Variation of Tactile Feelings of Focused Ultrasound: Modulation Frequency and Hand Movement,
      Proc. ACM SIGGRAPH Asia 2015, Workshop on Haptic Media and Contents Design, article no. 18, Kobe (Japan), 2 Nov. 2015. [Demo] [ACM Digital Library]
    15. Pham Quang Trung, Takayuki Hoshi, Yoshihiro Tanaka, and Akihito Sano: Investigation on Tactile Sensor based on Tissue Engineering,
      Proc. Vietnamese-Japanese Students' Scientific Exchange Meeting (VJSE 2015), Kyoto (Japan), 31 Oct. 2015.
    16. Kazuya Kikunaga and Takayuki Hoshi: Measuring Electrostatic Charge by Ultrasound Impulse Excitation,
      Proc. IEEE Industry Applications Society (IAS) Annual Meeting 2015, 2015-EPC-0511, Dallas, Texas (USA), 18-22 Oct. 2015.
    17. Yoichi Ochiai, Kota Kumagai, Takayuki Hoshi, Jun Rekimoto, Satoshi Hasegawa, and Yoshio Hayasaki: Fairy Lights in Femtoseconds: Aerial and Volumetric Graphics Rendered by Focused Femtosecond Laser Combined with Computational Holographic Fields,
      Proc. ACM SIGGRAPH 2015, Emerging Technologies, article no. 10, Los Angeles, California (USA), 9-13 Aug. 2015. [Demo] [Emerging Technologies Preview Trailer] [ACM Digital Library]
    18. Yoichi Ochiai, Kota Kumagai, Takayuki Hoshi, Jun Rekimoto, Satoshi Hasegawa, and Yoshio Hayasaki: Fairy Lights in Femtoseconds: Aerial and Volumetric Graphics Rendered by Focused Femtosecond Laser Combined with Computational Holographic Fields,
      Proc. ACM SIGGRAPH 2015, Emerging Technologies Talks, article no. 10, Los Angeles, California (USA), 9-13 Aug. 2015.
    19. Yoichi Ochiai, Kota Kumagai, Takayuki Hoshi, Jun Rekimoto, Satoshi Hasegawa, and Yoshio Hayasaki: Fairy Lights in Femtoseconds: Aerial and Volumetric Graphics Rendered by Focused Femtosecond Laser Combined with Computational Holographic Fields,
      Proc. ACM SIGGRAPH 2015, Posters (Research), Los Angeles, California (USA), 9-13 Aug. 2015. [Poster]
    20. Masaya Takasaki, Daisuke Yamaguchi, Yoichi Ochiai, Takayuki Hoshi, and Takeshi Mizuno: Between Smoothness and Stickiness,
      Proc. IEEE World Haptics Conference, D-46, Chicago, Illinois (USA), 22-26 June 2015. [Demo] [Demonstrations Previews]
    21. Trung Pham Quang, Takayuki Hoshi, Yoshihiro Tanaka, and Akihito Sano: Study on Three-dimensional Configuration of Dermal Papillae: Effects on Meissner Corpuscles,
      Proc. IEEE World Haptics Conference, Work-In-Progress, WIP-25, Chicago, Illinois (USA), 22-26 June 2015. [Poster]
    22. Hiroshi Shimizu, Kenji Nakamura, Takayuki Hoshi, Hiroshi Nakamura, Juro Miyashita, and Katsuaki Ohdoi: Development of a Non-contact Ultrasonic Pollination System,
      Proc. XXXVI CIOSTA & CIGR Section V Conference 2015, paper ID 43, Saint-Petersburg (Russia), 26-28 May 2015.
    23. Yoichi Ochiai, Takayuki Hoshi, Kota Kumagai, Jun Rekimoto, Satoshi Hasegawa, and Yoshio Hayasaki: Fairy Lights,
      17th International Conferences and Exhibition of Virtual Technologies and Uses (Laval Virtual 2015), Laval Virtual Awards, Laval (France), 8-12 Apr. 2015.
      [Industrial design & Simulation (One of 10 Awards) / 18 Mar. 2015]
    24. Takayuki Hoshi: Noncontact Tactile Display Using Airborne Ultrasound,
      Proc. 21st International Display Workshops, pp. 1529-1533, Niigata (Japan), invited, 3-5 Dec. 2014.
    25. Daisuke Yamaguchi, Yoichi Ochiai, Takayuki Hoshi, Jun Rekimoto, Masaya Takasaki: Driving System of Diminished Haptics: Transformation of Real World Textures,
      Proc. AsiaHaptics 2014, B-18, Tsukuba (Japan), 18-20 Nov. 2014. [Demo] [Partial Preview]
    26. Michinari Kono, Takayuki Hoshi, and Yasuaki Kakehi: lapillus bug: Creature-like Behaving Particles Based on Interactive Mid-Air Acoustic Manipulation,
      Proc. 11th Advances in Computer Entertainment Technology Conference (ACE 2014), article no. 34, Madeira (Portugal), 11-14 Nov. 2014. [ACM Digital Library]
    27. Gary M.Y. Hung, Nigel W. John, Chris Hancock, and Takayuki Hoshi: Using Airborne Ultrasound as a Tactile Interface within Medical Training Simulators,
      Proc. 6th International Symposium on Biomedical Simulation (ISBMS 2014), pp. 30-39, Strasbourg (France), 16-17 Oct. 2014.
    28. Yuta Sugiura, Koki Toda, Takayuki Hoshi, Youichi Kamiyama, Masahiko Inami, and Takeo Igarashi: Graffiti Fur: Turning Your Carpet into a Computer Display,
      Proc. 27th ACM User Interface Software and Technology Symposium (ACM UIST 2014), pp. 149-156, Hawaii (USA), 5-8 Oct. 2014. [Technical Program Preview]
      [Best Talk Award (1/74) / 8 Oct. 2014]
    29. Takayuki Hoshi, Yoichi Ochiai, and Jun Rekimoto: Three-dimensional Non-contact Manipulation Based on Standing-wave Acoustic Levitation,
      Proc. 1st International Conference on Ultrasonic-Based Applications: From Analysis to Synthesis (ULTRASONICS 2014), p. 111, Lisbon (Portugal), invited, 15-17 Sept. 2014.
    30. Pham Quang Trung, Takayuki Hoshi, Yoshihiro Tanaka, and Akihito Sano: Investigation of Spatial Structure Surrounding Meissner Corpuscle by Using Compact Finite-Element Methods,
      Proc. Vietnamese-Japanese Students' Scientific Exchange Meeting (VJSE 2014), Kobe (Japan), 13 Sept. 2014.
    31. Yuta Sugiura, Koki Toda, Takayuki Hoshi, Masahiko Inami, and Takeo Igarashi: Graffiti Fur: Turning Your Carpet into a Computer Display,
      Proc. ACM SIGGRAPH 2014, Emerging Technologies, article no. 9, Vancouver (Canada), 10-14 Aug. 2014. [Demo] [Emerging Technologies Media Tour] [ACM Digital Library]
    32. Yoichi Ochiai, Takayuki Hoshi, and Jun Rekimoto: Pixie Dust: Graphics Generated by Levitated and Animated Objects in Computational Acoustic-Potential Field,
      Proc. ACM SIGGRAPH 2014, Emerging Technologies, article no. 21, Vancouver (Canada), 10-14 Aug. 2014. [Demo] [Emerging Technologies Preview Trailer] [Emerging Technologies Media Tour] [ACM Digital Library]
    33. Yoichi Ochiai, Takayuki Hoshi, and Jun Rekimoto: Pixie Dust: Graphics Generated by Levitated and Animated Objects in Computational Acoustic-Potential Field,
      Proc. ACM SIGGRAPH 2014, Posters, article no. 83, Vancouver (Canada), 10-14 Aug. 2014. [Poster] [ACM Digital Library]
      [Invited to the First Round of the Student Research Competition (25 student posters)]
    34. Yoichi Ochiai, Takayuki Hoshi, and Jun Rekimoto: Pixie Dust: Graphics Generated by Levitated and Animated Objects in Computational Acoustic-Potential Field,
      Proc. ACM SIGGRAPH 2014, Technical Papers, article no. 85, Vancouver (Canada), 10-14 Aug. 2014. [Technical Papers Preview Trailer] [ACM Digital Library]
    35. Yoichi Ochiai, Takayuki Hoshi, Jun Rekimoto, and Masaya Takasaki: Diminished Haptics: Towards Digital Transformation of Real World Textures,
      Proc. Eurohaptics 2014, Poster 53 / Demo 4, Versailles (France), 24-27 June 2014. [Poster & Demo]
      [Best Demonstration Award Honorable Mention (2nd/30) / 26 June 2014] [IEEE ToH / News from the Field]
    36. Yoichi Ochiai, Takayuki Hoshi, and Jun Rekimoto: Pixie Dust,
      16th International Conferences and Exhibition of Virtual Technologies and Uses (Laval Virtual 2014), Laval Virtual Awards, Laval (France), 9-13 Apr. 2014.
      [Interface & Multipurpose Equipment (One of 10 Awards) / 28 Mar. 2014]
      [Grand Prix du Jury (1/10) / 10 Apr. 2014]
    37. Yoichi Ochiai, Takayuki Hoshi, and Jun Rekimoto: Three-Dimensional Mid-Air Acoustic Manipulation,
      16th International Conferences and Exhibition of Virtual Technologies and Uses (Laval Virtual 2014), ReVolution, Laval (France), 9-13 Apr. 2014. [Demo]
      [Invited Pproject (One of 4 Projects)/ 6 Mar. 2014]
    38. Michinari Kono, Yasuaki Kakehi, and Takayuki Hoshi: lapillus bug,
      Proc. ACM SIGGRAPH Asia 2013, Art Gallery, Hong Kong (China), 19-22 Nov. 2013. [Demo] [Movie]
    39. Yoichi Ochiai, Alexis Oyama, Takayuki Hoshi, and Jun Rekimoto: Theory and Application of the Colloidal Display: Programmable Bubble Screen for Computer Entertainment,
      Proc. 10th International Conference on Advances in Computer Entertainment Technology (ACE 2013), pp. 198-214, Twente (Netherlands), 12-15 Nov. 2013.
      [Springer Diamond Award for best research (1/77) / 15 Nov. 2013]
    40. Pham Quang Trung, Takayuki Hoshi, Yoshihiro Tanaka, and Akihito Sano: Proposal of Tactile Sensor Development Based on Tissue Engineering,
      Proc. IEEE/RSJ International Conference on Intelligent Robots and Systems 2013 (IROS 2013), pp. 2030-2034, Tokyo (Japan), 3-8 Nov. 2013.
    41. Yoichi Ochiai, Alexis Oyama, Takayuki Hoshi, and Jun Rekimoto: Poppable Display: A Display Which Enables People to Interact with Popping, Breaking, and Tearing,
      Proc. 2013 IEEE 2nd Global Conference on Consumer Electronics (GCCE 2013), pp. 124-128, Makuhari (Japan), 1-4 Oct. 2013.
    42. Kei Nakatsuma, Takayuki Hoshi, and Ippei Torigoe: Haptic-Emoticon: A Framework for Creating and Sharing Haptic Contents,
      Proc. SICE Annual Conference 2013, pp. 218-222, Nagoya (Japan), 14-17 Sept. 2013.
    43. Takayuki Hoshi: Compact Device for Markerless Hand Tracking and Noncontact Tactile Feedback,
      Proc. SICE Annual Conference 2013, pp. 277-278, Nagoya (Japan), 14-17 Sept. 2013.
    44. Kei Nakatsuma, Takayuki Hoshi, and Ippei Torigoe: Haptic-Emoticon: A Platform for Creating and Sharing Haptic Contents,
      Proc. ACM SIGGRAPH 2013, Posters, Anaheim, California (USA), 21-25 July 2013. [Poster] [Movie]
    45. Yoichi Ochiai, Alexis Oyama, Takayuki Hoshi, and Jun Rekimoto: Reflective, Deformable, Colloidal Display: A Waterfall-Based Colloidal Membrane Using Focused Ultrasonic Waves,
      Proc. ACM SIGGRAPH 2013, Posters, Anaheim, California (USA), 21-25 July 2013. [Poster] [Movie]
      [Student Research Competition Semi-Finalist (15 student posters) / 23 July 2013]
    46. Gary M.Y. Hung, Nigel W. John, Chris Hancock, Derek A. Gould, and Takayuki Hoshi: UltraPulse - Simulating Arterial Pulse with Focused Airborne Ultrasound,
      Proc. 35th Annual International Conference of the IEEE Engineering in Medicine and Biology Society (EMBC'13), pp. 2511-2514, Osaka (Japan), 3-7 July 2013.
    47. Kazuya Kikunaga, Takayuki Hoshi, Hiroshi Yamashita, Yoshitaka Fujii, and Kazuhiro Nonaka: Measuring Technique for Static Electricity Using Focused Sound,
      Journal of Electrostatics (12th International Conference on Electrostatics (Electrostatics 2013)), vol. 71, no. 3, pp. 554-557, Budapest (Hungary), 17-19 Apr. 2013.
      [Young Scientist Award (4 scientists below 35 years) / 19 Apr. 2013]
    48. Yoichi Ochiai, Alexis Oyama, Takayuki Hoshi, and Jun Rekimoto: Colloidal Display,
      15th International Conference and Exhibition on Virtual Reality and Converging Technologies (Laval Virtual 2013), ReVolution, Laval (France), 20-24 Mar. 2013. [Demo] [Movie]
      [Laval Virtual Awards 2013 Nominee]
    49. Takayuki Hoshi: Compact Ultrasound Device for Noncontact Interaction,
      Proc. Advances in Computer Entertainment Conference 2012 (ACE 2012), pp. 502-505, Kathmandu (Nepal), 3-5 Nov. 2012. [Demo] [Movie]
    50. Takayuki Hoshi: Development of Portable Device of Airborne Ultrasound Tactile Display,
      Proc. SICE Annual Conference 2012, pp. 290-292, Akita (Japan), 20-23 Aug. 2012.
    51. Takayuki Hoshi: Handwriting Transmission System Using Noncontact Tactile Display,
      Proc. IEEE Symposium on Haptic Interfaces for Virtual Environment and Teleoperator Systems (IEEE Haptics Symposium 2012), pp. 399-401, Vancouver (Canada), 4-7 Mar. 2012. [Poster & Demo]
      [Best Demo Award Candidate (12/47) / 7 Mar. 2012]
    52. Takayuki Hoshi: Midair Input-Output Interface Consisting of Depth Camera and Noncontact Tactile Display,
      Proc. SICE Annual Conference 2011, pp. 608-609, Waseda (Japan), 13-18 Sept. 2011.
    53. Takayuki Hoshi: Development of Aerial-Input and Aerial-Tactile-Feedback System,
      Proc. 4th Joint Eurohaptics Conference and IEEE Haptics Symposium (IEEE World Haptics 2011), pp. 569-573, Istanbul (Turkey), 22-24 June 2011. [Poster & Demo]
    54. Takayuki Hoshi, Yuta Nishiyama, and Ippei Torigoe: Observations of Airflow Arising from Airborne Ultrasound Tactile Display,
      Proc. SICE Annual Conference 2010, pp. 384-385, Taipei (Taiwan), 18-21 Aug. 2010.
    55. Takayuki Hoshi, Daisu Abe, and Hiroyuki Shinoda: Adding Tactile Reaction to Hologram,
      Proc. 18th IEEE International Symposium on Robot and Human Interactive Communication (IEEE RO-MAN 2009), pp. 7-11, Toyama (Japan), 27 Sept. - 2 Oct. 2009. [Demo]
    56. Takayuki Hoshi, Masafumi Takahashi, Kei Nakatsuma, and Hiroyuki Shinoda: Touchable Holography,
      Proc. ACM SIGGRAPH 2009, Emerging Technologies, article no. 23, New Orleans, Louisiana (USA), 3-7 Aug. 2009. [Demo]
    57. Takayuki Hoshi, Takayuki Iwamoto, and Hiroyuki Shinoda: Non-contact Tactile Sensation Synthesized by Ultrasound Transducers,
      Proc. 3rd Joint Eurohaptics Conference and Symposium on Haptic Interfaces for Virtual Environment and Teleoperator Systems (World Haptics 2009), pp. 256-260, Salt Lake City, Utah (USA), 18-20 Mar. 2009. [Poster & Demo]
    58. Takayuki Hoshi and Hiroyuki Shinoda: 3D Shape Measuring Sheet Utilizing Gravitational and Geomagnetic Fields,
      Proc. SICE Annual Conference 2008, pp. 915-920, Chofu (Japan), 20-22 Aug. 2008.
    59. Takayuki Iwamoto, Mari Tatezono, Takayuki Hoshi, and Hiroyuki Shinoda: Airborne Ultrasound Tactile Display,
      Proc. ACM SIGGRAPH 2008, New Tech Demos, article no. 1, Los Angeles, California (USA), 11-15 Aug. 2008. [Demo]
    60. Takayuki Hoshi and Hiroyuki Shinoda: Three-Dimensional Shape Capture Sheet Using Distributed Six-Axis Sensors,
      Proc. 5th International Conference on Networked Sensing Systems (INSS 2008), pp. 156-161, Kanazawa (Japan), 17-19 June 2008.
    61. Takayuki Hoshi and Hiroyuki Shinoda: Gravity-Based 3D Shape Measuring Sheet,
      Proc. SICE Annual Conference 2007, pp. 2126-2131, Takamatsu (Japan), 17-20 Sept. 2007.
      [SICE Annual Conference International Award (2/584) / 20 Sept. 2007]
    62. Takayuki Hoshi, Sayo Ozaki, and Hiroyuki Shinoda: Three-Dimensional Shape Capture Sheet Using Distributed Triaxial Accelerometers,
      Proc. 4th International Conference on Networked Sensing Systems (INSS 2007), pp. 207-212, Braunschweig (Germany), 6-8 June 2007.
    63. Takayuki Hoshi and Hiroyuki Shinoda: Free-Form Tactile Sensor Using 3-Dimensional Shape Capture Sheet,
      Proc. 2nd Joint Eurohaptics Conference and Symposium on Haptic Interfaces for Virtual Environment and Teleoperator Systems (World Haptics 2007), pp. 403-408, Tsukuba (Japan), 22-24 Mar. 2007. [Poster]
    64. Takayuki Hoshi and Hiroyuki Shinoda: A Large Area Robot Skin Based on Cell-Bridge System,
      Proc. 5th IEEE Conference on Sensors (IEEE SENSORS 2006), pp. 827-830, Daegu (Korea), 22-25 Oct. 2006.
    65. Takayuki Hoshi, Akimasa Okada, Yasutoshi Makino, and Hiroyuki Shinoda: A Whole Body Artificial Skin Based on Cell-Bridge Networking System,
      Proc. 3rd International Conference on Networked Sensing Systems (INSS 2006), pp. 55-60, Rosemont, Illinois (USA), 31 May - 2 June 2006.
    66. Takayuki Hoshi and Hiroyuki Shinoda: Robot Skin Based on Touch-Area-Sensitive Tactile Element,
      Proc. 2006 IEEE International Conference on Robotics and Automation (ICRA 2006), pp. 3463-3468, Orlando, Florida (USA), 15-19 May 2006.
    67. Takayuki Hoshi and Hiroyuki Shinoda: A Sensitive Skin Based on Touch-Area-Evaluating Tactile Elements,
      Proc. Symposium on Haptic Interfaces for Virtual Environment and Teleoperator Systems (Haptics Symposium 2006), pp. 89-94, Alexandria, Virginia (USA), 25-26 Mar. 2006.
    68. Takayuki Hoshi and Hiroyuki Shinoda: A Tactile Sensing Element for a Whole Body Robot Skin,
      Proc. 36th International Symposium on Robotics (ISR 2005), TU412, Tokyo (Japan), 29 Nov. - 1 Dec. 2005.
    69. Takayuki Hoshi and Hiroyuki Shinoda: Tactile Sensing Using Nonlinear Elasticity,
      Proc. SICE Annual Conference 2005, pp. 2978-2981, Okayama (Japan), 8-10 Aug. 2005.

    ‘“àŠw‰ï^Œ¤‹†‰ï

    1. ‰F–ì—S‹P, 緍_, ›Á’Ê, ˆäŒûr‘¾, …’J—z‘¾, ¯‹M”V, ìŒ´Œ\”Ž, ⨍N–¾, ‚‹{^: Luciola(Œ¹ŽŒu): ’´‰¹”g‚ŋ󒆈ړ®‚µ–³ü‹‹“d‚Å“®ì‚·‚é’´¬Œ^”­Œõ—±Žq, “dŽqî•ñ’ʐMŠw‰ï Šî‘bE‹«ŠEƒ\ƒTƒCƒGƒeƒB ‰ñ˜H‚ƃVƒXƒeƒ€ (CAS) Œ¤‹†‰ï—\eW, ”­•\—\’è, ‰«“ê, 12 ŒŽ 14 “ú, 2017. [IEICE]
    2. òŒ´ŒúŽj, ìŒ´“c”üá, ˜eâ’•½, ¯‹M”V, ˆîŒ©¹•F: ŒõŠw–ÀÊ‚É‚¨‚¯‚éŽB‰eŒnE“Š‰eŒn‚Ì‹¤–ð”z’u, ‘æ 22 ‰ñ“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶W, 3ATE-15, “¿“‡, 9 ŒŽ 27-29 “ú, 2017.
    3. ˆäããÄ, ¯‹M”V: ’…‘š‚µ‚½—â‹p–Ê‚É‚¨‚¯‚鏜‘šŽž‚̏W‘©’´‰¹”g‚̏Ǝˊp‚ª‚¨‚æ‚Ú‚·‰e‹¿, 2017 ”N“x“ú–{—â“€‹ó’²Šw‰ï”NŽŸ‘å‰ïu‰‰˜_•¶W, D313, ’¬“c, 9 ŒŽ 26-29 “ú, 2017.
    4. Ÿ–”q¶, âˆär‰î, ¯‹M”V, ˆîŒ©¹•F: ‚ä‚èƒJƒ‚–Ú: 2 ‘ä‚Ì 360‹ƒJƒƒ‰‚É‚æ‚郌[ƒ‹ã•‚—V‘ÌŒ±, ƒGƒ“ƒ^ƒeƒCƒ“ƒƒ“ƒgƒRƒ“ƒsƒ…[ƒeƒBƒ“ƒO 2017 ˜_•¶W, pp. 79-84, å‘ä, 9 ŒŽ 16-18 “ú, 2017. [IPSJ]
    5. ²“¡‘דl, ´…_, ’†“ˆ —m, ‹{âŽõ˜Y, ‘å“yˆäŽ–¾, ’†‘ºŒªŽ¡, ’†Œ´‚L, ¯‹M”V: ’´‰¹”gW‘©‘•’u‚ð—p‚¢‚½ƒCƒ`ƒS‚̐lHŽö•²ƒVƒXƒeƒ€‚ÌŠJ”­, ”_‹ÆH—¿HŠw‰ï‘æ 76 ‰ñ (2017 ”N) ”NŽŸ‘å‰ï—vŽ|, 5-14(O-9), ¢“c’J, 9 ŒŽ 7-9 “ú, 2017.
    6. ‚“cO–í, ã“c•S‘ , ²–ìm”ü, ¬ŽR‘¾˜Y, ¬ì—ß, ¯‹M”V, ŒÃ‰ÆŠìŽl•v, Šì“‡¬ãÄ, ’·“cNF, ”gŠÔ—²‘¥, ¬—шêL: –Ñ“û“ª×–E‚ɑ΂·‚éŽüŠú“Iˆ³ŽhŒƒ‚¨‚æ‚у~ƒmƒLƒVƒWƒ‹‚̍ì—p‹@˜‚̉ð–¾, ‘æ 85 ‰ñ“ú–{ˆã‰È‘åŠwˆãŠw‰ï‘‰ï, P-3, Œü‹u, 9 ŒŽ 2 “ú, 2017. [ƒ|ƒXƒ^[]
    7. ‰F–ì—S‹P, ›Á’Ê, ¯‹M”V, ÷ˆä‹MN, ‚‹{^: ’´‰¹”gƒƒCƒ„ƒŒƒX‹‹“d‚Ì‹——£EˆÊ’u‚¸‚êˆË‘¶‚ÌŽÀ‘ª, 2017 ”N“dŽqî•ñ’ʐMŠw‰ï‘‡‘å‰ïu‰‰˜_•¶W, B-21-26, p. 581, –¼ŒÃ‰®, 3 ŒŽ 22-25 “ú, 2017.
    8. Pham Quang Trung, ¯‹M”V, “c’†—R_, ²–ì–¾l: ƒ}ƒCƒXƒi[¬‘Ì‚Ì”­¶‰ß’ö‚ɂ‚¢‚Ă̍lŽ@ (‘æ 5 •ñ), ‘æ 17 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2016) ˜_•¶W, pp. 23-25, ŽD–y, 12 ŒŽ 15-17 “ú, 2016.
    9. ™‰Y—T‘¾CŒË“cŒõ‹IC‹e’n‚ŽjC¯‹M”VC_ŽR—mˆêCŒÜ\—’Œ’•vCˆîŒ©¹•F: GraffitiGrass: ŽÅ¶‚ðƒpƒuƒŠƒbƒNƒfƒBƒXƒvƒŒƒC‚É‚·‚éŽè–@, WISS 2016, 1-B02, Ž ‰ê, 12 ŒŽ 14-16 “ú, 2016. [ƒfƒ‚] [WISS Proceedings]
      [‘Θb”­•\Ü (PC ˆÏˆõ) (ƒvƒƒOƒ‰ƒ€ˆÏˆõ‚É‚æ‚é, ƒfƒ‚”­•\‚ɑ΂·‚é“Š•[ (1/69)) / 2016 ”N 12 ŒŽ 16 “ú]
    10. ™‰Y—T‘¾, ŒË“cŒõ‹I, ‹e’r‚Žj, ¯‹M”V, _ŽR—mˆê, ŒÜ\—’Œ’•v, ˆîŒ©¹•F: –тٕ̈û«‚ð—˜—p‚µ‚½î•ñ’ñŽ¦Žè–@, Ž¿Š´‚̂‚ǂ¢‘æ 2 ‰ñŒöŠJƒtƒH[ƒ‰ƒ€, B, ç—t, 11 ŒŽ 30 “ú, 2016. [ƒfƒ‚”­•\]
    11. ‰©Žm‹, ˆÉ“¡—E‘¾, ™‰Y—T‘¾, ¯‹M”V, ™–{–ƒŽ÷: ‹N–Ñ‘fÞ‚̖щH—§‚¿‚ð—˜—p‚µ‚½’´‰¹”gW‘©‘•’u‚ƃvƒƒJƒ€ƒVƒXƒeƒ€‚ÌŠô‰½Z³, ƒGƒ“ƒ^ƒeƒCƒ“ƒƒ“ƒgƒRƒ“ƒsƒ…[ƒeƒBƒ“ƒO 2016 ˜_•¶W, pp. 18-21, ‘åã, 11 ŒŽ 12-14 “ú, 2016. [IPSJ]
    12. ¯‹M”V: ’´‰¹”gƒtƒF[ƒYƒhƒAƒŒƒC‚É‚æ‚鉹‹¿•‚—g‚ÌŠg’£, “ú–{‰¹‹¿Šw‰ï 2016 ”NH‹GŒ¤‹†”­•\‰ïu‰‰˜_•¶W, ƒXƒyƒVƒƒƒ‹EƒZƒbƒVƒ‡ƒ“k”ñÚG‰¹‹¿‹Zp‚̍ŋ߂̓®Œül, pp. 1237-1240, •xŽR, 9 ŒŽ 14-16 “ú, 2016.
    13. ¯‹M”V, –q–ì‘׍Ë, ŽÂ“c—T”V: ‹ó’†’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC‚ÌŠJ”­, ‘æ 21 ‰ñ“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï, —͐GŠo‚Ì’ñŽ¦‚ÆŒvŽZŒ¤‹†ˆÏˆõ‰ï OS u—͐GŠoƒfƒoƒCƒX‚ÌŠJ”­Žj‚É‚Ý‚é–¢—ˆv, ’}”g, 9 ŒŽ 14-16 “ú, 2016.
    14. ’†‘ºŒªŽ¡, ‚‰®˜aO, •šŒ´”£, ¯‹M”V, ´…_: ƒnƒ“ƒfƒBŒ^’´‰¹”gŽó•²‘•’u‚É‚æ‚éƒCƒ`ƒSŽó•²‚ÌŒŸ“¢, “ú–{¶•¨ŠÂ‹«HŠw‰ï 2016 ”N‹à‘ò‘å‰ïu‰‰—vŽ|W, P29, ‹à‘ò, 9 ŒŽ 12-15 “ú, 2016. [ƒ|ƒXƒ^[]
    15. “n糒B–ç, ¯‹M”V, ŽRŒû‘å‰î, Œ´³”V, ‚è³–ç, …–ì‹B, Î–ì—T“ñ: W‘©’´‰¹”g‚ð—p‚¢‚½”÷¬ŒaE‚Ì’E…“Á«, “ú–{‹@ŠBŠw‰ï 2016 ”N“x”NŽŸ‘å‰ïu‰‰˜_•¶W, J1110206, •Ÿ‰ª, 9 ŒŽ 11-14 “ú, 2016.
    16. ¯‹M”V: ‹ó’†’´‰¹”g”­UŽq‚Ì“ñŽŸŒ³”z—ñ‚Æ‚»‚̉ž—p, “ú–{ƒZƒ‰ƒ~ƒbƒNƒX‹¦‰ï‘æ 29 ‰ñH‹GƒVƒ“ƒ|ƒWƒEƒ€—\eW, µ‘ҍu‰‰, 3U01, L“‡, 9 ŒŽ 7-9 “ú, 2016.
    17. ˆäããÄ, ¯‹M”V: ’´‰¹”gW‘©‘•’u‚ð—p‚¢‚½œ‘š‚ÉŠÖ‚·‚錤‹†, 2016 ”N“x“ú–{—â“€‹ó’²Šw‰ï”NŽŸ‘å‰ïu‰‰˜_•¶W, A136, _ŒË, 9 ŒŽ 6-9 “ú, 2016.
    18. ¯‹M”V: W‘©’´‰¹”g‚ÌŽg‚¢•û, ‘æ 8 ‰ñƒeƒŒƒCƒOƒWƒXƒ^ƒ“ƒXŒ¤‹†‰ï, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïŒ¤‹†•ñ, vol. 21, no. TX01, pp. 5-6, –{‹½, 6 ŒŽ 29 “ú, 2016.
    19. ¯‹M”V: “dŽqHìƒLƒbƒg‚ÅŠw‚Ô’´‰¹”g‚Ì—ÍŠw“Iì—p, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2016 (ROBOMECH2016) u‰‰˜_•¶W, 2P1-17a6(1-2), ‰¡•l, 6 ŒŽ 8-11 “ú, 2016. [ƒ|ƒXƒ^[]
    20. ŒF’JK‘¿, —Ž‡—zˆê, ¯‹M”V, ’·’Jì’qŽm, ‘è–F•v: ƒzƒƒOƒ‰ƒtƒBƒbƒNƒ{ƒŠƒ…[ƒ€ƒfƒBƒXƒvƒŒƒC, •½¬ 28 ”N“x‘æ 2 ‰ñƒzƒƒOƒ‰ƒtƒBƒbƒNEƒfƒBƒXƒvƒŒƒCŒ¤‹†‰ï, ‹L”Ou‰‰, ŒÜ”½“c, 6 ŒŽ 2 “ú, 2016.
    21. ŒF’JK‘¿, —Ž‡—zˆê, ¯‹M”V, ’·’Jì’qŽm, ‘è–F•v: ƒzƒƒOƒ‰ƒtƒBƒbƒN•À—ñŒõƒAƒNƒZƒXŒ^ƒ{ƒŠƒ…[ƒ€ƒfƒBƒXƒvƒŒƒC, •½¬ 28 ”N“x‘æ 1 ‰ñƒzƒƒOƒ‰ƒtƒBƒbƒNEƒfƒBƒXƒvƒŒƒCŒ¤‹†‰ï, HODIC Circular, vol. 36, no. 1, ‰F“s‹{, 3 ŒŽ 8 “ú, 2016.
      [2015 ”N“x (‘æ 6 ‰ñ) HODIC —é–؁E‰ª“c‹L”OÜ ‹Zp•”–叧—ãÜ („‘EEŽ©‘EE‘¼‘E‚©‚獡Œã‚ÌŠˆ–ô‚ªŠú‘Ò‚³‚ê‚é”­•\‚ð‘Il) / 2016 ”N 4 ŒŽ 12 “ú (ŽöÜŽ® 2016 ”N 6 ŒŽ 2 “ú)]
    22. ŒF’JK‘¿, —Ž‡—zˆê, ¯‹M”V, ’·’Jì’qŽm, ‘è–F•v: ƒzƒƒOƒ‰ƒtƒBƒbƒNƒŒ[ƒU[•`‰æ‚ð—p‚¢‚½ƒ{ƒŠƒ…[ƒ€ƒfƒBƒXƒvƒŒƒC, ‘æ 8 ‰ñŒvŽZƒIƒvƒeƒBƒNƒXŒ¤‹†‰ï, ŠÛƒm“à, 1 ŒŽ 28 “ú, 2016.
    23. ¯‹M”V: DIY ‰¹‹¿•‚—g‘•’u‚ðì‚è’¼‚µ‚Ä‚Ý‚½, ‘æ 9 ‰ñƒjƒRƒjƒRŠw‰ïƒÀƒVƒ“ƒ|ƒWƒEƒ€, ƒ}ƒbƒhƒlƒXƒ}ƒbƒNƒX, ˜Z–{–Ø, 12 ŒŽ 19 “ú, 2015. [SlideShare] [ƒjƒRƒjƒR¶•ú‘—]
    24. ¯‹M”V, ’†‘ºŒªŽ¡, ´…_: ƒnƒ“ƒhƒwƒ‹ƒhŒ^’´‰¹”gŽö•²‘•’u‚ÌŠJ”­, ‘æ 16 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2015) ˜_•¶W, p. 1468, –¼ŒÃ‰®, 12 ŒŽ 14-16 “ú, 2015.
    25. Pham Quang Trung, ¯‹M”V, “c’†—R_, ²–ì–¾l: ƒ}ƒCƒXƒi[¬‘Ì‚Ì”­¶‰ß’ö‚ɂ‚¢‚Ă̍lŽ@ (‘æ 4 •ñ), ‘æ 16 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2015) ˜_•¶W, pp. 1748-1752, –¼ŒÃ‰®, 12 ŒŽ 14-16 “ú, 2015.
    26. ¯‹M”V, Pham Quang Trung, “c’†—R_, ²–ì–¾l: ƒ}ƒCƒXƒi[¬‘Ì‚Ì‹óŠÔ”z’u‚ɂ‚¢‚Ă̍lŽ@ (‘æ 4 •ñ), ‘æ 16 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2015) ˜_•¶W, pp. 1753-1755, –¼ŒÃ‰®, 12 ŒŽ 14-16 “ú, 2015.
    27. ¯‹M”V: ‹ó’†GŠoƒfƒBƒXƒvƒŒƒC‚ÌŠJ”­‚Ɖž—p, ‘æ 6 ‰ñ‰¡Š²˜A‡ƒRƒ“ƒtƒ@ƒŒƒ“ƒX 2015 ˜_•¶W, pp. 15-17, –¼ŒÃ‰®, 12 ŒŽ 5-6 “ú, 2015.
    28. ŽRŒû‘å‰î, —Ž‡—zˆê, ¯‹M”V, ‚è³–ç: G‚èS’n‚ð•Ï‰»‚³‚¹‚é Diminished Haptics Device, ‘掵‰ñ‘½Š´ŠoŒ¤‹†‰ïƒvƒƒOƒ‰ƒ€, ‹gËŽ›, 11 ŒŽ 7-8 “ú, 2015. [ƒ|ƒXƒ^[][ƒfƒ‚]
    29. ¯‹M”V: DIY ‰¹‹¿•‚—g‘•’u‚ðì‚Á‚Ä‚Ý‚½ (‘æ 2 •ñ), ƒGƒ“ƒ^ƒeƒCƒ“ƒƒ“ƒgƒRƒ“ƒsƒ…[ƒeƒBƒ“ƒO 2015 ˜_•¶W, pp. 100-106, ŽD–y, 9 ŒŽ 25-27 “ú, 2015. [IPSJ]
    30. ¯‹M”V, ‘“cŽ : ‰æ‘œŒv‘ª‚¸“x‰»‚Ì‚½‚ß‚Ì’´‰¹”g’èÝ”g‚É‚æ‚é‹ó‹C—h‚炬‚Ì—}§, ‘æ 32 ‰ñƒZƒ“ƒVƒ“ƒOƒtƒH[ƒ‰ƒ€˜_•¶W, pp. 329-332, ‘åã, 9 ŒŽ 10-11 “ú, 2015.
    31. ¯‹M”V, ‰Í–ì’ʏA, —Ž‡—zˆê: ‰”’¼•Ç–Ê•t‹ß‚ɐ¶‚¶‚½’èÝ”g‚É‚æ‚éƒ}ƒCƒNƒ—±Žq‚̉¹‹¿ƒ}ƒjƒsƒ…ƒŒ[ƒVƒ‡ƒ“, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2015 (ROBOMECH2015) u‰‰˜_•¶W, 1P2-W08(1-2), ‹ž“s, 5 ŒŽ 17-19 “ú, 2015. [ƒ|ƒXƒ^[]
    32. _Š_‹M», ’†ÈŒ[, ¯‹M”V, ‘哈NŒh, ’¹‰zˆê•½: ’´‰¹”g‰ñÜƒpƒ^[ƒ“‚ð—˜—p‚µ‚½•\–Ê‘e‚³Œv‘ª, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2015 (ROBOMECH2015) u‰‰˜_•¶W, 2A2-X01(1-4), ‹ž“s, 5 ŒŽ 17-19 “ú, 2015. [ƒ|ƒXƒ^[]
    33. Pham Quang Trung, ¯‹M”V, “c’†—R_, ²–ì–¾l: ƒ}ƒCƒXƒi[¬‘Ì‚Ì”­¶‰ß’ö‚ɂ‚¢‚Ă̍lŽ@ (‘æ 3 •ñ), ‘æ 15 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2014) ˜_•¶W, pp. 1650-1653, —L–¾, 12 ŒŽ 15-17 “ú, 2014.
    34. ¯‹M”V, Pham Quang Trung, “c’†—R_, ²–ì–¾l: ƒ}ƒCƒXƒi[¬‘Ì‚Ì‹óŠÔ”z’u‚ɂ‚¢‚Ă̍lŽ@ (‘æ 3 •ñ), ‘æ 15 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2014) ˜_•¶W, pp. 1654-1656, —L–¾, 12 ŒŽ 15-17 “ú, 2014.
    35. ¯‹M”V: Ã–¬‘œ‚É‚à‚Ƃ­ƒ^ƒbƒ`ƒCƒ“ƒ^ƒtƒF[ƒX, ‘æ 15 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2014) ˜_•¶W, pp. 1662-1663, —L–¾, 12 ŒŽ 15-17 “ú, 2014.
    36. ¯‹M”V, —Ž‡—zˆê, —ï–{ƒˆê: Žl‘ä‚Ì’´‰¹”gƒtƒF[ƒYƒhƒAƒŒƒC‚ð—p‚¢‚½•½–ʏ󗱎q•‚—g, ‘æ 35 ‰ñ’´‰¹”gƒGƒŒƒNƒgƒƒjƒNƒX‚ÌŠî‘b‚Ɖž—p‚ÉŠÖ‚·‚éƒVƒ“ƒ|ƒWƒEƒ€ (USE2014) u‰‰˜_•¶W, pp. 375-376, –¾Ž¡, 12 ŒŽ 3-5 “ú, 2014.
    37. ‹e‰i˜a–ç, ¯‹M”V, ŽR‰º”ŽŽj, ]“ª³_, žwŽ}—´”ü, –ì’†ˆê—m: W‘©’´‰¹”g‚Æ—U‹N“dŠE‚ð—p‚¢‚½Ã“d‹C•ª•zŒv‘ªƒVƒXƒeƒ€, “d‹CŠw‰ïŒv‘ªŒ¤‹†‰ïu‰‰˜_•¶W, pp. 29-32, ²‰ê, 11 ŒŽ 20-21 “ú, 2014.
      [—DG˜_•¶”­•\Ü (‘å‰ïEŒ¤‹†‰ï‚É‚¨‚¯‚é35 Î’ö“xˆÈ‰º‚ÌŽáŽè”­•\ŽÒ‚É‚æ‚é˜_•¶‚©‚ç 200 Œ) / •\²Ž® 2015 ”N 9 ŒŽ 17 “ú]
    38. ™‰Y—T‘¾, ¯‹M”V, _ŽR—mˆê, ŒÜ\—’Œ’•v, ˆîŒ©¹•F: ’´‰¹”gW‘©‘•’u‚ð—p‚¢‚½”í–Ñ•z‚Ö‚Ì•`‰æŽè–@, ‘æ 19 ‰ñ“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶W, pp. 511-512, –¼ŒÃ‰®, 9 ŒŽ 17-19 “ú, 2014.
      [Šwp§—ãÜ (35 ÎˆÈ‰º‚Ì”­•\ŽÒ‚©‚ç 5 –¼) / 2015 ”N 3 ŒŽ 19 “ú]
    39. ¼‘ò—Eì, ‚è³–ç, ¯‹M”V, …–ì‹B: ƒvƒŠƒ“ƒgŠî”‚ɂ¨‚¯‚é’´‰¹”g‚ð—˜—p‚µ‚½’E…‚ÉŠÖ‚·‚錤‹† ‘æ 4 •ñ: Žû‘©’´‰¹”g‚É‚æ‚é’E…‚̍‚Œø—¦‰»‚ÌŒŸ“¢, 2014 ”N“x¸–§HŠw‰ïH‹G‘å‰ïu‰‰˜_•¶W, pp. 193-194, ’¹Žæ, 9 ŒŽ 16-18 “ú, 2014.
    40. —Ž‡—zˆê, ¯‹M”V, —ï–{ƒˆê: ƒsƒNƒV[ƒ_ƒXƒg: ƒRƒ“ƒsƒ…[ƒe[ƒVƒ‡ƒiƒ‹ƒ|ƒeƒ“ƒVƒƒƒ‹ƒtƒB[ƒ‹ƒh‚ð—p‚¢‚½ŽÀ¢ŠEƒOƒ‰ƒtƒBƒNƒX, Visual Computing / ƒOƒ‰ƒtƒBƒNƒX‚Æ CAD ‡“¯ƒVƒ“ƒ|ƒWƒEƒ€ 2014, µ‘ҍu‰‰, ‘ˆî“c, 6 ŒŽ 29-30 “ú, 2014. [YouTube]
    41. ¯‹M”V: ’´‰¹”g‰Á”M‚É‚à‚Ƃ­”ñS‘©‚ȉ·Šo’ñŽ¦‚Ì’ñˆÄ, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2014 (ROBOMECH2014) u‰‰˜_•¶W, 1P2-X06(1-2), •xŽR, 5 ŒŽ 25-29 “ú, 2014. [ƒ|ƒXƒ^[]
    42. Shinde Dhanashri BalasoCSeiichi ArimaCYuko Ueka, Masahiro Kono, Yoshiyuki Nakagawa, Hiroshi Shimizu, and Takayuki Hoshi: Development of Multi-Operation System for Intelligent Greenhouse -Study of growth diagnosis unit, pest detection unit and pollination unit to assure better productivity-, ‘æ 73 ‰ñ (2014 ”N“x) ”_‹ÆH—¿HŠw‰ï”NŽŸ‘å‰ïu‰‰—vŽ|W, 8-20(O-5), ‰«“ê, 5 ŒŽ 16-19 “ú, 2014.
    43. ¯‹M”V: DIY ‰¹‹¿•‚—g‘•’u‚ðì‚Á‚Ä‚Ý‚½, ‘æ 6 ‰ñƒjƒRƒjƒRŠw‰ïƒÀƒVƒ“ƒ|ƒWƒEƒ€, Œ¤‹†‚µ‚Ä‚Ý‚½ƒ}ƒbƒhƒlƒX, no. 25, –‹’£, 4 ŒŽ 26-27 “ú, 2014. [SlideShare] [ƒjƒRƒjƒR¶•ú‘—]
    44. ‹e‰i˜a–ç, ¯‹M”V, ŽR‰º”ŽŽj, ]“ª³_, –ì’†ˆê—m: W‘©’´‰¹”g‚Æ—U‹N“dŠE‚ð—p‚¢‚½Ã“d‹C•ª•zŒv‘ª‹Zp‚ÌŠJ”­, ‘æ 15 ‰ñÃ“d‹CŠw‰ïtŠúu‰‰‰ïu‰‰˜_•¶W, pp. 73-76, ‘剪ŽR, 3 ŒŽ 5 “ú, 2014.
    45. Pham Quang Trung, ¯‹M”V, “c’†—R_, ²–ì–¾l: ƒ}ƒCƒXƒi[¬‘Ì‚Ì”­¶‰ß’ö‚ɂ‚¢‚Ă̍lŽ@ (‘æ 2 •ñ), ‘æ 14 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2013) ˜_•¶W, pp. 665-666, _ŒË, 12 ŒŽ 18-20 “ú, 2013.
    46. ¯‹M”V, Pham Quang Trung, “c’†—R_, ²–ì–¾l: ƒ}ƒCƒXƒi[¬‘Ì‚Ì‹óŠÔ”z’u‚ɂ‚¢‚Ă̍lŽ@ (‘æ 2 •ñ), ‘æ 14 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2013) ˜_•¶W, pp. 667-668, _ŒË, 12 ŒŽ 18-20 “ú, 2013.
    47. ¯‹M”V, —Ž‡—zˆê, —ï–{ƒˆê: ‘ÎŒü‚·‚é’´‰¹”gƒtƒF[ƒYƒhƒAƒŒƒC‚ð—p‚¢‚½ŽOŽŸŒ³”ñÚGƒ}ƒjƒsƒ…ƒŒ[ƒVƒ‡ƒ“, ‘æ 34 ‰ñ’´‰¹”gƒGƒŒƒNƒgƒƒjƒNƒX‚ÌŠî‘b‚Ɖž—p‚ÉŠÖ‚·‚éƒVƒ“ƒ|ƒWƒEƒ€ (USE2013) u‰‰˜_•¶W, pp. 587-588, ‹ž“s, 11 ŒŽ 20-22 “ú, 2013.
      [’´‰¹”gƒVƒ“ƒ|ƒWƒEƒ€§—ãÜ (Symposium on Ultrasonic Electronics : Young Scientist Award) (R¸‚ðŠó–]‚µ‚½ 37 ÎˆÈ‰º‚Ì”­•\ŽÒ 151 –¼‚©‚ç 11 –¼) / 2014 ”N 1 ŒŽ 10 “ú (ŽöÜŽ® 2014 ”N 12 ŒŽ 4 “ú)]
    48. ‰Í–ì’ʏA, ¯‹M”V, ⨍N–¾: lapillus bug: ‰¹‹¿•‚—g‚É‚æ‚é—±Žq‚̋󒆈ړ®§Œä‚ƃCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“, ƒGƒ“ƒ^ƒeƒCƒ“ƒƒ“ƒgƒRƒ“ƒsƒ…[ƒeƒBƒ“ƒO 2013 ˜_•¶W, pp. 41-46, ‚¼, 10 ŒŽ 4-6 “ú, 2013. [IPSJ]
      [EC2013 ˜_•¶Ü (72 Œ’† 1 Œ) / 2013 ”N 10 ŒŽ 6 “ú]
      [ŽR‰º‹L”OŒ¤‹†Ü (36 Œ¤‹†‰ï‚©‚ç 52 Œ) / •\²Ž® 2015 ”N 3 ŒŽ 17 “ú]
    49. –pÉ‰­, ’†‘ºŒªŽ¡, ¯‹M”V, ´…_: ’´‰¹”g‚É‚æ‚éƒCƒ`ƒS‚̐lHŽö•²‘•’u‚ÌŠJ”­, “ú–{¶•¨ŠÂ‹«HŠw‰ï 2013 ”N‚¼‘å‰ïu‰‰—vŽ|, pp. 154-155, ‚¼, 9 ŒŽ 2-5 “ú, 2013.
    50. ¯‹M”V: ”S«—¬‘Ì‚ð—p‚¢‚½‹ó’†’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC‚̈³—Í•ª•z‚̉Ž‹‰», ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2013 (ROBOMEC2013) u‰‰˜_•¶W, 2A2-B04(1-3), ’}”g, 5 ŒŽ 22-25 “ú, 2013. [ƒ|ƒXƒ^[]
    51. ƒOƒFƒ“ƒt ƒ_ƒ“, ‚è³–ç, …–ì‹B, ¯‹M”V: ƒvƒŠƒ“ƒgŠî”‚ɂ¨‚¯‚é’´‰¹”g‚ð—˜—p‚µ‚½’E…‚ÉŠÖ‚·‚錤‹† -‘æ 3 •ñ: Žû‘©’´‰¹”g‚É‚æ‚é’E…-, 2013 ”N“x¸–§HŠw‰ït‹G‘å‰ïu‰‰˜_•¶W, pp. 767-768, ‘剪ŽR, 3 ŒŽ 13-15 “ú, 2013.
    52. ¯‹M”V: ƒnƒ“ƒhƒgƒ‰ƒbƒLƒ“ƒO‹@”\‚𓋍ڂµ‚½‹ó’†’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC, “dŽqî•ñ’ʐMŠw‰ï‹ZpŒ¤‹†•ñ (—͐GŠo‚Ì’ñŽ¦‚ÆŒvŽZ ‘æ 10 ‰ñŒ¤‹†‰ï), vol. 112, no. 483, pp. 37-38, ‰«“ê, 3 ŒŽ 13-14 “ú, 2013.
    53. ‹e‰i˜a–ç, ¯‹M”V, ŽR‰º”ŽŽj, “¡ˆä‹`‹M, –ì’†ˆê—m: W‘©’´‰¹”g‚ð—p‚¢‚½”ñ‹ßÚŒ^Ã“d‹CŒv‘ª‹Zp, ‘æ 14 ‰ñÃ“d‹CŠw‰ïtŠúu‰‰‰ïu‰‰˜_•¶W, pp. 51-54, –{‹½, 3 ŒŽ 7 “ú, 2013.
      [—DGÜ (R¸‚ðŠó–]‚µ‚½”­•\Œ´e‚Ì’†‚©‚ç—D‚ꂽ‚à‚Ì) / 2013 ”N 3 ŒŽ 7 “ú]
    54. ¯‹M”V: ƒtƒŒƒYƒjƒIƒX, ƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“ 2013 ˜_•¶W, pp. 345-346, ‘äê, 2 ŒŽ 28 “ú - 3 ŒŽ 2 “ú, 2013. [ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒu”­•\] [Ustream]
      [ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒu”­•\Ü (ŽQ‰ÁŽÒ“Š•[‚É‚æ‚è 55 Œ’† 2 Œ) / 2013 ”N 2 ŒŽ 28 “ú]
    55. ¯‹M”V: ¬Œ^’´‰¹”gW‘©‘•’u‚Ì—˜_‚ÆŽÀ‘•, “d‹CŠw‰ï C •”–å ’mŠoî•ñ‹ZpˆÏˆõ‰ï GŠoƒfƒoƒCƒX‚̍‚“x‰»‹¦“¯Œ¤‹†ˆÏˆõ‰ï ‘æ 1 ‰ñŒ¤‹†‰ï Ž‘—¿, pp. 1-6, é‹Ê, 2 ŒŽ 27 “ú, 2013.
    56. Pham Quang Trung, ¯‹M”V, “c’†—R_, ²–ì–¾l: ƒ}ƒCƒXƒi[¬‘Ì‚Ì”­¶‰ß’ö‚ɂ‚¢‚Ă̍lŽ@, ‘æ 13 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2012) ˜_•¶W, pp. 320-322, •Ÿ‰ª, 12 ŒŽ 18-20 “ú, 2012.
    57. ¯‹M”V, Pham Quang Trung, “c’†—R_, ²–ì–¾l: ƒ}ƒCƒXƒi[¬‘Ì‚Ì‹óŠÔ”z’u‚ɂ‚¢‚Ă̍lŽ@, ‘æ 13 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2012) ˜_•¶W, pp. 323-324, •Ÿ‰ª, 12 ŒŽ 18-20 “ú, 2012.
    58. ’†ÈŒ[, ¯‹M”V, ’¹‰zˆê•½: GŠoƒRƒ“ƒeƒ“ƒc‚̐§ì‹y‚Ñ‹¤—LŽx‰‡ƒVƒXƒeƒ€‚Ì’ñˆÄ `‘æ 2 •ñ`, ‘æ 13 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2012) ˜_•¶W, pp. 1344-1348, •Ÿ‰ª, 12 ŒŽ 18-20 “ú, 2012.
    59. ¯‹M”V, ‹e‰i˜a–ç: W‘©’´‰¹”g‚Ì‘–¸‚É‚æ‚éÃ“d‹C•ª•zŒv‘ª–@, ‘æ 29 ‰ñƒZƒ“ƒVƒ“ƒOƒtƒH[ƒ‰ƒ€˜_•¶W, pp. 143-146, “ú—§, 9 ŒŽ 27-28 “ú, 2012.
      [‘æ 29 ‰ñƒZƒ“ƒVƒ“ƒOƒtƒH[ƒ‰ƒ€Œ¤‹†E‹Zp§—ãÜ (35 ÎˆÈ‰º‚Ì”­•\ŽÒ‚©‚ç 5 –¼) / 2013 ”N 8 ŒŽ 30 “ú]
    60. ¯‹M”V: ”ñÚGƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“‚Ì‚½‚߂̏¬Œ^’´‰¹”gW‘©‘•’u, ‘æ 17 ‰ñ“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶W, pp. 600-601, “ú‹g, 9 ŒŽ 12-14 “ú, 2012.
    61. ‹e‰i˜a–ç, ¯‹M”V, ŽR‰º”ŽŽj, “¡ˆä‹`‹M, –ì’†ˆê—m: W‘©’´‰¹”g‚ð—p‚¢‚½Ã“d‹C•ª•zŒv‘ª‹Zp, ‘æ 73 ‰ñ‰ž—p•¨—Šw‰ïŠwpu‰‰‰ï˜_•¶W, 12p-PB1-4, ¼ŽR, 9 ŒŽ 11-14 “ú, 2012. [ƒ|ƒXƒ^[]
    62. ¯‹M”V: ‹ó’†’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC‚̉”À«‚ÌŒüã, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2012 (ROBOMEC2012) u‰‰˜_•¶W, 1A1-A03(1-2), •l¼, 5 ŒŽ 27-29 “ú, 2012. [ƒ|ƒXƒ^[]
    63. ¯‹M”V, ’†ÈŒ[, ŽÂ“c—T”V: ‰^•M“®ì‚ð‰î‚µ‚½GŠoƒRƒ“ƒeƒ“ƒc¶¬‚¨‚æ‚Ñ‹¤—L‚Ì‚½‚߂̘g‘g‚Ý, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2012 (ROBOMEC2012) u‰‰˜_•¶W, 1P1-A02(1-2), •l¼, 5 ŒŽ 27-29 “ú, 2012. [ƒ|ƒXƒ^[]
    64. ²–ì–¾l, ¯‹M”V, “c’†—R_: GŠoŒ¤‹†‚É‚¨‚¯‚é×–EHŠw‚©‚ç‚̃Aƒvƒ[ƒ`, ‘æ 12 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2011) ˜_•¶W, pp. 2252-2253, ‹ž“s, 12 ŒŽ 23-25 “ú, 2011.
    65. ¯‹M”V, ’†ÈŒ[: GŠoƒRƒ“ƒeƒ“ƒc‚̐§ì‹y‚Ñ‹¤—LŽx‰‡ƒVƒXƒeƒ€‚Ì’ñˆÄ, ‘æ 12 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2011) ˜_•¶W, pp. 2270-2272, ‹ž“s, 12 ŒŽ 23-25 “ú, 2011.
    66. ¯‹M”V: Ã–¬‘œ‚É‚à‚Ƃ­ƒ^ƒbƒ`ƒCƒ“ƒ^ƒtƒF[ƒX‚Ì‚½‚ß‚ÌŠî‘b“IŒŸ“¢, ‘æ 28 ‰ñƒZƒ“ƒVƒ“ƒOƒtƒH[ƒ‰ƒ€˜_•¶W, pp. 65-68, “ú‹g, 10 ŒŽ 13-14 “ú, 2011.
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    68. ¯‹M”V: ”ñÚGGŠoƒfƒBƒXƒvƒŒƒC‚É‚æ‚éŽè¶•”‚ւ̏î•ñ’ñŽ¦, ‘æ 16 ‰ñ“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶W, pp. 732-733, ”ŸŠÙ, 9 ŒŽ 20-22 “ú, 2011.
    69. ¯‹M”V: GŠoƒtƒB[ƒhƒoƒbƒN‚Ì‚ ‚é‹ó’†ƒCƒ“ƒ^ƒtƒF[ƒX, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2011 (ROBOMEC2011) u‰‰˜_•¶W, 2P1-O11(1-3), ‰ªŽR, 5 ŒŽ 26-28 “ú, 2011. [ƒ|ƒXƒ^[]
    70. “n粉ë”V, ¯‹M”V, ’¹‰zˆê•½: •¡”‚Ì’´‰¹”gU“®ŽqƒAƒŒƒC‚ð—p‚¢‚½‘SŽüˆÍGŠo’ñŽ¦, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2011 (ROBOMEC2011) u‰‰˜_•¶W, 2A2-O06(1-2), ‰ªŽR, 5 ŒŽ 26-28 “ú, 2011. [ƒ|ƒXƒ^[]
    71. ¯‹M”V: GŠoƒtƒB[ƒhƒoƒbƒN‚Ì‚ ‚é‹ó’†“ü—̓VƒXƒeƒ€‚ÌŠJ”­, ‘æ 11 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2010) ˜_•¶W, pp. 182-183, å‘ä, 12 ŒŽ 23-25 “ú, 2010.
    72. ¯‹M”V: Ã–¬‚ðƒ}[ƒJ[‚Æ‚µ‚Ä—p‚¢‚éŽw•ÏŒ`ŠÏŽ@‚ÌŽŽ‚Ý, ‘æ 29 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ï‹ãBŽx•”Šwpu‰‰‰ï—\eW, pp. 277-278, ‹{è, 12 ŒŽ 4-5 “ú, 2010.
    73. ‹´Œ³’BÆ, ¯‹M”V, ’¹‰zˆê•½: ÚGˆÊ’u‚̐„’肪‰Â”\‚ÈŽw—ÖŒ^U“®Œv‘ªƒfƒoƒCƒX, ‘æ 29 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ï‹ãBŽx•”Šwpu‰‰‰ï—\eW, pp. 279-280, ‹{è, 12 ŒŽ 4-5 “ú, 2010.
    74. ¼ŽR—Y‘¾, ¯‹M”V, ’¹‰zˆê•½: ƒvƒƒWƒFƒNƒ^‰f‘œ‚Ƃ̐GŠoƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“ƒVƒXƒeƒ€‚ÌŠJ”­, ‘æ 29 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ï‹ãBŽx•”Šwpu‰‰‰ï—\eW, pp. 299-300, ‹{è, 12 ŒŽ 4-5 “ú, 2010.
    75. ¬ì—Y‘å, ¯‹M”V, ’¹‰zˆê•½: ‹ó’†’´‰¹”g‚̕•Ï’²‚É‚æ‚éGŠo‚ð‰î‚µ‚½‰¹ŠK’ñŽ¦‚ÌŽŽ‚Ý, ‘æ 29 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ï‹ãBŽx•”Šwpu‰‰‰ï—\eW, pp. 301-302, ‹{è, 12 ŒŽ 4-5 “ú, 2010.
      [Šw¶”­•\Œð—¬‰ï Å—DG”­•\Ü (12 Œ’† 1 Œ) / 2010 ”N 12 ŒŽ 4 “ú]
    76. “n粉ë”V, ¯‹M”V, ’¹‰zˆê•½: ‹ó’†‰f‘œ‚Æ‚Ì‘½•ûŒüGŠoƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“ƒVƒXƒeƒ€‚ÌŠJ”­, ‘æ 29 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ï‹ãBŽx•”Šwpu‰‰‰ï—\eW, pp. 303-304, ‹{è, 12 ŒŽ 4-5 “ú, 2010.
    77. ¼ŽR—Y‘¾, ¯‹M”V, ’¹‰zˆê•½: ‹ó’†’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC‚É”º‚¤‹C—¬‚ÌŒ¤‹†, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2010 (ROBOMEC2010) u‰‰˜_•¶W, 1P1-E28(1-2), ˆ®ì, 6 ŒŽ 13-16 “ú, 2010. [ƒ|ƒXƒ^[]
    78. ‹´Œ³’BÆ, ¯‹M”V, ’¹‰zˆê•½: ¶‘ÌŽwU“®‚ðŒv‘ª‚·‚éŽw—ÖŒ^ƒfƒoƒCƒX, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2010 (ROBOMEC2010) u‰‰˜_•¶W, 1P1-F12(1-2), ˆ®ì, 6 ŒŽ 13-16 “ú, 2010. [ƒ|ƒXƒ^[]
    79. ‚‹´«•¶, ¯‹M”V, ŽÂ“c—T”V: ‹ó’†‰f‘œ‚Ƃ̐GŠoƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“, ‘æ 10 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2009) ˜_•¶W, pp. 155-156, –LF, 12 ŒŽ 24-26 “ú, 2009.
    80. ‚‹´«•¶, ¯‹M”V, ’†ÈŒ[, ŽÂ“c—T”V: –³S‘©Œ^GŠo’ñŽ¦‘•’u‚É‚æ‚é‹ó’†‰f‘œ‚Ƃ̃Cƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“, ‘æ 14 ‰ñ“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶W, 1D2-4, ‘ˆî“c, 9 ŒŽ 9-11 “ú, 2009.
    81. ¯‹M”V, Šâ–{‹M”V, ŽÂ“c—T”V: ‹ó’†’´‰¹”gU“®ŽqƒAƒŒƒC‚É‚æ‚éGŠo’ñŽ¦, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2009 (ROBOMEC2009) u‰‰˜_•¶W, 1A1-A14(1-4), •Ÿ‰ª, 5 ŒŽ 24-26 “ú, 2009. [ƒ|ƒXƒ^[]
    82. ¯‹M”V, ‚‹´«•¶, Šâ–{‹M”V, ŽÂ“c—T”V: 324 ƒ`ƒƒƒ“ƒlƒ‹’´‰¹”gU“®ŽqƒAƒŒƒC‚É‚æ‚éGŠo’ñŽ¦, ‘æ 9 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2008) ˜_•¶W, pp. 959-960, Šò•Œ, 12 ŒŽ 5-7 “ú, 2008.
    83. ¯‹M”V, Šâ–{‹M”V, ŽÂ“c—T”V: ‹ó’†’´‰¹”gƒtƒF[ƒYƒhƒAƒŒƒC‚É‚æ‚éGŠoƒfƒBƒXƒvƒŒƒC, ‘æ 13 ‰ñ“ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ï‘å‰ï˜_•¶W, 3A2-2, “Þ—Ç, 9 ŒŽ 24-26 “ú, 2008.
    84. ¯‹M”V, ŽÂ“c—T”V: ƒŠƒAƒ‹ƒ^ƒCƒ€‚ÉŒ`óŒv‘ª‰Â”\‚È•zóƒfƒoƒCƒX, ‘æ 8 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2007) ˜_•¶W, pp. 977-978, L“‡, 12 ŒŽ 20-22 “ú, 2007.
      [“dŽq“üe‡ˆÊ (‘e•ii’æ‘ΏÛ) ‘æ 1 ˆÊ / 2007 ”N 12 ŒŽ 21 “ú]
    85. ¯‹M”V, ŽÂ“c—T”V: d—́E’nŽ¥‹CŒv‘ªƒƒbƒVƒ…‚É‚æ‚éŽOŽŸŒ³Œ`ó•œŒ³, ‘æ 24 ‰ñƒZƒ“ƒVƒ“ƒOƒtƒH[ƒ‰ƒ€˜_•¶W, pp. 119-123, å‘ä, 10 ŒŽ 25-26 “ú, 2007.
    86. Takayuki Hoshi and Hiroyuki Shinoda: 3D Shape Capture Sheet Based on Gravity and Geomagnetic Sensing,
      Proc. IEEJ 24th Sensor Symposium, pp. 423-427, Funabori (Japan), 16-17 Oct. 2007.
    87. ¯‹M”V, ”öè¹¢, ŽÂ“c—T”V: ŽOŽŸŒ³Œ`óŒv‘ªƒV[ƒg, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2007 (ROBOMEC2007) u‰‰˜_•¶W, 1A2-A09(1-4), H“c, 5 ŒŽ 10-12 “ú, 2007. [ƒ|ƒXƒ^[]
    88. ¯‹M”V, ŽÂ“c—T”V: ŽOŽŸŒ³Œ`óƒLƒƒƒvƒ`ƒƒƒV[ƒg‚É‚æ‚é_“îGŠoƒZƒ“ƒT, ‘æ 7 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2006) ˜_•¶W, pp. 464-465, ŽD–y, 12 ŒŽ 14-16 “ú, 2006.
    89. ¯‹M”V, ŽÂ“c—T”V: ”ñüŒ`GŠo‘fŽq‚É‚æ‚é‘å–ʐϐlH”畆, ‘æ 7 ‰ñŒv‘ªŽ©“®§ŒäŠw‰ïƒVƒXƒeƒ€ƒCƒ“ƒeƒOƒŒ[ƒVƒ‡ƒ“•”–åu‰‰‰ï (SI2006) ˜_•¶W, pp. 476-477, ŽD–y, 12 ŒŽ 14-16 “ú, 2006.
    90. Takayuki Hoshi and Hiroyuki Shinoda: Linking Nonlinear Tactile Elements by Cell-Bridge System,
      Proc. IEEJ 23rd Sensor Symposium, pp. 274-278, Takamatsu (Japan), 5-6 Oct. 2006. [Poster]
    91. Šâ–{‹M”V, ¯‹M”V, ŽÂ“c—T”V: ¶‘ÌŽw‚̐U“®Œv‘ª‚ÉŠî‚­GŠoƒZƒ“ƒVƒ“ƒO, ‘æ 23 ‰ñƒZƒ“ƒVƒ“ƒOƒtƒH[ƒ‰ƒ€˜_•¶W, pp. 285-288, ‚‚­‚Î, 10 ŒŽ 2-3 “ú, 2006.
    92. ¯‹M”V, —`‚©‚ª‚è, ŽÂ“c—T”V: ƒZƒ‹ƒuƒŠƒbƒWƒlƒbƒgƒ[ƒN‚É‚æ‚élH”畆, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï 2006 (ROBOMEC2006) u‰‰˜_•¶W, 2P2-B07(1-4), ‘ˆî“c, 5 ŒŽ 26-28 “ú, 2006. [ƒ|ƒXƒ^[]
    93. Takayuki Hoshi and Hiroyuki Shinoda: A Tactile Element Based on Nonlinear Elasticity to Sense Contact Area,
      Proc. IEEJ 22nd Sensor Symposium, pp.375-379, Tokyo (Japan), 20-21 Oct. 2005.
    94. ¯‹M”V, ŽÂ“c—T”V: ”ñüŒ`GŠo‘fŽq‚É‚æ‚élH”畆, ‘æ 22 ‰ñƒZƒ“ƒVƒ“ƒOƒtƒH[ƒ‰ƒ€˜_•¶W, pp. 337-342, ‘åã, 9 ŒŽ 29-30 “ú, 2005.
      [‘æ 22 ‰ñƒZƒ“ƒVƒ“ƒOƒtƒH[ƒ‰ƒ€Œ¤‹†E‹Zp§—ãÜ (35 ÎˆÈ‰º‚Ì”­•\ŽÒ‚©‚ç 5 –¼) / 2006 ”N 10 ŒŽ 3 “ú]
    95. ¯‹M”V, ŽÂ“c—T”V: ”ñüŒ`’e«‚ð—˜—p‚·‚éGŠoƒZƒ“ƒVƒ“ƒO, ƒƒ{ƒeƒBƒNƒXEƒƒJƒgƒƒjƒNƒXu‰‰‰ï '05 (ROBOMEC '05) u‰‰˜_•¶W, 2P1-N-104(1-4), _ŒË, 6 ŒŽ 9-11 “ú, 2005. [ƒ|ƒXƒ^[]
    96. ¯‹M”V, ŽÂ“c—T”V: Þ—¿‚Ì”ñüŒ`“Á«‚ð—˜—p‚µ‚½GŠoƒZƒ“ƒVƒ“ƒO, ‘æ 22 ‰ñ“ú–{ƒƒ{ƒbƒgŠw‰ïŠwpu‰‰‰ï˜_•¶W, 1J26, Šò•Œ, 9 ŒŽ 15-17 “ú, 2004.

    u‰‰

    1. ¯‹M”V: ‹ó’†W‘©’´‰¹”g‚Ì 10 ”N, 2017 ”N“xæ’[ƒƒfƒBƒAƒTƒCƒGƒ“ƒX“Á•Êu‹`, ’†–ì, 11 ŒŽ 9 “ú, 2017.
    2. ¯‹M”V: ’´‰¹”g‚ð—p‚¢‚½I‚Ý‚ÈŒv‘ª–@, ‘æ 6 ‰ñg‘̏î•ñŠwƒZƒ~ƒi[, –{‹½, 9 ŒŽ 22 “ú, 2017.
    3. ¯‹M”V: ¡”N‚‚­‚Á‚½‚à‚Ì, ƒMƒ‰ƒMƒ‰–Y”N‰ï 2016, ‚—Ö, 12 ŒŽ 26 “ú, 2016.
    4. ¯‹M”V: ‚±‚ê‚©‚ç‚àŒ¤‹†ŽÒ‚Å‚¢‚邽‚ß‚É, ‘æ 4 ‰ñƒeƒjƒ…ƒAƒgƒ‰ƒbƒN‹³ˆõ‚É‚æ‚é‘n”­Œ^ƒVƒ“ƒ|ƒWƒEƒ€, Œä’ƒƒm…, 11 ŒŽ 25 “ú, 2016.
    5. —Ž‡—zˆê~¯‹M”V: ƒg[ƒNƒZƒbƒVƒ‡ƒ“ / —Ž‡—zˆê‚Ɛ¯‹M”V‚ª‘–‚èo‚µ‚½I, DCEXPO STUDIO, ‘äê, 10 ŒŽ 30 “ú, 2016.
    6. ¯‹M”V: ’N‚Å‚àW‘©’´‰¹”g, ƒ[ƒNƒVƒ‡ƒbƒvuŒÜŠ´‚Ő؂è‘ñ‚­ VR ‚Ì–¢—ˆv(Unlimited Corridor ‘ÌŒ±‰ï—“Œ‘å‚ƍ‡“¯ŠJÃ), –{‹½, 6 ŒŽ 27 “ú, 2016.
    7. ¯‹M”V: ‹ó’†‚É‚¨‚¯‚éGŠo’ñŽ¦‹Zp, uK‰ï GŠo‹Zp‚ÌŠî‘b‚Ɖž—p, Ž ‰ê, 11 ŒŽ 27 “ú, 2015.
    8. ¯‹M”V: Œ¤‹†Ð‰î, ‘æ 3 ‰ñƒeƒjƒ…ƒAƒgƒ‰ƒbƒN‹³ˆõ‚É‚æ‚é‘n”­Œ^ƒVƒ“ƒ|ƒWƒEƒ€, –¼ŒÃ‰®, 11 ŒŽ 20 “ú, 2015.
    9. ¯‹M”V: ‹ó’†’´‰¹”gƒtƒF[ƒYƒhƒAƒŒƒC‚ÌŠJ”­‚Ɖž—p, ’´‰¹”g‰ž—p§’k‰ï, –¼ŒÃ‰®, 11 ŒŽ 6 “ú, 2015.
    10. —Ž‡—zˆê~¯‹M”V: ƒg[ƒNƒZƒbƒVƒ‡ƒ“ / ‚¨‚Á‚¿‚ ‚¢‚Æ‚Ù‚Á‚µ[‚̐l¶‘Š’k, DCEXPO STUDIO, ‘äê, 10 ŒŽ 25 “ú, 2015.
    11. ¯‹M”V: ASFƒTƒCƒGƒ“ƒXƒg[ƒN –¢—ˆ‚ð‘ñ‚­ƒ‚ƒm‚­‚è‘æ 3 ‰ñu’´‰¹”g‚ª‚à‚ˆӊO‚È”\—́v, ‚ ‚¢‚¿ƒTƒCƒGƒ“ƒXƒtƒFƒXƒeƒBƒoƒ‹, –¼ŒÃ‰®, 10 ŒŽ 19 “ú, 2015.
    12. ¯‹M”V: Œ¤‹†”­•\, –¼ŒÃ‰®H‹Æ‘åŠw ƒeƒjƒ…ƒAƒgƒ‰ƒbƒNƒVƒ“ƒ|ƒWƒEƒ€, –¼ŒÃ‰®, 7 ŒŽ 31 “ú, 2015.
    13. ¯‹M”V: W‘©’´‰¹”g‚ª‘ñ‚­ƒCƒmƒx[ƒVƒ‡ƒ“, ‹ß–¢—ˆ‚ւ̏µ‘ҏó `ƒiƒCƒXƒXƒeƒbƒv‚ÈŒ¤‹†ŽÒ 2014 ‚©‚ç‚̃ƒbƒZ[ƒW`, ‰à‚ªŠÖ, 7 ŒŽ 27 “ú, 2015.
      [‰ÈŠw‹Zp‚Ö‚ÌŒ°’˜‚ȍvŒ£ 2014 (ƒiƒCƒXƒXƒeƒbƒv‚ÈŒ¤‹†ŽÒ) (•¶•”‰ÈŠwÈ NISTEP ‚Ì’²¸‚É‚à‚Ƃ« 10 –¼‘I’è) / 2014 ”N 12 ŒŽ 19 “ú (‹L”O•i‘¡’æ 2015 ”N 1 ŒŽ 26 “ú)] [WEB]
    14. ¯‹M”V: ˜b‘è’ñ‹Ÿ, ŽY‹Æ‹Zp‘‡Œ¤‹†Š ’†•”ƒZƒ“ƒ^[ ŽÀ–±ŽÒƒTƒƒ“, –¼ŒÃ‰®, 6 ŒŽ 18 “ú, 2015.
    15. ¯‹M”V: ’´‰¹”g‚É‚æ‚é‹ó’†GŠoƒCƒ“ƒ^ƒtƒF[ƒX, –¼ŒÃ‰®H‹Æ‘åŠw ‘æ 32 ‰ñ‹Zp§˜b‰ïul‚̍ì‹Æ‚ðŽx‰‡‚·‚郁ƒJƒgƒƒjƒNƒX‹Zpv, –¼ŒÃ‰®, 5 ŒŽ 29 “ú, 2015.
    16. ¯‹M”V: ‰¹ê§Œä‚É‚æ‚é”ñÚGƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“, ŒõŠw“IƒRƒ“ƒsƒ…[ƒ^ƒrƒWƒ‡ƒ“‚ÉŠÖ‚·‚錤‹†‰ï ‘æ 5 ‰ñ Œ¤‹†‰ï, –¼ŒÃ‰®, 2 ŒŽ 27 “ú, 2015.
    17. Takayuki Hoshi: Three-dimensional Mid-air Acoustic Manipulation Using Ultrasonic Phased Arrays, NITech Symposium on Acoustic Waves Research, Nagoya (Japan), 16 Dec. 2014.
    18. Takayuki Hoshi: Applications of Focused Ultrasound, NITech International Symposium on Technologies for "Unreachable" Things, Nagoya (Japan), 11 Dec. 2014.
    19. ¯‹M”V: Œ¤‹†Ð‰î, ‘æ 2 ‰ñƒeƒjƒ…ƒAƒgƒ‰ƒbƒN‹³ˆõ‚É‚æ‚é‘n”­Œ^ƒVƒ“ƒ|ƒWƒEƒ€, ‰¡•l, 11 ŒŽ 27-28 “ú, 2014.
    20. ƒpƒlƒ‹ƒfƒBƒXƒJƒbƒVƒ‡ƒ“ ƒeƒjƒ…ƒAƒgƒ‰ƒbƒN§“x‚̍¡Œã‚ðl‚¦‚é, ‘æ 2 ‰ñƒeƒjƒ…ƒAƒgƒ‰ƒbƒN‹³ˆõ‚É‚æ‚é‘n”­Œ^ƒVƒ“ƒ|ƒWƒEƒ€, ‰¡•l, 11 ŒŽ 27-28 “ú, 2014.
    21. ¯‹M”V: ‹ó’†‚É‚¨‚¯‚éGŠo’ñŽ¦‹Zp, uK‰ï GŠo‹Zp‚ÌŠî‘b‚Ɖž—p, ’}”g, 11 ŒŽ 18 “ú, 2014.
    22. ¯‹M”V: ’´‰¹”g‚ð—˜—p‚µ‚½æ’[Œ¤‹† `W‘©’´‰¹”g‚É‚æ‚é”ñÚGì—p—͂̉ž—p“WŠJ‚ɂ‚¢‚ā`, ‰¹”g—˜—pŒ¤‹†‰ï ‘æ 1 ‰ñƒZƒ~ƒi[u’´‰¹”g‚ð—˜—p‚µ‚½æ’[Œ¤‹†‚ÉŠÖ‚·‚éu‰‰‰ïv, VŠƒ, 11 ŒŽ 4 “ú, 2014. [SlideShare]
    23. ¯‹M”V: W‘©‚³‚¹‚½’´‰¹”g‚É‚æ‚Á‚Ä”ñÚG‚ŗ͂𔭐¶‚·‚é‘•’u‚ÌŠJ”­‚Ɖž—p, –¼H‘åƒeƒNƒmƒtƒFƒA 2014, –¼ŒÃ‰®, 10 ŒŽ 31 “ú, 2014.
    24. —Ž‡—zˆê~¯‹M”V: ƒg[ƒNƒZƒbƒVƒ‡ƒ“ / 2100 ”N‚̃qƒ…[ƒ}ƒ“ƒCƒ“ƒ^[ƒtƒF[ƒX `•¨‘Ì•‚—VŽž‘ã‚©‚猩‚¦‚é–¢—ˆ‚ðŒê‚é`, DCEXPO STUDIO, ‘äê, 10 ŒŽ 25 “ú, 2014.
    25. ¯‹M”V: ƒpƒlƒ‹ƒfƒBƒXƒJƒbƒVƒ‡ƒ“ GŠo‹Zp‚ƃI[ƒvƒ“ƒCƒmƒx[ƒVƒ‡ƒ“ / Žg‚Á‚Ä‚à‚炤‚½‚߂̏¬Œ^’´‰¹”gW‘©‘•’u, Shock-a-thon 2014 (GŠoƒnƒbƒJƒ\ƒ“) Ž–‘Oà–¾‰ï, ‰¡•l, 7 ŒŽ 6 “ú, 2014. [SlideShare]
    26. ¯‹M”V: DIY ‚¶‚á‚È‚¢W‘©’´‰¹”g‚̘b, ‘æ 6 ‰ñƒjƒRƒjƒRŠw‰ïƒÀƒAƒtƒ^[ƒp[ƒeƒB[, _•Û’¬, 5 ŒŽ 31 “ú, 2014.
    27. ¯‹M”V: W‘©’´‰¹”g‚Å‚Å‚«‚邱‚Æ, ƒfƒuƒTƒ~ 2014 Day0 Featuring Tokyo MotionControl Network ƒZƒ“ƒT[•ƒfƒoƒCƒXÕ, ‰º–ڍ•, 2 ŒŽ 12 “ú, 2014. [SlideShare]
    28. ¯‹M”V: Œ¤‹†”­•\, –¼ŒÃ‰®H‹Æ‘åŠw ŽáŽèŒ¤‹†ƒCƒmƒx[ƒ^—{¬ƒZƒ“ƒ^[ ƒeƒjƒ…ƒAƒgƒ‰ƒbƒN¬‰Ê”­•\‰ï, –¼ŒÃ‰®, 2 ŒŽ 7 “ú, 2014.
    29. ¯‹M”V: ‹ó’†‚É‚¨‚¯‚éGŠo’ñŽ¦‹Zp, uK‰ï GŠo‹Zp‚ÌŠî‘b‚Ɖž—p, –{‹½, 11 ŒŽ 22 “ú, 2013.
    30. ¯‹M”V: W‘©’´‰¹”g‚É‚æ‚é”ñÚGì—p—Í‚Ì•\•‘‘ä‚Æ— •‘‘ä, “ú–{H‹Æ‹ZpU‹»‹¦‰ï ƒXƒ}[ƒgEƒAƒNƒ`ƒ…ƒG[ƒ^ / ƒZƒ“ƒTˆÏˆõ‰ï ‘æ 97 ‰ñ’è—á‰ï, ŽÅ‰Y, 2 ŒŽ 8 “ú, 2013.
    31. ¯‹M”V: ¬Œ^’´‰¹”gW‘©‘•’u‚ÌŠJ”­, –¼ŒÃ‰®H‹Æ‘åŠwŽåÃ W‘©’´‰¹”gƒZƒ~ƒi[, –¼ŒÃ‰®, 12 ŒŽ 13 “ú, 2012.
    32. ¯‹M”V: ’´‰¹”g‚ð—˜—p‚µ‚½”ñÚGGŠoƒfƒBƒXƒvƒŒƒC‚ÌŒ´—‚Ɖž—p, –¼ŒÃ‰®H‹Æ‘åŠwŽåÃ ƒoƒCƒIƒƒJƒjƒNƒXƒZƒ~ƒi[, –¼ŒÃ‰®, 3 ŒŽ 22 “ú, 2012.
    33. ¯‹M”V: ‹ó’†’´‰¹”g‚ð—˜—p‚µ‚½”ñÚGGŠoƒfƒBƒXƒvƒŒƒC, –¼ŒÃ‰®H‹Æ‘åŠwŽåÃ GŠoHŠwƒVƒ“ƒ|ƒWƒEƒ€, –¼ŒÃ‰®, 11 ŒŽ 24 “ú, 2011.
    34. Takayuki Hoshi: Principles and Applications of Airborne Ultrasound Tactile Display, Seminar at Cardiff University, Cardiff, Wales (UK), 21 July 2011.
    35. Takayuki Hoshi: Principles and Applications of Airborne Ultrasound Tactile Display, Seminar at Bangor University, Bangor, Wales (UK), 20 July 2011.

    “WŽ¦^ƒfƒ‚^ƒRƒ“ƒeƒXƒg

    1. —Ž‡—zˆê: ƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒc EXPO 10 Žü”N‹L”OƒVƒ“ƒ|ƒWƒEƒ€ 2 u—Ž‡—zˆê‚Í‚Ç‚±‚ÉŒü‚©‚Á‚Ä‚¢‚é‚Ì‚© `ƒƒfƒBƒAƒA[ƒgEƒAƒJƒfƒ~ƒbƒNƒŠƒT[ƒ`ECRESTEƒXƒ^[ƒgƒAƒbƒv`v / Colloidal Display, Pixie Dust, Holographic Whisper, Fairy Lights in Femtoseconds, LeviFab, Diminished Haptics, and Sonovortex, ƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒc EXPO, “ú–{‰ÈŠw–¢—ˆŠÙ, 10 ŒŽ 28 “ú, 2017.
    2. ‚ä‚é Unity Hì•”: VRƒRƒ“ƒeƒ“ƒc‚ւ̏¬Œ^’´‰¹”gŽû‘©‘•’u‚Ì“K—pŽ–—á, 2017 JapanVR Fest ŠJ”­ŽÒ‰ï, “ú–{‰ÈŠw–¢—ˆŠÙ, 10 ŒŽ 28 “ú, 2017.
    3. ”öìŒcˆê—‚ä‚é Unity Hì•”: VR • •¶Žš, xRLT vol.01, TECH PLAY SHIBUYA, 10 ŒŽ 13 “ú, 2017.
    4. ‚ä‚é Unity Hì•”: VR • •¶Žš, ‚Æ‚«‚ß‚«ƒtƒFƒX -ŒÜŠ´-, “Œ••S‰Ý“X ’r‘Ü“X, 10 ŒŽ 7 “ú, 2017.
    5. ¯‹M”V: ‘fÞ’ñ‹Ÿ / ¬Œ^’´‰¹”gW‘©‘•’u, ƒVƒ‡ƒbƒJƒ\ƒ“ 2017 (GŠoƒnƒbƒJƒ\ƒ“), fab cafe MTRL, 8 ŒŽ 26-27 “ú, 2017.
    6. ¯‹M”V: ‚à‚Ì‚ð•‚‚©‚¹‚錩‚¦‚È‚¢—Í `’´‰¹”g•‚—g‘•’u‚ðì‚Á‚Ă݂悤`, “ú–{ŠwpU‹»‰ï‚Ђç‚ß‚«™‚Æ‚«‚ß‚«ƒTƒCƒGƒ“ƒX, “Œ‹ž‘åŠw–{‹½ƒLƒƒƒ“ƒpƒX, 8 ŒŽ 10 “ú, 2017.
    7. ¯‹M”V: ƒVƒ‡ƒbƒJƒ\ƒ“ 2017 ‹@Þƒ[ƒNƒVƒ‡ƒbƒv ’´‰¹”g•‚—g‘•’u»ì, ƒVƒ‡ƒbƒJƒ\ƒ“‰^‰cˆÏˆõ‰ï (ˆê”ʍà’c–@l T.M.C.N), ‹îàV‘åŠw, 7 ŒŽ 22 “ú, 2017.
    8. —Ž‡—zˆê‚ƃfƒWƒ^ƒ‹ƒlƒCƒ`ƒƒ[ƒOƒ‹[ƒv: ƒtƒFƒAƒŠ[ƒ‰ƒCƒc, ƒsƒNƒV[ƒ_ƒXƒg, ƒzƒƒOƒ‰ƒtƒBƒbƒNƒEƒBƒXƒp[, ƒWƒƒƒpƒj[ƒYƒeƒNƒjƒEƒ€“W, ƒ„ƒt[Š”Ž®‰ïŽÐ “Œ‹žƒK[ƒfƒ“ƒeƒ‰ƒX‹I”öˆä’¬ƒIƒtƒBƒX, 4 ŒŽ 28 “ú - 5 ŒŽ 27 “ú, 2017.
    9. ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒY: ƒzƒƒOƒ‰ƒtƒBƒbƒNƒEƒBƒXƒp[, SENSORS IGNITION 2017, ŒÕƒm–åƒqƒ‹ƒY, 3 ŒŽ 23 “ú, 2017.
    10. Yoichi Ochiai: Pixie Dust, Fairy Lights in Femtoseconds, and Holographic Whisper, Image and Matter - Cyber Arts and Science Towards Digital Nature, Kuala Lumpur (Malaysia), 11 Dec. 2016 - 14 Jan. 2017.
    11. ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒY: ƒzƒƒOƒ‰ƒtƒBƒbƒNƒEƒBƒXƒp[, ƒZƒ~ƒRƒ“ƒWƒƒƒpƒ“ 2016, “Œ‹žƒrƒbƒOƒTƒCƒg, 12 ŒŽ 14-16 “ú, 2016.
    12. ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒY: ‰¹‚ðŒõ‚âU“®‚É•ÏŠ·‚µ‚ďî•ñ‚ð“`‚¦‚é u‚¨’m‚点ƒeƒNƒmƒƒW[v / ƒzƒƒOƒ‰ƒtƒBƒbƒNƒEƒBƒXƒp[, •xŽm’Ê SSL ƒ\ƒŠƒ…[ƒVƒ‡ƒ“ƒtƒH[ƒ‰ƒ€ 2016, THE GRAND HALL (•iì), 11 ŒŽ 10-11 “ú, 2016.
    13. ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒY: ƒzƒƒOƒ‰ƒtƒBƒbƒNƒEƒBƒXƒp[, ƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒc EXPO, “ú–{‰ÈŠw–¢—ˆŠÙ, 10 ŒŽ 27-30 “ú, 2016.
      [ŒoÏŽY‹ÆÈ Innovative Technologies 2016 Ì‘ð (20/80) / 2016 ”N 9 ŒŽ 2 “ú]
    14. “cŽq›{: Holographic Whisper, ZOKEI NEXT 50 “Œ‹ž‘¢Œ`‘åŠw‚Ì‹³ˆç¬‰Ê“W, ÂŽRƒXƒpƒCƒ‰ƒ‹, 10 ŒŽ 25 “ú - 11 ŒŽ 3 “ú, 2016.
    15. ™‰Y—T‘¾, ŒË“cŒõ‹I, ¯‹M”V, _ŽR—mˆê, ŒÜ\—’Œ’•v, ˆîŒ©¹•F: Graffiti Fur, PUBLIC SMILING - Living lab for affective technology and public space, “úŒšÝŒv“Œ‹žƒrƒ‹ 1F ƒMƒƒƒ‰ƒŠ[, 9 ŒŽ 20-30 “ú, 2016.
    16. —Ž‡—zˆê: ƒRƒƒCƒhƒfƒBƒXƒvƒŒƒC ‚Ù‚©, KENPOKU ART 2016 ˆïéŒ§–kŒ|pÕ, í—¤‘å‹{Žs, 9 ŒŽ 17 “ú - 11 ŒŽ 20 “ú, 2016.
    17. —Ž‡—zˆê: Fairy Lights in Femtoseconds, Wired Creative Hack Award 2015, 2015.
      [ƒOƒ‰ƒ“ƒvƒŠ (1/365) / 2015 ”N 11 ŒŽ 30 “ú]
    18. Yoichi Ochiai and Takayuki Hoshi: Holographic Whisper, Artist Lab Yoichi Ochiai, Ars Electronica Festival 2016, Linz (Austria), 8-12 Sept. 2016.
    19. Yoichi Ochiai, Kota Kumagai, Takayuki Hoshi, Jun Rekimoto, Satoshi Hasegawa, and Yoshio Hayasaki: Fairy Lights in Femtoseconds, Ars Electronica Festival 2016, Linz (Austria), 8-12 Sept. 2016.
      [Prix Ars Electronica / Interactive Art + / Honorary Mentions (61/3,159) / 10 May 2016]
      [STARTS (Science+Technology+Arts) Prize / Honorary Mentions (12/30) / 23 June 2016] WEB
    20. ¯‹M”V: ‘fÞ’ñ‹Ÿ / ¬Œ^’´‰¹”gW‘©‘•’u, Shock-a-thon 2016 (GŠoƒnƒbƒJƒ\ƒ“), ƒRƒ[ƒLƒ“ƒOƒXƒy[ƒX MONO, 8 ŒŽ 27-28 “ú, 2016.
    21. Yasuaki Kakehi, Michinari Kono, and Takayuki Hoshi: EARTH LAB / Lapillus Bug, Red October Chocolate Factory, Moscow (Russia), 22 June - 25 Sept. 2016.
    22. •‚‚©‚ê÷ (÷‚̉Ԃтç‚̉¹‹¿•‚—g), Š”Ž®‰ïŽÐƒXƒpƒCƒXƒ{ƒbƒNƒX “üŽÐŽ®, ‘ÛVÔâƒrƒ‹, 4 ŒŽ 1 “ú, 2016.
    23. —Ž‡—zˆê, ŒF’JK‘¿ (‹¤“¯ìŽÒ–¼ : ¯‹M”V, ’·’Jì’qŽm, ‘è–F•v): Fairy Lights in Femtoseconds, ƒAƒWƒAƒfƒWƒ^ƒ‹ƒA[ƒg‘åÜ “W——‰ï, •Ÿ‰ªƒAƒWƒA”üpŠÙ, 2 ŒŽ 25 “ú - 3 ŒŽ 1 “ú, 2016.
      [ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒuƒA[ƒg•”–å —DGÜ (‘åÜ‚ÉŽŸ‚® 2 “_‚ªŽóÜ) / 2015 ”N 11 ŒŽ 27 “ú]
    24. —Ž‡—zˆê: ƒRƒƒCƒhƒfƒBƒXƒvƒŒƒC, Art, Media and I, Tokyo 2016 (AMIT 2016), ŠÛƒrƒ‹, 2 ŒŽ 28 “ú, 2016.
    25. ¯‹M”V: DIY ‰¹‹¿•‚—g‘•’u, GUGEN 2015 “WŽ¦‰ï, H—tŒ´ƒRƒ“ƒxƒ“ƒVƒ‡ƒ“ƒz[ƒ‹, 12 ŒŽ 19 “ú, 2015.
    26. ¯‹M”V: DIY ‰¹‹¿•‚—g‘•’u, GUGEN 2015, No. 099, 2015.
    27. ¯‹M”V: ¬Œ^’´‰¹”gW‘©‘•’u, uK‰ï GŠo‹Zp‚ÌŠî‘b‚Ɖž—p, —§–½ŠÙ‘åŠw ‚т킱E‚­‚³‚ƒLƒƒƒ“ƒpƒX, 11 ŒŽ 27 “ú, 2015.
    28. ¯‹M”V: ’´‰¹”g‚¨‚æ‚уŒ[ƒU[‚ÌŒ¤‹†¬‰Ê‚É‚æ‚é 10 Œ‚ÌŽóÜ, –¼ŒÃ‰®H‹Æ‘åŠwEˆõ–JÜŽö—^Ž®, –¼ŒÃ‰®H‹Æ‘åŠw –{•”“, 11 ŒŽ 24 “ú, 2015.
      [–¼ŒÃ‰®H‹Æ‘åŠwEˆõ–JÜ —DGÜ / 2015 ”N 11 ŒŽ 24 “ú]
    29. Yoichi Ochiai: From Pixels towards Pixies: Vision of Post Multimedia Interactions / Pixie Dust Technologies, The 2015 World Technology Summit and Awards, New York (USA), 19-20 Nov. 2015.
      [World Technology Award Winner / IT Hardware (1/20) / 20 Nov. 2015]
    30. (‘) ‹ž“s‘åŠw ”_‹ÆƒVƒXƒeƒ€HŠwŒ¤‹†Žº, –¼ŒÃ‰®H‹Æ‘åŠw, ƒGƒXƒyƒbƒNƒ~ƒbƒN (Š”), ˆ¤•Q‘åŠw, ƒ[ƒ€ (Š”): Žó•²ì‹Æ‚ÌŠ®‘SŽ©“®‰»‚ªŽÀŒ»‚µ‚Ü‚·I, ƒAƒOƒŠƒrƒWƒlƒX‘noƒtƒFƒA 2015, “Œ‹žƒrƒbƒOƒTƒCƒg, 10 ŒŽ 18-20 “ú, 2015.
    31. Michinari Kono, Takayuki Hoshi, and Yasuaki Kakehi: Materia prima / Lapillus Bug, LABoral Centro de Arte y Creacion Industrial, Madrid (Spain), 14 Nov. 2015 - 8 May 2016.
    32. ¯‹M”V: ’´‰¹”g‚Ì‚¿‚©‚ç `Žè‚ÅŠ´‚¶‚éA‚à‚Ì‚ª•‚‚­`, ƒTƒCƒGƒ“ƒXƒAƒSƒ‰ 2015, Aa-010, “ú–{‰ÈŠw–¢—ˆŠÙ, 11 ŒŽ 13-15 “ú, 2015.
    33. ƒŒƒbƒhƒCƒ“ƒpƒ‹ƒX: Žè‚̂Ђ烁ƒbƒZ[ƒW, Mashup Battle 1stStage in –k—¤, ƒRƒ[ƒLƒ“ƒOƒXƒy[ƒX ƒTƒ“ƒJƒN, 10 ŒŽ 29 “ú, 2015. [ƒŒƒ|[ƒg]
    34. —Ž‡—zˆê, ŒF’JK‘¿, ¯‹M”V, ’·’Jì’qŽm, ‘è–F•v: ‹ó’†ƒvƒ‰ƒYƒ}GŠo‰f‘œ•`‰æ‘•’u [ƒtƒFƒAƒŠ[ƒ‰ƒCƒc], ƒOƒbƒhƒfƒUƒCƒ“Ü ŽóÜ“W / ƒOƒbƒhƒfƒUƒCƒ“ƒGƒLƒVƒrƒVƒ‡ƒ“ 2015 (G “W), “Œ‹žƒ~ƒbƒhƒ^ƒEƒ“, 10 ŒŽ 30 “ú - 11 ŒŽ 4 “ú, 2015.
      [ƒOƒbƒhƒfƒUƒCƒ“Ü (1,337 / 3,658) / 2015 ”N 9 ŒŽ 29 “ú]
    35. ’}”g‘åŠw ƒfƒWƒ^ƒ‹ƒlƒCƒ`ƒƒ[ƒOƒ‹[ƒv, ‰F“s‹{‘åŠw ‘ú±E’·’JìŒ¤‹†Žº, –¼ŒÃ‰®H‹Æ‘åŠw ¯Œ¤‹†Žº: ƒtƒFƒAƒŠ[ƒ‰ƒCƒc, ƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒc EXPO, “ú–{‰ÈŠw–¢—ˆŠÙ, 10 ŒŽ 22-25 “ú, 2015.
      [ŒoÏŽY‹ÆÈ Innovative Technologies 2015 Ì‘ð (20/69) / 2015 ”N 9 ŒŽ 10 “ú]
    36. –¼ŒÃ‰®H‹Æ‘åŠw ¯Œ¤‹†Žº: ‹ó’†’´‰¹”gW‘©‘•’u, CEATEC JAPAN, 4N65-52, –‹’£ƒƒbƒZ, 10 ŒŽ 7-10 “ú, 2015.
    37. “Æ—§s­–@l î•ñˆ—„i‹@\ (IPA): —Ž‡—zˆê / ŽOŽŸŒ³‰¹‹¿•‚—gƒvƒƒ_ƒNƒg Pixie Dust, CEATEC JAPAN, 4N61, –‹’£ƒƒbƒZ, 10 ŒŽ 7-10 “ú, 2015.
    38. Mashup Awards: MakersHub / Žè‚̂Ђ烁ƒbƒZ[ƒW, CEATEC JAPAN, 4N65-27, –‹’£ƒƒbƒZ, 10 ŒŽ 7-8 “ú, 2015.
    39. ¯‹M”V: ‘fÞ’ñ‹Ÿ / ¬Œ^’´‰¹”gW‘©‘•’u, Shock-a-thon 2015 (GŠoƒnƒbƒJƒ\ƒ“) Day2, 3, ƒfƒWƒ^ƒ‹ƒnƒŠƒEƒbƒh‘åŠw x‰Í‘äƒLƒƒƒ“ƒpƒX, 10 ŒŽ 3-4 “ú, 2015.
    40. ¯‹M”V: ‹ZpÐ‰î / ¬Œ^’´‰¹”gW‘©‘•’u, Shock-a-thon 2015 (GŠoƒnƒbƒJƒ\ƒ“) Day1 ƒAƒCƒfƒBƒAƒ\ƒ“, ƒfƒWƒ^ƒ‹ƒnƒŠƒEƒbƒh‘åŠw x‰Í‘äƒLƒƒƒ“ƒpƒX, 9 ŒŽ 23 “ú, 2015.
    41. Yoichi Ochiai: Anti-Gravity Soundscape, Ars Electronica Center Annual Exhibition, Linz (Austria), Oct. 2015 - Sept. 2016.
    42. University of Tsukuba Digital Nature Group: Colloidal Media Compositions / Anti-Gravity Soundscape, Ars Electronica Festival 2015 Knowledge Capital, Linz (Austria), 3-7 Sept. 2015.
    43. ¯‹M”V: ’´‰¹”g‚É‚æ‚é‹ó’†GŠoƒCƒ“ƒ^ƒtƒF[ƒX, ƒCƒmƒx[ƒVƒ‡ƒ“EƒWƒƒƒpƒ“ 2015 `‘åŠwŒ©–{Žs•ƒrƒWƒlƒXƒ}ƒbƒ`ƒ“ƒO`, M-26, “Œ‹žƒrƒbƒOƒTƒCƒg, 8 ŒŽ 27-28 “ú, 2015.
    44. ´…_: ’´‰¹”gŽö•²ƒVƒXƒeƒ€‚ÌŠJ”­, ƒCƒmƒx[ƒVƒ‡ƒ“EƒWƒƒƒpƒ“ 2015 `‘åŠwŒ©–{Žs•ƒrƒWƒlƒXƒ}ƒbƒ`ƒ“ƒO`, M-45, “Œ‹žƒrƒbƒOƒTƒCƒg, 8 ŒŽ 27-28 “ú, 2015.
    45. ‹e‰i˜a–ç: –Ú‚ÉŒ©‚¦‚È‚¢Ã“d‹C‚ð•]‰¿‚·‚é‹Zp, ƒCƒmƒx[ƒVƒ‡ƒ“EƒWƒƒƒpƒ“ 2015 `‘åŠwŒ©–{Žs•ƒrƒWƒlƒXƒ}ƒbƒ`ƒ“ƒO`, ED-20, “Œ‹žƒrƒbƒOƒTƒCƒg, 8 ŒŽ 27-28 “ú, 2015.
    46. Pixie Dust Technologies, Inc.: Pixie Dust, DESIGN ENTREPRENEUR SHOWCASE, INTERSECT BY LEXUS - TOKYO, 6 ŒŽ 16 “ú - 7ŒŽ 7 “ú, 2015.
    47. —Ž‡—zˆê, ¯‹M”V: ƒsƒNƒV[ƒ_ƒXƒg, ‘æ 11 ‰ñƒTƒ€ƒ‰ƒCƒxƒ“ƒ`ƒƒ[ƒTƒ~ƒbƒg, “ú–{ƒ}ƒCƒNƒƒ\ƒtƒgŠ”Ž®‰ïŽÐ, 4 ŒŽ 25 “ú, 2015.
    48. Yoichi Ochiai and Takayuki Hoshi: Pixie Dust, SLUSH ASIA, Tokyo (Japan), 24 Apr. 2015.
    49. Yoichi Ochiai and Takayuki Hoshi: Pixie Dust, South by Southwest (SXSW) Trade Show, Austin, Texas (USA), 15-18 Mar. 2015.
    50. Yoichi Ochiai and Takayuki Hoshi: Pixie Dust, TEDxUTokyo Exhibition, “Œ‹ž‘åŠw –{‹½ƒLƒƒƒ“ƒpƒX HŠw•” 2 †ŠÙ, 1 ŒŽ 10 “ú, 2015.
    51. Yoichi Ochiai and Takayuki Hoshi: Pixie Dust, Todai to Texas 2015, “Œ‹ž‘åŠw î•ñŠwŠÂE•Ÿ•ƒz[ƒ‹, 12 ŒŽ 14 “ú, 2014.
      [SXSW o“Wƒ`[ƒ€‘Io (5/12) / 2014 ”N 12 ŒŽ 14 “ú]
    52. —Ž‡—zˆê: —d¸‚Ì•², Berlin x Tokyo, ˜Z–{–؃qƒ‹ƒY, 11 ŒŽ 29-30 “ú, 2014.
    53. ¯‹M”V: ¬Œ^’´‰¹”gW‘©‘•’u, uK‰ï GŠo‹Zp‚ÌŠî‘b‚Ɖž—p, ’}”g, 11 ŒŽ 18 “ú, 2014.
    54. —Ž‡—zˆê, ¯‹M”V, —ï–{ƒˆê: ŽOŽŸŒ³‰¹‹¿•‚—g‚É‚æ‚é”À‘—–@ [ƒsƒNƒV[ƒ_ƒXƒg], ƒOƒbƒhƒfƒUƒCƒ“Ü ŽóÜ“W / ƒOƒbƒhƒfƒUƒCƒ“ƒGƒLƒVƒrƒVƒ‡ƒ“ 2014 (G “W), “Œ‹žƒ~ƒbƒhƒ^ƒEƒ“, 10 ŒŽ 31 “ú - 11 ŒŽ 4 “ú, 2014.
      [ƒOƒbƒhƒfƒUƒCƒ“Ü (1,258 / 3,601) / 2014 ”N 10 ŒŽ 1 “ú]
    55. “Œ‹ž‘åŠw —ï–{Œ¤‹†ŽºE—Ž‡—zˆê, –¼ŒÃ‰®H‹Æ‘åŠw ¯Œ¤‹†Žº: ƒsƒNƒV[ƒ_ƒXƒg, ƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒc EXPO, “ú–{‰ÈŠw–¢—ˆŠÙ, 10 ŒŽ 23-26 “ú, 2014.
      [ŒoÏŽY‹ÆÈ Innovative Technologies 2014 Ì‘ð (20/53) / 2014 ”N 9 ŒŽ 6 “ú]
      [ŒoÏŽY‹ÆÈ Innovative Technologies 2014 “Á•ÊÜ (Culture) (5/20) / 2014 ”N 10 ŒŽ 23 “ú]
    56. ´…_: ’´‰¹”gŽó•²‘•’u, ‘æ 4 ‰ñ‚¨‚¨‚½Œ¤‹†EŠJ”­ƒtƒFƒA, ‘å“c‹æŽY‹Æƒvƒ‰ƒU PiO, 10 ŒŽ 2-3 “ú, 2014.
    57. ⨍N–¾Œ¤‹†Žº: lapillus bug, ICC OPEN SPACE 2014 / HABILITATE #02uPhysical Digitalv, “Œ‹žƒIƒyƒ‰ƒVƒeƒBƒ^ƒ[, 9 ŒŽ 23 “ú - 12 ŒŽ 28 “ú, 2014.
    58. Michinari Kono, Takayuki Hoshi, and Yasuaki Kakehi: Lapillus Bug, Ars Electronica Center Annual Exhibition, Linz (Austria), Sept. 2014 - Oct. 2015.
    59. Michinari Kono, Takayuki Hoshi, and Yasuaki Kakehi: Lapillus Bug, Ars Electronica Festival 2014 Future Innovator Summit, Linz (Austria), 4-8 Sept. 2014.
    60. ¯‹M”V: ‰¹‹¿•‚—V‘•’u, Ogaki Mini Maker Faire, ƒ\ƒtƒgƒsƒAƒWƒƒƒpƒ“EƒZƒ“ƒ^[ƒrƒ‹, 8 ŒŽ 23-24 “ú, 2014.
    61. ¯‹M”V: ‘fÞ’ñ‹Ÿ / ¬Œ^’´‰¹”gW‘©‘•’u, Shock-a-thon 2014 (GŠoƒnƒbƒJƒ\ƒ“), ‰¡•l‚Ý‚È‚Æ‚Ý‚ç‚¢ƒZƒ“ƒ^[ƒrƒ‹, 8 ŒŽ 2-3 “ú, 2014.
    62. ‹ž“s‘åŠw, ƒGƒXƒyƒbƒNƒ~ƒbƒNŠ”Ž®‰ïŽÐ, –¼ŒÃ‰®H‹Æ‘åŠw: ’´‰¹”gŽó•²‘•’u, Ž{Ý‰€Œ|EA•¨Hê“W, “Œ‹žƒrƒbƒOƒTƒCƒg, 7 ŒŽ 23-25 “ú, 2014.
    63. ¯‹M”V: ‹Zp“WŽ¦ / ¬Œ^’´‰¹”gW‘©‘•’u, Shock-a-thon 2014 (GŠoƒnƒbƒJƒ\ƒ“) Ž–‘Oà–¾‰ï, ‰¡•l‚Ý‚È‚Æ‚Ý‚ç‚¢ƒZƒ“ƒ^[ƒrƒ‹, 7 ŒŽ 6 “ú, 2014.
    64. —Ž‡—zˆê, ¯‹M”V: ŽOŽŸŒ³‰¹‹¿•‚—V, ‘æ 6 ‰ñƒjƒRƒjƒRŠw‰ïƒÀƒVƒ“ƒ|ƒWƒEƒ€, NNG48 ƒ}ƒbƒhƒlƒX‘‘I‹“, –‹’£ƒƒbƒZ, 4 ŒŽ 26-27 “ú, 2014. [ƒjƒRƒjƒR¶•ú‘—]
    65. ‰Í–ì’ʏA, ¯‹M”V, ⨍N–¾: lapillus bug, •¶‰»’¡ƒƒfƒBƒAŒ|pÕ ‹ú˜H“W, ‹ú˜HŒ|pŠÙ, 2 ŒŽ 26 “ú - 3 ŒŽ 9 “ú, 2014.
    66. ¯‹M”V, —Ž‡—zˆê: ’´‰¹”g•‚—V‘•’u, ƒfƒuƒTƒ~ 2014 Day0 Featuring Tokyo MotionControl Network ƒZƒ“ƒT[•ƒfƒoƒCƒXÕ, ‰º–ڍ•, 2 ŒŽ 12 “ú, 2014.
    67. ‰Í–ì’ʏA, ¯‹M”V, ⨍N–¾: lapillus bug, ‘æ 17 ‰ñ•¶‰»’¡ƒƒfƒBƒAŒ|pÕ, ‘—§V”üpŠÙ, 2 ŒŽ 5-16 “ú, 2014.
      [ƒGƒ“ƒ^[ƒeƒCƒ“ƒƒ“ƒg•”–å R¸ˆÏˆõ‰ï„‘Eì•i (34/669) / 2013 ”N 12 ŒŽ 5 “ú]
    68. ⨍N–¾Œ¤‹†Žº: lapillus bug, JST-CREST~“ú–{‰ÈŠw–¢—ˆŠÙŒ¤‹†“ Open Lab 2013, “ú–{‰ÈŠw–¢—ˆŠÙ, 12 ŒŽ 14-15 “ú, 2013.
    69. —Ž‡—zˆê, ¯‹M”V: ‰F’ˆ¢‹I‚Ì‚½‚߂̃RƒƒCƒhƒfƒBƒXƒvƒŒƒC, Gugen 2013, ƒGƒ“ƒgƒŠ[ No. 184, 2013.
    70. ⨍N–¾Œ¤‹†Žº: lapillus bug, Œcœä‹`m‘åŠw SFC OPEN RESEARCH FORUM "‘n‚Ìbazaar", “Œ‹žƒ~ƒbƒhƒ^ƒEƒ“, 11 ŒŽ 22-23 “ú, 2013.
    71. ´…_: ƒCƒ`ƒS‚âƒgƒ}ƒg‚̉ʍؗނð‘Ώۂɒ´‰¹”g•úŽËˆ³‚ð—˜—p‚µ‚½Žó•²‚ðŽÀŒ»B‘SŽ©“®E–³”_–òÍ”|‚ª‰Â”\‚ɁI, ƒAƒOƒŠƒrƒWƒlƒX‘noƒtƒFƒA 2013, “Œ‹žƒrƒbƒOƒTƒCƒg, 10 ŒŽ 23-25 “ú, 2013.
    72. ‹e‰i˜a–ç: Ã“d‹C‚ð‰ÂŽ‹‰»‚·‚é‘•’u, ƒCƒmƒx[ƒVƒ‡ƒ“EƒWƒƒƒpƒ“ 2013 `‘åŠwŒ©–{Žs•ƒrƒWƒlƒXƒ}ƒbƒ`ƒ“ƒO`, “Œ‹žƒrƒbƒOƒTƒCƒg, 8 ŒŽ 29-30 “ú, 2013.
    73. ‰Í–ì’ʏA, ⨍N–¾, ¯‹M”V: lapillus bug, Œcœä‹`m‘åŠw SFC ⨠N–¾Œ¤‹†Žº“W——‰ï uHabilis g‘́~•¨Ž¿~î•ñ‚̃Vƒ“ƒJ‚·‚éŠÖŒWv, ITOKI Tokyo Innovation Center SYNQA, 3 ŒŽ 14-16 “ú, 2013.
    74. ‰Í–ì’ʏA, ⨍N–¾, ¯‹M”V: lapillus bug, XD Exhibition 2013, Catalyst BA, 2 ŒŽ 23-24 “ú, 2013. [Ustream]
    75. ¯‹M”V: ”S«—¬‘Ì‚ð—p‚¢‚½W‘©’´‰¹”g‚̉Ž‹‰», KMD Reality Media ƒI[ƒvƒ“ƒnƒEƒX / “¹ê”j‚è, Œcœä‹`m‘åŠw “ú‹gƒLƒƒƒ“ƒpƒX, 1 ŒŽ 25 “ú, 2013.
    76. ¯‹M”V: W‘©’´‰¹”g‚ðŽg‚Á‚ĐG‚ꂸ‚ɉŸ‚·, “dŽqHìƒtƒFƒXƒeƒBƒoƒ‹ 2012, 3331 Arts Chiyoda, 12 ŒŽ 9 “ú, 2012. [Ustream]
    77. ¯‹M”V: W‘©’´‰¹”g‚ðŽg‚Á‚ĐG‚ꂸ‚ɉŸ‚·, “dŽqHìƒRƒ“ƒeƒXƒg 2012, ƒGƒ“ƒgƒŠ[ No. 163, 2012.
      [ƒgƒ‰ƒ“ƒWƒXƒ^‹ZpÜ (‰ž•åì•i 176 Œ‚©‚çƒXƒ|ƒ“ƒT[ŠeŽÐ‚ª 1 Œ‚¸‚‘Io) / 2012 ”N 12 ŒŽ 9 “ú]
    78. Takayuki Hoshi: Compact Ultrasound Device for Noncontact Interaction, Exhibition and Workshop on Future of Media Art and Computer Entertainment, Kathmandu (Nepal), 2-3 Nov. 2012.
    79. ¯‹M”V: ’´‰¹”g‚É‚æ‚éŽè¶•”‚Ö‚Ì”ñÚGGŠo’ñŽ¦, uK‰ï GŠo‹Zp‚ÌŠî‘b‚Ɖž—p, –¼ŒÃ‰®H‹Æ‘åŠw, 7 ŒŽ 20 “ú, 2012.
    80. ¯‹M”V: ‹ó’†’´‰¹”g‚É‚æ‚éŽè¶•”‚ւ̐GŠoŽhŒƒ, “ú–{Šî‘bS—Šw‰ï‘æ 30 ‰ñ‘å‰ï / “Á•Ê“WŽ¦, Œcœä‹`m‘åŠw “ú‹gƒLƒƒƒ“ƒpƒX, 12 ŒŽ 3-4 “ú, 2011.
    81. ’¹‰zˆê•½, ¯‹M”V, “n粉ë”V: ‰¹‚ð—˜—p‚µ‚½Œv‘ª‚ƃ”ƒ@[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒB[, ŒF–{‘åŠwŠÖ¼ƒŠƒGƒ]ƒ“ƒIƒtƒBƒXƒZƒ~ƒi[, ƒNƒŠƒGƒCƒVƒ‡ƒ“ƒRƒA“Œ‘åã, 3 ŒŽ 26 “ú, 2011.
    82. ŽÂ“c—T”V, –q–ì‘׍Ë, ¯‹M”V: _“î‘̃fƒoƒCƒX‚É‚æ‚éƒCƒ“ƒ^ƒ‰ƒNƒVƒ‡ƒ“Žx‰‡‚ÌŒ¤‹† (“ñŽŸŒ³’ʐM & ‹ó’†’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC), •¶•”‰ÈŠwÈî•ñ”š”­ƒvƒƒWƒFƒNƒg¬‰Ê•ñ‰ï (H 20 ”N“x), ˆê‹´‹L”Ou“°, 1 ŒŽ 20-21 “ú, 2009.
    83. Šâ–{‹M”V, ¯‹M”V, ŽÂ“c—T”V: ‹ó’†’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC, TECHTILE “W, ‰¡•lE‘n‘¢ŠEŒG yƒUƒCƒ€z, 11 ŒŽ 30 “ú - 12 ŒŽ 5 “ú, 2008.
    84. Kevin C. Kahn: Crossing the Chasm between Humans and Machines / Haptic Rendering with Ultrasound Phased Array (Invited Demonstrator: Takayuki Hoshi),
      Intel Developer Forum Taiwan 2008 (IDF Taiwan 2008), Research and Development Keynote, Taipei (Taiwan), 20-21 Oct. 2008. [Webcast (26:07 - 29:37)]
    85. ¯‹M”V, Šâ–{‹M”V, —§‰’^—, ‚‹´«•¶, ŽÂ“c—T”V: ‹ó’†’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC, ƒCƒ“ƒ^ƒ‰ƒNƒeƒBƒu“Œ‹ž 2008 o“Wì•iÐ‰î DVD-ROM, “ú–{‰ÈŠw–¢—ˆŠÙ, 9 ŒŽ 13-14 “ú, 2008.
    86. ¯‹M”V, ŽÂ“c—T”V: ‘½—l‚ȐGŠ´‚ð’mŠo‚·‚é_“î‚ȐGŠoƒZƒ“ƒTƒXƒLƒ“, ƒZƒ“ƒTƒGƒLƒXƒ|ƒWƒƒƒpƒ“ 2006 (Œv‘ªŽ©“®§ŒäŠw‰ï / “Œ‹ž‘åŠw), “Œ‹žƒrƒbƒOƒTƒCƒg, 4 ŒŽ 5-7 “ú, 2006. [ƒ|ƒXƒ^[]

    Šñe

    1. ¯‹M”V: “ÁW ƒfƒoƒCƒXƒƒfƒBƒAŽwŒüƒ†[ƒUƒCƒ“ƒ^ƒtƒF[ƒXŒ¤‹†‚Ì‚¢‚܁I -SIGDeMO Œ¤‹†‰ï‚Ì—§‚¿ã‚°‚Æ‚Ë‚ç‚¢- / DIY ‰¹‹¿•‚—g‘•’u: “dŽqHìƒLƒbƒg‚Æ 3D ƒvƒŠƒ“ƒg‚É‚æ‚éW‘©’´‰¹”g‚́uì‚ê‚鉻v, ƒqƒ…[ƒ}ƒ“ƒCƒ“ƒ^ƒtƒF[ƒXŠw‰ïŽ, vol. 19, no. 4, pp. 94-96, 2017.
    2. ¯‹M”V, ’†‘ºŒªŽ¡, ´…_: ‰ðà ‹­—Í’´‰¹”g‚̉ž—p / ’´‰¹”g‚É‚æ‚Á‚ĉԂðU“®‚³‚¹‚élHŽö•²ƒVƒXƒeƒ€, ’´‰¹”g TECHNO, vol. 29, no. 4, 7-8 ŒŽ†, pp. 96-99, 2017.
    3. ¯‹M”V, žwŽR“Ö, ˆîŒ©¹•F: VR/AR/MR ‚ÌŽY‹Æ•ª–ì‚ւ̉ž—p“WŠJ, ¸–§HŠw‰ïŽ, vol. 83, no. 6, pp. 485-488, 2017. [J-STAGE]
    4. ¯‹M”V: ‘æ 21 ‰ñ‘å‰ï•ñ / À’·‚©‚ç‚Ì•ñ / 14B ’®Šo, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïŽ, vol. 21, no. 4, p. 47, 2016.
    5. ¯‹M”V: “ÁW •·‚­‚£`ôÅVƒTƒEƒ“ƒh‹Zp / ‰¹‚Ì•¨—Šw‚ÌŒ¤‹†! ’´‰¹”g‚ŋ󒆕‚—VŽÀŒ±, Interface, 3 ŒŽ†, pp. 73-78, 2014. [–¢•ÒWŒ´e]
    6. ¯‹M”V: ‚킳‚т̐h–¡¬•ª‚ð—˜—p‚µ‚½Š´“®‘•‚ÌŽŽ‚Ý, ‚ ‚̐l‚ÌŒ¤‹†˜_•¶W, vol.4, no.1, pp. 9-10, 2013. [¸“Ç‚ ‚è]
    7. ¯‹M”V: ‘æ 17 ‰ñ‘å‰ï•ñ / À’·‚©‚ç‚Ì•ñ / 31D: ”畆Š´ŠoƒfƒBƒXƒvƒŒƒC, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïŽ, vol. 17, no. 4, p. 43, 2012.
    8. ¯‹M”V: ‰ï‹cŽQ‰Á•ñ / Haptics Symposium 2012, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïŽ, vol. 17, no. 2, p. 38, 2012.
    9. ¯‹M”V: “ÁW ‹ó’†’´‰¹”g‚Ì—˜—p 1 / ‹ó’†’´‰¹”g‚ð—˜—p‚µ‚½”ñÚGGŠo’ñŽ¦–@, ’´‰¹”g TECHNO, vol. 23, no. 3, 5-6 ŒŽ†, pp. 8-12, 2011.
    10. ¯‹M”V: ‰ï‹cŽQ‰Á•ñ / SIGGRAPH 2008 ` New Tech Demos `, “ú–{ƒo[ƒ`ƒƒƒ‹ƒŠƒAƒŠƒeƒBŠw‰ïŽ, vol. 13, no. 3, p. 41, 2008.

    ƒƒfƒBƒA

    1. ’r•Ó–L: ŽŸ¢‘ã‚̐擱ŽÒ / “Œ‹ž‘åŠw•‹³¯‹M”VŽ\•¨‘̂ɐG‚炸A’´‰¹”g‚Å‘€‚éA”_‹Æ‚âƒA[ƒgA—p“rL‚­, “úŒoŽY‹ÆV•·, 8 –Ê, 5 ŒŽ 19 “ú, 2016.
    2. ˆäã–Ò—Y: yCEATEC 2015z”ñÚG‚̃tƒH[ƒX‚ŋ󒆃Oƒ‰ƒtƒBƒbƒNƒXcc–¼ŒÃ‰®H‘å, RBB TODAY, 10 ŒŽ 8 “ú, 2015.
    3. ‘º‘“N–ç: ‘ñ‚­Œ¤‹†l / G‚炸‚É’´‰¹”g‚ŗ͍ì—p / ¯‹M”V, “úŠ§H‹ÆV•·, 25 –Ê, 8 ŒŽ 5 “ú, 2015.
    4. ’†”ö‹á: ‚Ç‚±‚Å‚àƒXƒNƒŠ[ƒ“@’´‰¹”g‚Å•¨Ž¿@‹ó’†ŒÅ’èA–¼H‘å‚È‚ÇŠJ”­, ’†“úV•·, 1 –Ê, 1 ŒŽ 13 “ú, 2015.
    5. “V‘ò³—T: ƒ‰ƒ{’ʐM / ’´‰¹”g‚̗͂ɉ”\« / ¯‹M”V, “Ç”„V•· ’†•””Å, 27 –Ê, 11 ŒŽ 24 “ú, 2014.
    6. ‘æ 3 ‰ñ•ú‘— / ¯‹M”V, ‚­‚ç‚à‚Æ‚¢‚½‚é‚Ì‚¢‚½‚çƒiƒCƒg (‹ž“sŽOðƒ‰ƒWƒIƒJƒtƒF), 7 ŒŽ 17 “ú•ú‘—, 2014. [YouTube]
    7. ŽR“c: ‰¹”g‚Å•‚—VIH’èí”g‚ÅŽOŽŸŒ³ˆÚ“®, –¼H‘åV•·, 4 ŒŽ†, 2014.
    8. ‘å“VËƒeƒŒƒrƒWƒ‡ƒ“•ú‘—‹ZpŒ¤‹†Š / ‰“ŠuƒRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“, ‘åI“VË‚Ä‚ê‚Ñ‚­‚ñ (NHK E ƒeƒŒ), 5 ŒŽ 29 “ú•ú‘—, 2013.
    9. ’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC‚É‚æ‚éŽè‘‚«•¶ŽšƒRƒ~ƒ…ƒjƒP[ƒVƒ‡ƒ“ƒVƒXƒeƒ€, DigInfo TV, 11 ŒŽ 4 “ú, 2011. [Movie]
    10. “ñŽŸŒ³’ʐMƒV[ƒg & ‹ó’†’´‰¹”gGŠoƒfƒBƒXƒvƒŒƒC, ¢‚Ì’†i•à“° (BS ƒfƒWƒ^ƒ‹•ú‘— BS JAPAN), ‘æ 5 ‰ñ, 11 ŒŽ 2 “ú•ú‘—, 2008.

    11. @
    1. ‰ÈŠwŽÒ —Ž‡—zˆê / ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒYŠ”Ž®‰ïŽÐ, î”M‘å—¤ (TBS), 11 ŒŽ 19 “ú•ú‘—, 2017. [YouTube —\•Ò]
    2. ’´ƒŠƒAƒ‹IH ƒeƒNƒmƒƒW[~ƒA[ƒgÅ‘Oü / Fairy Lights in Femtoseconds, ƒTƒCƒGƒ“ƒX ZERO (NHK E ƒeƒŒ), 11 ŒŽ 19 “ú•ú‘—, 2017.
    3. —é–ØŒ’“ñ˜N: ‚u‚b‚ÌŽ‹ü u‹à‚ÌŽív“Æ’f‘¦Œˆ‚Ì‚Sl / ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒYŠ”Ž®‰ïŽÐ, “úŒoŽY‹ÆV•·, 1 –Ê, 11 ŒŽ 14 “ú, 2017.
    4. ƒTƒCƒo[ƒ_ƒCƒ“ŽRŠC‚ª—Ž‡—zˆê‚É’¼“`@‘åŠw”­ƒxƒ“ƒ`ƒƒ[‚ŎЉï‚ð“®‚©‚·u”錍v / ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒYŠ”Ž®‰ïŽÐ, Forbes Japan, 11 ŒŽ 10 “ú, 2017.
    5. ‘å“àFŽq: GŠo‚É‹Y‚ê‚é33ŽžŠÔIuƒVƒ‡ƒbƒJƒ\ƒ“2017vƒŒƒ|[ƒg, CodeIQ MAGAZINE, 9 ŒŽ 26 “ú, 2017.
    6. ŒIŒ´Žû: uGŠov‚ªƒe[ƒ}‚̃nƒbƒJƒ\ƒ“@ƒVƒ‡ƒbƒJƒ\ƒ“2017, ŒŽŠ§ I/O, 10 ŒŽ†, 2017.
    7. ‘å–Ø—S“ñ: G‚ç‚É‚áƒ\ƒ“ƒ\ƒ“IuƒVƒ‡ƒbƒJƒ\ƒ“2017v‘ÌŠ´ƒŒƒ|[ƒgI, monofarm, 9 ŒŽ 11 “ú, 2017.
    8. Pixie Dust Technologies and Tsukuba University Digital Nature Laboratory presents their latest research achievement at CHI 2017 "Focus speaker based on ultrasonic phased-array technology" / Holographic Whisper, ValuePress!, 8 May 2017.
    9. —Ž‡—zˆê—¦‚¢‚éPixie Dust Technologies, Inc‹y‚Ñ’}”g‘åŠwƒfƒWƒ^ƒ‹ƒlƒCƒ`ƒƒ[Œ¤‹†Žº‚ªACHI 2017‚É‚¨‚¢‚āAÅVŒ¤‹†¬‰Ê‚ð”­•\ / Holographic Whisper, ValuePress!, 5 ŒŽ 8 “ú, 2017.
    10. SENSORS IGNITION 2017 “WŽ¦ƒGƒŠƒAƒŒƒ|[ƒg`ƒAƒJƒfƒ~ƒbƒNEVREIoTEƒNƒŠƒGƒCƒeƒBƒu•Ò / ƒzƒƒOƒ‰ƒtƒBƒbƒNƒEƒBƒXƒp[, SENSORS, 4 ŒŽ 24 “ú, 2017.
    11. 3/23@ŒÕƒm–åƒqƒ‹ƒYuSENSORS IGNITION 2017v“WŽ¦ƒGƒŠƒA‚ðˆê‹“Ð‰îI / ƒzƒƒOƒ‰ƒtƒBƒbƒNƒEƒBƒXƒp[, SENSORS, 3 ŒŽ 17 “ú, 2017.
    12. lH’m”\‚ÌŽŸ‚ɐi‰»‚·‚éhg‘̐«‹Zph‚Æ‚Í‚È‚É‚© ƒƒfƒBƒAƒA[ƒeƒBƒXƒgE—Ž‡Ž‚ªŒê‚éA3DƒvƒŠƒ“ƒeƒBƒ“ƒO‚̉”\« / Holographic Whisper, logmi, 2 ŒŽ 10 “ú, 2017.
    13. ¢ŠE‚ª’–ځI@Šú‘҂̃Xƒ^[ƒgƒAƒbƒv“ú–{‚Ì50ŽÐ / ƒsƒNƒV[ƒ_ƒXƒgƒeƒNƒmƒƒW[ƒY, Forbes JAPAN, 1 ŒŽ 16 “ú, 2017.
    14. Alberto Motta: Grassffiti, il tosaerba che, anziche falciare il prato, disegna, WIRED.IT, 23 Dec. 2016.
    15. ¼‘º^—¢Žq: —Ž‡—zˆê‚É•·‚­A2016”N‘Š‡‚Æ2017”N“W–]u—H‘Ì‚ÌŒü‚±‚¤‚ցv / Cross Field Aerial Haptics & Holographic Whisper, SENSORS, 12 ŒŽ 22 “ú, 2016.
    16. Andrew Liszewski: Grass Printer Turns Your Overgrown Lawn Into Art, GIZMODO, 6 Dec. 2016.
    17. Ashley Carman: I'm going to use the Grassffiti to leave an imprint of my face on my lawn, THE VERGE, 6 Dec. 2016.
    18. y.kawano: yDC EXPOzƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒcEXPO 2016‚܂Ƃ߁I / ƒzƒƒOƒ‰ƒtƒBƒbƒNƒEƒBƒXƒp[, POSTCO Lab., 11 ŒŽ 9 “ú, 2016.
    19. Echchadi Youness: Holographic speaker that emits sounds at particular 3D point, Sci2, 8 Nov. 2016.
    20. This Ultrasonic Speaker Emits 3D Spatial Sound, Electronic Beats, 2 Nov. 2016.
    21. Pixie Dust Technologies demonstrated a new product at DIGITAL CONTENT EXPO 2016 (27-30 Oct.) "Focus speaker based on ultrasonic phased-array technology" / Holographic Whisper, ValuePress!, 2 Nov. 2016.
    22. MAX: En la onda Black Mirror: llegan parlantes que pueden susurrarte al oido y en 3-D, POUSTA, 1 Nov. 2016.
    23. ‚ä‚Æ‚è: DCEXPO‚ÅŽ¸‹Ö‘ÌŒ±‚ð‚µ‚½‚çTBS‚³‚ñ‚ÉŽæÞ‚³‚ꂽŒ / Holographic Whisper, ƒ†ƒjƒo[ƒTƒ‹IoT—Žq•¶–¾, 10 ŒŽ 28 “ú, 2016.
    24. Ž¸‹Ö‘ÌŒ±IHƒ†ƒj[ƒN‚È‘•’u‚à“oê@ƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒcEXPO / ƒzƒƒOƒ‰ƒtƒBƒbƒNƒEƒBƒXƒp[, AFPBB News, 10 ŒŽ 27 “ú, 2016.
    25. ’JŒû—²ˆê: ƒ^ƒuƒŒƒbƒgã‚ð“®‚­ƒ~ƒjƒƒ{ƒbƒg‚ȂǍŐæ’[‹Zp‚ª•À‚ÔƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒcEXPO 2016ƒŒƒ|[ƒg / ƒzƒƒOƒ‰ƒtƒBƒbƒNƒEƒBƒXƒp[, IGN JAPAN, 10 ŒŽ 27 “ú, 2016.
    26. Pixie Dust TechnologiesA–{“ú‚æ‚èŠJÃ‚³‚ê‚éuDIGITAL CONTENT EXPO 2016v‚ɂāA–¢—ˆ‚ð‚‚­‚éV»•i‚ð”­•\ / Holographic Whisper, ValuePress!, 10 ŒŽ 27 “ú, 2016.
    27. ƒA[ƒg‚ƃrƒWƒlƒXAƒeƒNƒmƒƒW[‚ÌŠÖŒW‚ðl‚¦‚éuƒAƒ‹ƒXƒGƒŒƒNƒgƒƒjƒJvƒŒƒ|[ƒg / Fairy Lights, SENSORS, 10 ŒŽ 17 “ú, 2016.
    28. —Ž‡—zˆê: ƒRƒ“ƒsƒ…[ƒ^[‚Ől‚̐§Œä‚à\\ŽŸ‚̃fƒWƒ^ƒ‹‚É•K—v‚ÈŽ‹À / Holographic Whisper, ASCII ‹äŠy•”, 9 ŒŽ 27 “ú, 2016.
    29. ŽRè°‹M: ƒeƒNƒmƒƒW‚ŐV‚½‚ȁgGŠ´‘ÌŒ±h‚ð‘n‘¢‚·‚é--uƒVƒ‡ƒbƒJƒ\ƒ“2016vƒŒƒ|[ƒg, cnet, 9 ŒŽ 21 “ú, 2016.
    30. Two-photon imaging of Meissner's corpuscle mechanoreceptors in living tissue, EurekAlert!, 30 Aug. 2016.
    31. ‘Œö—§‘åŠwiŠw‚Ì‚·‚·‚ß ‰F“s‹{‘åŠw / HŠwŒ¤‹†‰È”ŽŽmŒãŠú‰Û’ö ŒF’JK‘¿ / Fairy Lights in Femtoseconds, ’©“úV•·, 16 –Ê, 7 ŒŽ 26 “ú, 2016.
    32. ‰F‘吶‚͍¡I / HŠwŒ¤‹†‰È”ŽŽmŒãŠú‰Û’ö ŒF’JK‘¿ / Fairy Lights in Femtoseconds, ‰F“s‹{‘åŠwL•ñŽ† UUnow, vol. 40, p. 12, 7 ŒŽ 20 “ú, 2016.
    33. ’r•Ó–L: ŽŸ¢‘ã‚̐擱ŽÒ / “Œ‹ž‘åŠw•‹³¯‹M”VŽ\•¨‘̂ɐG‚炸A’´‰¹”g‚Å‘€‚éA”_‹Æ‚âƒA[ƒgA—p“rL‚­, “úŒoŽY‹ÆV•·, 8 –Ê, 5 ŒŽ 19 “ú, 2016.
    34. ƒƒfƒBƒAƒA[ƒgÜuƒAƒ‹ƒXƒGƒŒƒNƒgƒƒjƒJv—Ž‡—zˆê‚âƒTƒUƒGbot‚çŽóÜ, KAI-YOU, 5 ŒŽ 10 “ú, 2016.
    35. —Ž‡—zˆêA‰f‘œ‚Æ•¨Ž¿‚ÌŽŸ‚́u‰¹‚̃nƒbƒNv‚É’§í‚©FCREATIVE HACK AWARD 2015ƒOƒ‰ƒ“ƒvƒŠŽóÜƒCƒ“ƒ^ƒ”ƒ…[, WIRED, 3 ŒŽ 30 “ú, 2016.
    36. ”Þ‚ç‚ÍŠù¬ŠT”O‚ð‚Ç‚¤uƒnƒbƒNv‚µ‚½‚©H CREATIVE HACK AWARD 2015 ‘SŽóÜì•i, WIRED, 12 ŒŽ 9 “ú, 2015.
    37. Kayla Matthews: What You Need to Know About Touchable Holograms, Gadget Flow, 8 Dec. 2015.
    38. Touchable holograms from Japan may change the way people use virtual reality, Latinos Health, 1 Dec. 2015.
    39. Lutfi Fauziah: Ilmuwan Jepang Ciptakan Hologram yang Bisa Disentuh dan Dimanipulasi, National Geographic Indonesia, 1 Dec. 2015.
    40. Betty Palmer: Beyond this hologram your dreams! You can touch it!, Albane Daily Star, 30 Nov. 2015.
    41. Peter Edwards: Japanese scientists create holograms you can reach out and touch, thestar.com, 30 Nov. 2015.
    42. Japanese scientists create touchable holograms, Reuters, 30 Nov. 2015.
    43. Î’Ë‚½‚¯‚낤: Å—DGÜ‚́uG‚Á‚¿‚áƒ_ƒvI?—Ž‡—zˆê‚炪"GŠo‚̉”\«"‚ðR¸IƒVƒ‡ƒbƒJƒ\ƒ“2015, SENSORS, 11 ŒŽ 11 “ú, 2015.
    44. Todo Arte - Proximas pequenas-grandes exposiciones en Madrid y Gijon / lapillus bug, ELCORSO.ES, 3 Nov. 2015.
    45. 3Ds and holograms and ultrasound? Oh my! / Pixie Dust Technologies, CNBC, 29 Oct. 2015.
    46. ŸÇ–ì‹`O: VŽž‘ã‚̐GŠo‚ðŠJ”­‚¹‚æI ƒVƒ‡ƒbƒJƒ\ƒ“2015ö“üƒŒƒ|[ƒg, fabcross, 10 ŒŽ 27 “ú, 2015.
    47. –G‚¦‚©‚çIoTA‚»‚µ‚Đl‘ÌHACK‚Ü‚Å CEATEC2015ƒŒƒ|[ƒg, Device Plus, 10 ŒŽ 16 “ú, 2015.
    48. ‘å“àFŽq: ƒMƒ…ƒb‚Æ•ø‚«‚µ‚ß‚Ä‚­‚ê‚é‚Ê‚¢‚®‚é‚݁AG‚é‚ƃKƒ‰ƒX‚ªŠ„‚ê‚éiHjƒVƒ‡[ƒP[ƒX...ƒVƒ‡ƒbƒJƒ\ƒ“‚ªŽ¦‚·GŠoƒfƒoƒCƒX‚̉”\«, engadget, 10 ŒŽ 16 “ú, 2015.
    49. –¼ŒÃ‰®H‹Æ‘åŠwAƒCƒxƒ“ƒgƒŒƒWƒXƒg‚̃Cƒmƒx[ƒ^[‚½‚¿‚ª’–Ú‚·‚éŽsêEŠé‹ÆEl•¨‚Ƃ́H~CEATEC JAPAN 2015 ƒŒƒ|[ƒg part2~, astavision, 10 ŒŽ 15 “ú, 2015.
    50. —Ñ—CŽ÷: CEATEC JAPAN 2015‚܂Ƃ߁BƒQ[ƒ€ƒV[ƒ“‚É—ˆ‚Ä‚­‚ê‚é‚©‚à‚µ‚ê‚È‚¢GŠo‹Zp‚È‚Ç‚ðCƒRƒ“ƒpƒjƒIƒ“‚Ì‚¨‚ˁ[‚³‚ñ‚Æ‚à‚Ç‚àŒ©‚Ä‚«‚½, 4Gamer.net, 10 ŒŽ 13 “ú, 2015.
    51. "Œ»‘ã‚Ì–‚–@Žg‚¢"—Ž‡—zˆê‚̃tƒBƒƒ\ƒtƒB[ y‘O•ÒzÅVìwFairy Lights in Femtosecondsx‚Æ"ƒƒfƒBƒAƒA[ƒg"‚Ì’è‹`‚Æ‚Í, SENSORS (“ú–{ƒeƒŒƒr), 10 ŒŽ 10 “ú•ú‘—, 2015.
    52. ˆä‹Ú¹M: ‹ß–¢—ˆ‚ªŒ©‚¦‚éI |s‚¯‚È‚¢l‚Ì‚½‚ß‚Ì‚P•ª‚ŏ„‚éCEATEC 2015, OnDeck, 10 ŒŽ 9 “ú, 2015.
    53. ’JŒû—²ˆê: Žwæ‚Å•¶Žš‚ð“ǂށA˜r‚Ì‹Ø“÷‚ŃQ[ƒ€‘€ì@‘åŠw‚âƒxƒ“ƒ`ƒƒ[‚̍ŐV‹Zp‚ª•À‚Ô, ŽYŒoƒAƒvƒŠƒXƒ^, 10 ŒŽ 9 “ú, 2015.
    54. ˆäã–Ò—Y: yCEATEC 2015z”ñÚG‚̃tƒH[ƒX‚ŋ󒆃Oƒ‰ƒtƒBƒbƒNƒXcc–¼ŒÃ‰®H‘å, RBB TODAY, 10 ŒŽ 8 “ú, 2015.
    55. —«‹Ä: CEATEC JAPAN 2015ƒŒƒ|[ƒgyƒZƒ“ƒT[/•”•i/‚»‚Ì‘¼•Òz, PC Watch, 10 ŒŽ 8 “ú, 2015.
    56. Š”Ž®‰ïŽÐƒXƒpƒCƒXƒ{ƒbƒNƒXAGŠo‹Zp‚ðŽg‚Á‚½ƒnƒbƒJƒ\ƒ“ƒCƒxƒ“ƒguƒVƒ‡ƒbƒJƒ\ƒ“v2015‚ðŠJÃB•ø‚«‚‚­ƒNƒ}AG‚ê‚鐯ÀA“ª‚𕏂łĂ­‚ê‚éƒwƒ‹ƒƒbƒg‚ȂǁA13ƒe[ƒ}‚̃vƒƒgƒ^ƒCƒv‚ð”­•\B, PR TIMES, 10 ŒŽ 8 “ú, 2015.
    57. ŽRè°‹M: V‚µ‚¢gGŠo‘ÌŒ±h‚ðƒvƒƒgƒ^ƒCƒsƒ“ƒO‚·‚é--uƒVƒ‡ƒbƒJƒ\ƒ“ 2015vƒŒƒ|[ƒg, CNET, 10 ŒŽ 8 “ú, 2015.
    58. ‰i‘ò–Î: uƒVƒ‡ƒbƒJƒ\ƒ“v¡”N‚àŠJÃAGŠo‹Zp‚É‚æ‚éuVR‚ŏ—‚ÌŽq‚ÉŽ•–‚«‚µ‚½‚¢v‚É‘±‚­“`à‚͐¶‚Ü‚ê‚é‚©H, Internet Watch, 9 ŒŽ 28 “ú, 2015.
    59. Š”Ž®‰ïŽÐƒXƒpƒCƒXƒ{ƒbƒNƒXA Åæ’[‚̐GŠo‹Zp‚ŃCƒmƒx[ƒVƒ‡ƒ“‚ð‹N‚±‚·ê uƒVƒ‡ƒbƒJƒ\ƒ“iShock-a-thonFGŠoƒnƒbƒJƒ\ƒ“jv2015‚ðŠJÃB, PR TIMES, 9 ŒŽ 28 “ú, 2015.
    60. Jeremy Wagstaff: From pixels to pixies: the future of touch is sound, Reuters, 29 Sept. 2015.
    61. ƒtƒH[ƒuƒX ƒWƒƒƒpƒ“•ÒW•”: ƒfƒUƒCƒ“EƒAƒ“ƒgƒŒƒvƒŒƒi[‚ÌŽž‘オ‚â‚Á‚Ä‚«‚½ / Pixie Dust Technologies, Forbes Japan, 9 ŒŽ 23 “ú, 2015.
    62. ¼ì‘PŽi: ‹ó’†‚É•`‚©‚ꂽuG‚ê‚éŠGv‚⃊ƒAƒ‹‚È—§‘̉f‘œ‚ȂǁC“ú–{‚ÌŒ¤‹†ŽÒ‚É‚æ‚é“WŽ¦‚ð‚Ü‚Æ‚ß‚½SIGGRAPH 2015‚ÌEmerging TechnologiesƒŒƒ|[ƒgŒã•Ò, 4Gamer.net, 9 ŒŽ 7 “ú, 2015.
    63. H.M. Doss: Plasma Fairies: Femtosecond Laser Holograms, physics central, 18 Aug. 2015.
    64. Ö“¡^‹Õ: uFairy Lights in Femtosecondsv—Ž‡—zˆê‚³‚ñƒCƒ“ƒ^ƒrƒ…[FuƒA[ƒg‚Í‚à‚¤ƒeƒNƒmƒƒW[‚Å‚µ‚©‚È‚­‚È‚év, GIZMODO, 8 ŒŽ 17 “ú, 2015.
    65. <–¢—ˆ‹Zp> Fairy Lights in Femtoseconds, ŒŽŠ§ I/O, 9 ŒŽ†, 2015.
    66. Œà³: ‘S‘§‹ZpF—p^ŽÀ“IŒ¶Šo¢Š«‰ß‹Ž“I—H—ì, —‹–Nã¤, 14 Aug. 2015.
    67. Carl Engelking: Beyond Tupac, Can Hologram Concerts Take Off?, Discover Magazine, 13 Aug. 2015.
    68. u‰¹‹¿ê—ÍŠwE’´‰¹”g•‚—gvŽsê‚Ƃ́H, astavision, 8 ŒŽ 7 “ú, 2015.
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    70. Art Berman: "Fairy Lights" Holographic Display Under Development, Display Daily, 10 July 2015.
    71. ‰Á—ˆGˆê: YouTube‚Å50–œ‰ñÄ¶‚ð’´‚¦‚½uFairy Lights in Femtosecondsv‚ÍŒ»‘ã‚Ì–‚–@!?, FUTURUS, 7 ŒŽ 7 “ú, 2015.
    72. “ú–{”­FG‚ê‚邱‚Æ‚ª‚Å‚«‚éA¬‚³‚ȃvƒ‰ƒYƒ}EƒzƒƒOƒ‰ƒ€, WIRED, 7 ŒŽ 7 “ú, 2015.
    73. “ìÂŽREƒŒƒNƒTƒX‹’“_‚ŁuƒfƒUƒCƒ“~ƒeƒNƒmƒƒW[vƒvƒƒ_ƒNƒg“W@ƒXƒ}[ƒgƒEƒIƒbƒ`‚È‚Ç / Pixie Dust, ƒVƒuƒ„ŒoÏV•·, 7 ŒŽ 6 “ú, 2015.
    74. Sidhdharth: Japanese researchers touch holograms or Fairy Lights in Femtoseconds, Strews, 6 July 2015.
    75. Dara Jegede: Experts create interactive 'fairy lights' graphics with laser beams, Output Magazine, 6 July 2015.
    76. shingoogawa: “ú–{l‚ªŠJ”­IuG‚ê‚ç‚ê‚é3D‰f‘œv‚ª¢ŠE’†‚Řb‘èB‹ó’†‚É•‚‚­ƒL[ƒ{[ƒh‚âƒfƒBƒXƒvƒŒƒC‚ªŒ»ŽÀ‚ɁEEE, TABI LAB, 7 ŒŽ 6 “ú, 2015.
    77. Albert Ho: Touchable Floating Holographic Plasma 3D Fairy Lights Display, Virtual Reality Reporter, 6 July 2015.
    78. Holograms You Can Touch Developed, 33rd Square, 5 July 2015.
    79. üK“´Áœä: •sŒõ”\ŠÅŠÒ”\–́Is¯‹…‘åDt’†“I‘S‘§“Š‰e‹V˜ôo—ˆ—¹, geekview.cn, 4 July 2015.
    80. Godefroy F: Et si vous introduisiez des hologrammes tactiles dans vos projets d'objets connectes ?, OBJECTCONNECTE.COM, 3 July 2015.
    81. Monica Joshi: Touchable Holograms Coming to a Reality Near You, Big Think, 3 July 2015.
    82. Daniel Culpan: You can actually touch these 3D holograms, WIRED.CO.UK, 3 July 2015.
    83. Mariella Moon: Floating plasma display makes fairies a reality, engadget, 3 July 2015.
    84. Drew Prindle: Crazy new tech projects touch-sensitive holograms into thin air with lasers, Digital Trends, 2 July 2015.
    85. Ologrammi laser che si possono toccare realizzati da giapponesi, Cosmico, 2 July 2015.
    86. Adario Strange: Researchers in Japan show off super fast laser holograms you can touch, Mashable, 2 July 2015.
    87. Hologramas que se pueden tocar , ABC.es, 2 July 2015.
    88. ƒGƒXƒyƒbƒNƒ~ƒbƒNA‹ž‘åE–¼ŒÃ‰®H‘å‚ƐlHŽö•²‘•’u‚ðŠJ”­‚ց|’´‰¹”g‚Ì‹ó‹CU“®—˜—p, “úŠ§H‹ÆV•·, 7 ŒŽ 2 “ú, 2015.
    89. Alex Brook Lynn: These 3D Laser Projected "Fairy Lights" Can Save Lives, collectively, 1 July 2015.
    90. Caroline Reid: Scientists Create Holograms that you can Touch, IFL Science, 1 July 2015.
    91. Kelsey Campbell-Dollaghan: You Can Feel These Plasma Holograms Made With Femtosecond Lasers, GIZMODO, 1 July 2015.
    92. Giulio Prisco: Fairy Lights: Hologram-Like 3D Images In The Air That You Can Touch, HACKED, 1 July 2015.
    93. Dillan: ‰ö—…‰È•F‰ÂˆÀ‘SG–Ì“IûR“3DŒƒŒõ‘S‘§š¤, ‰ö—…“V‰º, 1 July 2015.
    94. miraiyoho: mTodai to TexasnSXSW2015‚É‚¨‚¯‚é“ú–{l‚ÌŠˆ–ôi‘O•Òj / Pixie Dust, SXSW ~ –¢—ˆ—\•ñŒ¤‹†‰ï, 6 ŒŽ 30 “ú, 2015.
    95. „B „`„„€„~„y„y „~„p„…„‰„y„|„y„ƒ„Ž „t„u„|„p„„„Ž „€„ƒ„‘„x„p„u„}„„u „„„‚„u„‡„}„u„‚„~„„u „y„x„€„q„‚„p„w„u„~„y„‘, N+1, 30 June 2015.
    96. Renee Morad: Floating, Touchable 'Fairy Lights' Unveiled, Discovery News, 30 June 2015.
    97. Don Melanson: Researchers' 'Fairy Lights' Promise Floating, Touchable Laser Displays, Tech Times, 29 June 2015.
    98. Alvy: Campanilla ya existe, al menos en el laboratorio, microsiervos, 30 June 2015.
    99. Krypton Radio: Fairy Lights and Holodecks, Krypton Radio, 30 June 2015.
    100. David Nield: Researchers create holograms you can touch using high-powered lasers, Science alert, 30 June 2015.
    101. Mary-Ann Russon: Touchable 3D holograms in daylight now possible using superfast femtosecond lasers, International Business Times, 30 June 2015.
    102. Nancy Owano: Images in the air: Researchers turn to femtosecond lasers, Phys.org, 30 June 2015.
    103. ŠCŠOu“ú–{l‚͐¦‚¢Iv“ú–{l‚ªŽÀŒ»‚µ‚½SF¢ŠE‚̃eƒNƒmƒƒW[‚ÉŠCŠO‚ª‘å‹»•±, ‚Ç‚ñ‚®‚肱, 6 ŒŽ 30 “ú, 2015.
    104. ƒLƒ‹ƒƒC: G‚ê‚ç‚ê‚é‹ó’†ƒfƒBƒXƒvƒŒƒC‚ªƒXƒSƒC!!ƒŒ[ƒU[‚Å‹ó‹C‚ðƒvƒ‰ƒYƒ}‰»‚µ‚Ä•\Ž¦!!, ƒRƒ‚ƒ“ƒ|ƒXƒg, 6 ŒŽ 30 “ú, 2015.
    105. logs_mu: —d¸‚ðƒŒ[ƒU[‚É‚æ‚é‹ó‹C‚̃vƒ‰ƒYƒ}‰»‚ŋ󒆂ɉf‚µ‚ăcƒ“ƒcƒ“G‚ê‚é‚悤‚É‚µ‚½uFairy Lights in Femtosecondsv, Gigazine, 6 ŒŽ 30 “ú, 2015.
    106. Ittousai: G‚ê‚é‹ó’†ƒfƒBƒXƒvƒŒƒCFairy Lights in Femtoseconds”­•\AƒŒ[ƒU[‚Å‹ó‹C‚ðƒvƒ‰ƒYƒ}‰», engadget “ú–{”Å, 6 ŒŽ 30 “ú, 2015.
    107. Don Melanson: Researchers' 'Fairy Lights' Promise Floating, Touchable Laser Displays, Tech Times, 29 June 2015.
    108. Kyle Hill: The Future of Holograms are 3D Plasma Displays You can Touch, Nerdist, 29 June 2015.
    109. Vaughn Highfield: Scientists develop incredible holograms you can touch, alphr, 29 June 2015.
    110. Victoria Woollaston: The 3D holograms you can TOUCH: High-speed lasers create images that respond to strokes without burning the skin, Mail Online, 29 June 2015.
    111. John Biggs: Researchers Use Femtosecond Lasers To Display Touchable Images In The Air, TechCrunch, 29 June 2015.
    112. Fairy Lights Holographic Display, Stereoscopy News, 29 June 2015.
    113. „O„|„Ž„s„p: „R„r„u„‚„‡„q„„ƒ„„„‚„„z „|„p„x„u„‚ „ƒ„€„x„t„p„u„„ „€„‹„…„„„y„}„„u „s„€„|„€„s„‚„p„}„}„, infuture.ru, 28 June 2015.
    114. Sushma Subramanian: Top five neat things I saw this week / Diminished Haptics, The Fifth Sense, June 2015.
    115. Mark Bruce: Functional artificial neuron, Free-air holograms, Digital microfluidics, Nuclear spin computing, Ultra-high-res 3D prints / 4. Free-Air Holograms from Femtosecond Lasers, SciTech Digest A Top 10 selection of scientific and technological advances each week, 28 June 2015.
    116. Œõ‚ɐG‚ê‚é‚ÆŒ`‚ª•Ï‚í‚éuFairy Lights in Femtosecondsv, LABO-EX, 6 ŒŽ 27 “ú, 2015.
    117. Mike Murphy: Scientists have created 3D holograms that you can touch, Quarts, 27 June 2015.
    118. Michael Byrne: Plasma-Based Midair Displays Are a Beautiful Techno-Future, Motherboard, 27 June 2015.
    119. Jason Dorrier: This Touchable Midair 3D Laser Display Is Pretty Magical, SingularityHUB, 26 June 2015.
    120. Touch This Hologram..Wow, Shocking Science, 26 June 2015.
    121. Android: A superfast laser wants us to feel how it is to play a hologram, Cnn Hit New, 26 June 2015.
    122. Dave Gershgorn: Superfast Lasers Create a Hologram You Can Touch, Popular Science, 26 June 2015.
    123. Ö“¡^‹Õ: ƒfƒWƒ^ƒ‹ƒlƒCƒ`ƒƒ[Žž‘ã‚Ì‹SËE—Ž‡—zˆê‚³‚ñ‚̐VƒvƒƒWƒFƒNƒguFairy Lights in Femtosecondsv‚ª‚Ü‚³‚É–‚–@, GIZMODO, 6 ŒŽ 26 “ú, 2015.
    124. Evan Ackerman: Femtosecond Lasers Create 3-D Midair Plasma Displays You Can Touch, IEEE Spectrum, 26 June 2015.
    125. Johnny: Japanese Researchers Create Interactive Aerial Holograms Using Femtosecond Lasers, Spoon & Tamago, 25 June 2015.
    126. Felix Knoke: Interaktives Hologramm schwebt in der Luft, Engadget DE, 24 June 2015.
    127. ‰¡“c—º‰î: —Ž‡—zˆê‚ªŒê‚é: ƒRƒ“ƒsƒ…[ƒ^ƒfƒUƒCƒ“‚Ì–¢—ˆ‚Æ‚Í / Pixie Dust & Fairy Lights, QREATORS, 6 ŒŽ 24 “ú, 2015.
    128. ƒtƒH[ƒuƒX ƒWƒƒƒpƒ“•ÒW•”: ƒfƒUƒCƒ“~ƒfƒWƒ^ƒ‹ƒeƒNƒmƒƒW[‚ð‘ÌŠ´‚Å‚«‚éƒCƒxƒ“ƒg@DESIGN ENTREPRENEUR SHOWCASE‚ªÂŽR‚ÅŠJÃI / Pixie Dust, Forbes Japan, 6 ŒŽ 13 “ú, 2015.
    129. Levitacion sonora, El Hormiguero 3.0 (Antena 3) (Spanish TV program), 9 June 2015. [Full]
    130. ¼ì‘PŽi: Ž‹ü’ǐՋ@”\•t‚«VR HMD‚©‚çAI“‹Úƒ~ƒjŽl‹ì‚܂ŁB“Æ‘n“I‚È‹Zp‚ðŽ‚Âƒxƒ“ƒ`ƒƒ[Šé‹Æ‚ªW‚Ü‚éuSlush Asiav‚ðŒ©‚Ä‚«‚½ / Pixie Dust, 4Gamer.net, 5 ŒŽ 22 “ú, 2015.
    131. Dr Nicola Davies: Acoustic levitation - floating on air / 3D Acoustic Manipulation, Engineering and Technology Magazine, 18 May 2015.
    132. ƒjƒbƒ|ƒ“‚Ì“VË‚ð’T‚·—· / —Ž‡—zˆê (Ä•ú‘—), 1‰­l‚̑县–âIHÎ‚Á‚ăRƒ‰‚¦‚āI (‚æ‚Ý‚¤‚èƒeƒŒƒr), 5 ŒŽ 15 “ú•ú‘—, 2015.
    133. Mayumi Ishikawa: Œ»‘ã‚Ì–‚–@Žg‚¢A—Ž‡—zˆêŽ‚ªŒê‚éƒA[ƒg‚ƃeƒNƒmƒƒW[ #SlushAsia / Pixie Dust, THE BRIDGE, 4 ŒŽ 24 “ú, 2015.
    134. Ö“¡^‹Õ: uPixie Dustv—Ž‡—zˆê‚³‚ñƒCƒ“ƒ^ƒrƒ…[FIoT‚Í‚à‚¤ŒÃ‚¢Bƒ|ƒXƒguƒ‚ƒmvŽž‘ã‚Ì–‚–@‚Ƃ́H, GIZMODO, 4 ŒŽ 20 “ú, 2015.
    135. Todai to TexasF“ú–{‚̃n[ƒhƒEƒFƒAƒXƒ^[ƒgƒAƒbƒvASXSW‚ÅŠ…Ñ‚𗁂тéiƒp[ƒg1j / Pixie Dust, THE BRIDGE, 3 ŒŽ 27 “ú, 2015.
    136. Video of the Month - 3D Mid-Air Acoustic Manipulation, E-Tabs News, 26 Mar. 2015.
    137. J.T. Quigley: Todai to Texas: These Japanese hardware startups wowed the crowd at SXSW (part 1) / Pixie Dust, TECHINASIA, 24 Mar. 2015.
    138. ‚¢‚Æ‚¤‚¹‚¢‚±‚¤: —Ž‡—zˆê~‚¢‚Æ‚¤‚¹‚¢‚±‚¤ 2035”N‚Ì–‚–@¢ŠE^FUTURISTS, japan jikkan, 3 ŒŽ 18 “ú, 2015.
    139. Adam Balkin: Technologies Showcased on South By Southwest Expo Floor / Pixie Dust Technologies, Time Warner Cable News NY1, 18 Mar. 2015.
    140. USA: Check out the latest hi-tech gadgets to hit SXSW, Ruptly TV, 17 Mar. 2015. [YouTube]
    141. Our team taking a first look at levitating particle technology and it's application for healthcare, Ogilvy CommonHealth Worldwide, 17 Mar. 2015.
    142. Rex St John: 5 Amazing IoT Demos from SXSW 2015 / #3 Ultrasound Levitation, Interl Software & Services, 15 Mar. 2015.
    143. MORESEVEN / —Ž‡—zˆê / ŽOŽŸŒ³‰¹‹¿•‚—V, ‚ß‚´‚Ü‚µƒeƒŒƒr (ƒtƒWƒeƒŒƒr), 3 ŒŽ 13 “ú•ú‘—, 2015.
    144. ‹}ã SHOW! ƒp[ƒ\ƒ“ / —Ž‡—zˆê / ŽOŽŸŒ³‰¹‹¿•‚—VEƒRƒƒCƒhƒfƒBƒXƒvƒŒƒCEDiminished Haptics, ƒƒŒƒ“ƒQ‚Ì‹CŽ‚¿ (“ú–{ƒeƒŒƒr), 1 ŒŽ 24 “ú•ú‘—, 2015.
    145. ‘åê‚ ‚¢: uƒiƒCƒXƒXƒeƒbƒv‚ÈŒ¤‹†ŽÒv, –ˆ“úV•·, 1 ŒŽ 15 “ú, 2015.
    146. miraiyoho: mTodai to TexasnSXSW2015‚É’§í‚·‚é“ú–{‚̃Cƒmƒx[ƒ^[’B / Pixie Dust, SXSW ~ –¢—ˆ—\•ñŒ¤‹†‰ï, 1 ŒŽ 14 “ú, 2015.
    147. ’†”ö‹á: ‚Ç‚±‚Å‚àƒXƒNƒŠ[ƒ“@’´‰¹”g‚Å•¨Ž¿@‹ó’†ŒÅ’èA–¼H‘å‚È‚ÇŠJ”­, ’†“úV•·, 1 –Ê, 1 ŒŽ 13 “ú, 2015.
    148. WHITE Hot Tech Trend Six 2015 V‚µ‚¢ƒ†[ƒU[‘ÌŒ±‚𐶂ݏo‚·ƒL[ƒeƒNƒmƒƒW[ / Pixie Dust & Graffiti Fur, WHITE, 1 ŒŽ 6 “ú, 2015.
    149. ƒiƒCƒXƒXƒeƒbƒv‚ÈŒ¤‹†ŽÒ‘Io ‰ÈŠw‹Zp‚ɍvŒ£Œ°’˜ ”ò–ôŠú‘Ò‚Ì10Ž, ‰ÈŠwV•·, 1 ŒŽ 1 “ú, 2015.
    150. ‚m‚h‚r‚s‚d‚oA¡”N’–Ú‚ÌŒ¤‹†ŽÒ‚P‚Ol‚ð‘I’è, “úŠ§H‹ÆV•·, 12 ŒŽ 24 “ú, 2014.
    151. ·“c—È: “Œ‘åƒxƒ“ƒ`ƒƒ[A‹ó”ò‚Ôƒƒ{ƒbƒg‚Ő¢ŠE‚ց@ƒtƒFƒmƒNƒXAITŠé‹Æ‚Ì“o—³–åuƒTƒEƒXEƒoƒCEƒTƒEƒXƒEƒGƒXƒgvoêŒˆ‚Ü‚éFTODAI TO TEXAS 2015 / ƒsƒNƒV[ƒ_ƒXƒg, ASCII.jp, 12 ŒŽ 15 “ú, 2014.
    152. ŽRèˆê˜Y: ‚à‚̂ɂȂ郂ƒmA‚È‚ç‚È‚¢ƒ‚ƒmi59jF uKMD‚̐Xv‚ŐG‚éAŠ´‚¶‚éA•`‚­‚ð‘ÌŒ±‚µ‚Ä‚«‚½ / Graffiti Fur, @IT, 12 ŒŽ 4 “ú, 2014.
    153. “V‘ò³—T: ƒ‰ƒ{’ʐM / ’´‰¹”g‚̗͂ɉ”\« / ¯‹M”V, “Ç”„V•· ’†•””Å, 27 –Ê, 11 ŒŽ 24 “ú, 2014.
    154. KMD Forest / HMD‚Ő¬‘wŒ—‚܂ŃWƒƒƒ“ƒvIŒc‰ž‚цƒj[ƒN‹Zp‚Ì“WŽ¦‰ï / Graffiti Fur, ŽYŒoƒAƒvƒŠƒXƒ^, 11 ŒŽ 24 “ú, 2014.
    155. {‚Ì”ü—‚Æ‚¨•×‹­ƒXƒyƒVƒƒƒ‹I / Pixie Dust, —’‚É‚µ‚₪‚ê (“ú–{ƒeƒŒƒr), 11 ŒŽ 15 “ú•ú‘—, 2014.
    156. •¨‘̂𒈂ɕ‚—V‚³‚¹‚éu‚Q‚P¢‹I‚Ì–‚–@Žg‚¢v—Ž‡—zˆêŽ, SENSORS (“ú–{ƒeƒŒƒr), 11 ŒŽ 1 “ú•ú‘—, 2014.
    157. æ’[‹Zp –¼H‘å‚ÌŒ¤‹†¬‰Ê‚ð“WŽ¦ / ¬Œ^’´‰¹”gW‘©‘•’u, ƒjƒ…[ƒX UP (–¼ŒÃ‰®ƒeƒŒƒr), 10 ŒŽ 31 “ú•ú‘—, 2014.
    158. ƒjƒbƒ|ƒ“‚Ì“VË‚ð’T‚·—· / —Ž‡—zˆê, 1‰­l‚̑县–âIHÎ‚Á‚ăRƒ‰‚¦‚āI (“ú–{ƒeƒŒƒr), 10 ŒŽ 29 “ú•ú‘—, 2014.
    159. XŽR˜a“¹: XŽR˜a“¹‚́uƒqƒg‚Æ‹@ŠB‚Ì‹«ŠE–ʁv / uƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒcEXPO2014vƒŒƒ|[ƒg `•ÏŒ`ƒƒ{‚©‚ç‹ó’†GŠoƒ^ƒbƒ`ƒpƒlƒ‹‚Ü‚Å, PC Watch, 10 ŒŽ 27 “ú, 2014.
    160. u‹ó’†GŠoƒ^ƒbƒ`ƒpƒlƒ‹v‚ª2Š¥@DC EXPO‚ÅInnovative Technologies 2014“Á•ÊÜ”­•\, ƒAƒjƒIƒAƒjƒI, 10 ŒŽ 26 “ú, 2014.
    161. Shinichi Sekine: •‘‚¢ŽU‚镲‚̋󒆃XƒNƒŠ[ƒ“ Pixie Dust B‰¹‹¿ê‚É‚æ‚镨‘Ì•‚—g‹Zp‚Å—±Žq‚ðƒXƒNƒŠ[ƒ“‰», engadget “ú–{”Å, 10 ŒŽ 25 “ú, 2014.
    162. ƒIƒXƒJ[‰ª•”: gƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒc EXPO 2014h‚Å‚ÍSF‚̐¢ŠE‚ªŒ»ŽÀ‚Ì‚à‚̂ɁIÅæ’[‚Ì‹Zp‚ƃAƒCƒfƒA‚ªŒ‹W‚µ‚½“WŽ¦‰ï‚ðƒŠƒ|[ƒg, ƒtƒ@ƒ~’Ê.com, 10 ŒŽ 24 “ú, 2014.
    163. ŽRì»”V: Ÿ—¦100“‚¶‚á‚ñ‚¯‚ñƒƒ{‚âVR’®fŠí‚ȂǁAÅVƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒc‹Zp‚ªWŒ‹, INTERNET Watch, 10 ŒŽ 23 “ú, 2014.
    164. logx_tm: ‰½‚à‚È‚¢‹ó’†‚ÉŠ´G‚ª¶‚Ü‚ê‚éu‹ó’†GŠoƒ^ƒbƒ`ƒpƒlƒ‹v‚È‚Ç’´‰¹”g‚ðŽg‚¤‘•’u‚¢‚ë‚¢‚ë, Gigazine, 10 ŒŽ 23 “ú, 2014.
    165. ’†—Ñ‹Å: HMD‚âƒXƒ}[ƒgƒOƒ‰ƒX‘½”“oê‚́uƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒcEXPOvBVR”ü­—‚Ɛ¶–½‚ðŠ´‚¶‚é, AV Watch, 10 ŒŽ 23 “ú, 2014.
    166. ƒKƒ`—é–Ø: ÅVƒEƒFƒAƒ‰ƒuƒ‹‚ð‘ÌŒ± ƒfƒWƒ^ƒ‹ƒRƒ“ƒeƒ“ƒc EXPO 2014‚ª10/23‚©‚çŠJÃ, TŠ§ƒAƒX PULS, 10 ŒŽ 21 “ú, 2014.
    167. MORESEVEN / ™‰Y—T‘¾ / Graffiti Fur, ‚ß‚´‚Ü‚µƒeƒŒƒr (ƒtƒWƒeƒŒƒr), 10 ŒŽ 14 “ú•ú‘—, 2014.
    168. u2020”NA‰½‚â‚Á‚Ä‚½‚çŠy‚µ‚»‚¤!?v—Ž‡—zˆêŽ‚ÆŒê‚é–¢—ˆ‚̃NƒŠƒGƒCƒeƒBƒu, ƒGƒ“ƒWƒjƒA type, 9 ŒŽ 30 “ú, 2014.
    169. ƒgƒŒƒ“ƒh‚½‚Ü‚² / ƒOƒ‰ƒtƒBƒeƒB ƒtƒ@[, ƒ[ƒ‹ƒhƒrƒWƒlƒXƒTƒeƒ‰ƒCƒg (ƒeƒŒƒr“Œ‹ž), 9 ŒŽ 10 “ú•ú‘—, 2014.
    170. ⨍N–¾: ƒRƒ“ƒsƒ…[ƒ^ƒOƒ‰ƒtƒBƒNƒX‚ƃCƒ“ƒ^ƒ‰ƒNƒeƒBƒuƒeƒNƒmƒƒW[‚̍‘Û‰ï‹cuACM SIGGRAPH2014v‚ªŠJÃ, ƒƒfƒBƒAŒ|pƒJƒŒƒ“ƒgƒRƒ“ƒeƒ“ƒc, 9 ŒŽ 3 “ú, 2014.
    171. Œc‘åAƒJ[ƒyƒbƒg‚â•ž‚É•¶ŽšEŠG‚ð•\Ž¦‚Å‚«‚é•`‰æ‘•’uŠJ”­|’´‰¹”g‚Å–Ñ•À‚ݐ®Œ`, “úŠ§H‹ÆV•·, 9 ŒŽ 4 “ú, 2014.
    172. ‚‚¢‚ÉCG‚̓fƒWƒ^ƒ‹¢ŠE‚𔲂¯‚¾‚µ‚½ - ƒŠƒAƒ‹‚È•¨Ž¿‚ðŽ©Ý‚É‘€‚éAÅæ’[CG‚̃ZƒJƒC, logmi, 9 ŒŽ 3 “ú, 2014.
    173. ¼ì‘PŽi: HDR•\Œ»‚ª‰Â”\‚ȃŒ[ƒU[ƒvƒƒWƒFƒNƒ^‚©‚ç’´‰¹”g‚Å–Ñ”ç‚ÉŠG‚ð•`‚­ƒVƒXƒeƒ€‚܂ŁBSIGGRAPH 2014‚ÅŒ©‚½ŽaV‚ȃfƒBƒXƒvƒŒƒC‹Zp, 4Gamer.net, 9 ŒŽ 1 “ú, 2014.
    174. Kieron Monks: Can levitating appliances take off?, CNN, 29 Aug. 2014.
    175. Yuta Sugiura, dibujar sobre alfombras, Folio, 27 Aug. 2014.
    176. David Cohn: Wowing Them in Vancouver at SIGGRAPH 2014, Desktop Engineering, 26 Aug. 2014.
    177. Francois Castro Lara: Graffiti Fur : une machine qui permet de reproduire un dessin sur un tapis, Creapills, 25 Aug. 2014.
    178. Pinar: DIY Carpet Paintings Use Technology To Bring Art To Your Floors Without A Mess, Distractify, 23 Aug. 2014.
    179. Realiteti virtual do te behet edhe me i mahnitshem me keto teknologji, PCWorld, 23 Aug. 2014.
    180. Michael Cruickshank: Turn Your Carpet Into A Work Of Art, versus, 22 Aug. 2014.
    181. Drew Prindle: Graffiti Fur is a carpet printer that brushes giant pictures onto your rug, Digital Trends, 21 Aug. 2014.
    182. Alvy: Autenticos <> que levitan como formas 3D, Microsiervos, 21 Aug. 2014.
    183. Graffiti Fur zaubert Kunstwerke auf den Teppich, Ausgefallene-Ideen, 20 Aug. 2014.
    184. Graffiti Fur - Des etudiants inventent un gadget pour dessiner sur les tapis et moquettes, UFUNK, 20 Aug. 2014.
    185. Andrew Liszewski: This Clever Carpet "Printer" Brushes Pictures Onto Your Rugs, GIZMODO, 15 Aug. 2014.
    186. Matt Kieltyka: SIGGRAPH brings tomorrow's technology to Vancouver today / Pixie Dust, Metro News, 11 Aug. 2014.
    187. ª’Ã’õ: gƒVƒ‡ƒbƒJƒ\ƒ“h‚Á‚ĉ½‚¾!?, “úŒoƒeƒNƒmƒƒW[ online, 8 ŒŽ 5 “ú, 2014.
    188. ^“ç‘å“x: NEXT GENIUS –¾“ú‚Ì“VË‚ð’T‚¹ / 01 —Ž‡—zˆê, SWITCH, vol. 32, no. 8, 2014.
    189. SIGGRAPH 2014 RELEASES EMERGING TECHNOLOGIES PREVIEW, The Official SIGGRAPH 2014 Blog, 30 July 2014.
    190. •‚› –‹, sina V˜Q‰È‹Z, 25 July 2014.
    191. ꎓ¡”ü•Û: •S•·‚͈êG‚É‚µ‚©‚¸ L‚ª‚éuGŠov‹Zp‚̐¢ŠE / ’´‰¹”g‚Å3ŽŸŒ³‹óŠÔ‚ɁuGŠov‚ðì‚é, “úŒoƒrƒWƒlƒX, 7 ŒŽ 22 “ú, 2014.
    192. ‘æ 3 ‰ñ•ú‘— / ¯‹M”V, ‚­‚ç‚à‚Æ‚¢‚½‚é‚Ì‚¢‚½‚çƒiƒCƒg (‹ž“sŽOðƒ‰ƒWƒIƒJƒtƒF), 7 ŒŽ 17 “ú•ú‘—, 2014. [YouTube]
    193. Julien Happich: EUROHAPTICS 2014 / Augmented reality gets physical with haptics / Diminished Haptics, EETimes europe, July/Aug. 2014.
    194. “ú–{Œ¤‹†Œœ•‚èûŽ¦‹ZpFãߛ{¨êãڏW—±Žq, sina V˜Q`, 14 July 2014.
    195. Nobi Oda: "Digital-age Alchemist" Yoichi Ochiai Overwrites the World, IGNITiON, 7 July 2014.
    196. Pixie Dust, iXBT.com, 7 July 2014.
    197. Chris Davies: This incredible floating display belongs in a sci-fi movie, Slash Gear, 3 July 2014.
    198. SIGGRAPH 2014 TECHNICAL PAPERS PREVIEW, The Official SIGGRAPH 2014 Blog, 2 July 2014.
    199. ‰Á—ˆGˆê: YouTube‚Å300–œ‰ñÄ¶u“Œ‘åŠJ”­‚̐V‹Zpv‚ª‚Ü‚é‚Å–‚–@, FUTURUS, 6 ŒŽ 30 “ú, 2014.
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    ŠwˆÊ˜_•¶

    ”ŽŽm˜_•¶ F ŽOŽŸŒ³Œ`óŒv‘ªƒV[ƒg‚É‚¨‚¯‚é—§‘̍č\¬–@‚ÌŒ¤‹† (2008)

    CŽm˜_•¶ F ”ñüŒ`’e«‚ð—˜—p‚·‚éGŠoƒZƒ“ƒVƒ“ƒO (2005) yÐ‰îƒy[ƒWz

    ‘²‹Æ˜_•¶ F ”cŽŒ^—ÍŠo’ñŽ¦‘•’u‚ð—p‚¢‚½Ž‹GŠo—Z‡‚ÌŒ¤‹† (2003)



    Takayuki Hoshi: star(at)hoshistar81.jp